Transcription
The Fringe Guide to Choosing a Venue
01 IntroductionHow to find a venueThis guide contains details of venue spaces available to hire at the Edinburgh FestivalFringe. You can also use our online search facility at edfringe.com to explore youroptions as information in this guide can change regularly.Another way to get a picture of the venues at the Fringe, is to look in in the venueguide and map in the back pages of last year’s programme. These pages list thevenues that took part in the previous year and the shows they hosted so you can seewhich venues might work for you. You can download last year’s Fringe Programme atedfringe.com/whats-on/programme.Once you have identified the venues you are interested in, use the contact informationin this guide to get in touch with the venue manager directly. We recommend that youcontact a number of potential venues to get a good idea of the types of deals that areout there and what different venues can offer you.The Participant Services team are here to help. We are impartial so we can’trecommend one venue over another, but we can help you work out what will bebest for your show and how to approach venue managers. Get in touch with us onparticipants@edfringe.com or on 44 (0)131 226 0026.Or, if you are interested in running your own venue or in performing in an unusuallocation, please contact us for more information on venues@edfringe.com.There are a huge variety of venues in use during the Fringe and numerous new venuesites are registered each year. A venue can be anything from a building with multiple,fully equipped performing spaces to a meeting point on the street, so it’s vital that youdo your research and find the venue that works best for you.Please also make sure that you read Section 4 of the Fringe Guide to Doing a Show,which contains detailed information on venue terminology and financial deals, as wellas legal issues and contracts.The Fringe Society does not operate any venues so we are unable to specificallysuggest a venue to you as we must remain completely impartial towards venues, just aswe are with performing companies and other stakeholders.Choosing your venue is one of the most important decisions you will make when takingpart in the Fringe. Your arrangement with your venue doesn’t just cover where you’ll beperforming, it also covers what days and times your show will take place, the facilitiesthat will be provided and the financial deal. Each venue organisation works differentlyso it’s worth taking the time to find out what’s on offer and make the right choice. return to contents2next page
02 Tips on finding a venueTips on finding a venueAcross the entire festival each year, venues and companies come togetherlike a collection of puzzle pieces falling into place together, where eachparty finds the right fit. From a performing companies point of view, itcan be as daunting as starting a jigsaw puzzle, with much trial and error,before you find the right venue and the right venue finds you.Make sure that you do yourresearch about venues, lookattheir websites, check out theshows they hosted last yearonedfringe.com and talk to pastcompanies about their Fringeexperience.u can,Find out as much as yotthaesthen shortlist the onble.you feel are most suitag asYou should be contactindfinuyotmany venues tha,owshare suitable for yourtostranking them from mo.riteleast favou return to contentstconfident you areatheetemrutosEnilitiesba’seunein your vw andyour shofosdeethethe ngrammeroplyevtito effecto run.y intendethsecaspDon’tsend out blanapplicketationsto all thMakeeinformed app venues.specifilicatioc venuns toes andfollowapplictheirationprocedures.loop –Keep everyone in themberit’s fine to apply to a nut makeof different venues, buandchtouinsure you keepyouerelet venues know whmakingare with your decisionnuesprocess. Don’t play veand leterothoff against eachwantn’tthem know if you dotoita slot so they can offersomeone else.Most Fringe venues don’toperate year round soyou may not be ableto visit them. Facilities,capacities and serviceswill also vary. TemporaryFringe venues may bechurches, halls or hotelsand may be different tothe spaces that you areused to performing in.Always makesure that youtry to engenderand maintaina strong andcommunicative relationship withthe venue of your choice.3Keep checking back on thisguide and the online venuesearch – it’s updated regularlywith new venues and spaces somake sure you have themost up-to-dateinformation.Talk through all yourrequirements and makesure it is clear whatthe venue can provideand what you need toarrange for yourself.Don’t assume that thevenue has a specificpiece of equipment orfacility – always doublecheck.Make sure that you are awareof the terms of agreement; thiswill form your contract whichis a legal document. Ensureyou have read everything andget any questions clarified inwriting.next page
03 What to considerThe Fringe Guide to Doing a Show has more details on what to look for when choosinga venue, but some of the things you should ask yourself are:CapacityHow manyseats are there inthe space and willthis work foryour show?StagedimensionsIs the stage the rightsize for your show?Programmingpolicy of thevenueWill your work fit in thereand does the venue oftenprogramme shows andcompanies like yours?TechnicalfacilitiesMediaandmarketingsupport offeredDoes the venue produce itsown brochure and canthey help promoteyour show?What lighting,sound and storagefacilities will beon offer?EnvironmentalpolicyPerformanceslots AvailableFinancial dealIs there a fee for the venuehire or does it work on the freemodel? If it’s a paid model, how muchwill you need to pay and when. Is itbased on your box office takings ora straight hire fee?If it’s a free model, are there conditionsor requirements for you using thespace? (See Section 4 of the FringeGuide to Doing a Show formore details).Is the venue run in asustainable way?What dates and timeswould suit your showbest, can the venueoffer these?Accessibilityfor bothaudience andparticipantsIs the venue accessible foraudience members tovisit and for cast andcrew?Best Practice CodeIs the venue signed up? Thelistings in both this guide andthe online venue search willindicate if a venue hassigned up.Green tipAsk venue managers if you cansubmit your application materialselectronically. It’s easier and moreconvenient to click through to avideo URL than play a DVD. return to contents4next page
03 What to considerBest Practice CodeRegistering your showThis code has been written to help explain what you can expect from your venue andthe standards they aim to work to.Once you have confirmed your venue arrangement, you can register your show withthe Fringe Society. You can do this yourself through the online form, but in someinstances your venue may do this for you. If your venue registers a show on yourbehalf, make sure that you are on the Society mailing list so you get updates from usand also make sure you know where your box office money is being paid at the end ofthe festival.Venue producers signing this code agree to:1. Ensure that the Fringe Society is given the opportunity to contact their performingcompanies directly so that the Society can share information with all participants.2. Provide their performing companies with details and specifications of venues andspaces which are as detailed and up-to-date as practicable.Venues often ask that settlements from the Fringe Box Office are sent to them. They willthen add their takings and forward you the money under the terms of your agreementwith them. The processes vary between venues, however, so make sure you knowexactly how the payout process and schedule will work in your case.3. Issue performing companies with a contract written in plain English, which clearlyoutlines financial obligations, payment schedules and any penalties that mayapply. Make sample contracts available to prospective performing companies onrequest.What if something goes wrong?4. Forward performing companies any monies owed to them ideally by one month ofreceipt of settlement from the Fringe Society and certainly within two months, undernormal circumstances.Most relationships with venues run very smoothly, but unfortunately there are sometimesproblems and disagreements. You should always try to resolve these in person withyour venue manager in the first instance, but you are also welcome to talk it throughwith Society staff. The legal relationship will be between yourself and your venue, sothe Society does not have any final jurisdiction, but we can help mediate any issues.5. Comply with applicable licensing, equalities, employment and health and safetylegislation.6. Strive towards providing the highest level of accessibility at their venues.More information7. Encourage the establishment of sustainable practices and seek to reduce theenvironmental impact of the festival.Before you start talking to venues, remember to read Section 4 of the Fringe Guide toDoing a Show which talks you through the process and options in more detail. If youneed any help, please get in contact with the Fringe Society onparticipants@edfringe.com or 0131 226 0026 (option 2).8. Implement an Equal Opportunities policy to encourage the promotion of equalopportunities.9. Develop best practice in venue operation and the provision of training.10. Seek to work with each other and the Fringe Society for the future development ofthe Fringe.11. In the event of a dispute with a performing company that cannot be resolved, seekto arrange mediation of the matter by the Fringe Society.This code has been developed through joint discussions between the Associationof Independent Venue Producers and the Edinburgh Festival Fringe Society. It is notbinding, but is designed to be a statement of intent and commitment. The aim of thiscode is to improve the Fringe experience for everyone. It is understood that Venueproducers do not always have sole control of their buildings, and that their ability tofully implement this code may be hampered by external factors beyond their control. return to contents5next page
04 Glossary of venue termsBirdieFOH (front of house)A lantern similar to a parcan, only smaller and of lower voltage.Black boxThe areas of a theatre open to public access, including the auditorium seating andlobby. Members of the FOH staff are those that service the box office and bar or cafeareas, take tickets and usher the audience.A one-room studio with flexible stage and audience configuration. The parameters ofthe space are usually defined by hanging black curtains.FresnelA lantern that produces light with a soft-edged beam.Box office splitGet-in/get-outA venue rental arrangement in which you split your show’s box office takings with thevenue, eg. 60% to you, 40% to the venue.The brief period before or after a performance designated for you to move yourcompany, set, props and costumes in or out of a space. Your venue contract shouldspecify the length of time allotted for these changes and whether they are taken out of,or in addition to, your slot length.Box office split with guaranteeA venue rental arrangement in which you will pay the venue either a percentage ofyour box office revenue, as with a normal box office split, or an agreed fixed fee(‘guarantee’), whichever is greater. You may have to pay the guarantee or a portionthereof in advance.GuaranteeThe minimum amount of money you will need to pay to your venue for your slot. Thismay be worked out as a % of your potential earnings.CabaretLanternA seating configuration in which members of the audience sit in small groups at tablesspread throughout the space, all facing the (typically raised) stage area.The basic term for a piece of equipment that illuminates the stage or auditorium. Alsoreferred to as a ‘luminaire’ (Europe) or ‘instrument’ (USA).ChannelParcansIn either lighting or sound equipment, a single course or pathway for transmittinginformation. Generally, the more channels available, the more equipment that can beused and the more layered and complex the effects that can be achieved.A lantern consisting of a metal cylinder (the ‘can’) that houses a bulb, reflector and lensin a sealed unit, collectively called a parabolic aluminised reflector or PAR. It was firstmade popular in rock concert lighting, owing to the high intensity of its beam.End-onProscenium archAn auditorium layout that has the entire audience facing the stage from the samedirection (eg, in a proscenium arch configuration).A seating configuration in which the audience faces the stage head on. The termoriginally applied to theatres where an arch created by an opening in the walldivided the audience from the performing space; today, spaces with this set-up will notnecessarily include a physical archway as such (see ‘end-on’).FloodA lantern that produces a very broad, very bright beam for lighting large sections ofthe stage.Raked seatingSeating arranged on a slope going up and away from the stage, in order to provide aclearer view from every seat. return to contents6next page
04 Glossary of venue termsSlotThe allotted time in a venue’s daily schedule during which your show takes place, oftenincluding get-in and get-out.SpaceA room in a larger venue building or complex where your show takes place.Sprung floorA type of stage floor that absorbs shocks, giving it a softer feel. It is a significantadvantage to dance and physical theatre shows, serving to enhance movement andreduce injuries.Straight rental/hireA venue rental arrangement in which you pay a fixed fee and keep 100% of the venuebox office takings, minus any extras or ticket commission. You will probably have topay a portion of this fee as a deposit when you first book the space and the rest beforeyour first performance.StudioA smaller theatre space with flexible stage and audience configuration.ThrustA stage that projects into the auditorium, with audience seated on at least two of itssides.VenueA building, room, space or area where a show is performed.WashA lantern with a soft focus that covers a large spread of the stage in light. return to contents7next page
Venue details return to contents8next page
Acoustic Music Centre @ St Bride'sVenue Address: 10 Orwell Terrace EH11 2DZ - Venue Number: 123Organisation: Acoustic Music Centre @ St Bride's - Website: www.acousticmusiccentre.co.ukContact: John Barrow - Address: 17 Redhall Bank Road Edinburgh EH14 2LYPhone: 07968131737 - Email: jb@stoneyport.demon.co.ukGeneral Venue InformationVenue DescriptionWhat Makes this Venue SpecialAcoustic Music Centre @ St Bride's is approx 5 - 10 minutes' walk from the importantHaymarket road and rail interchange.Acoustic Music Centre @ St Bride's is approx 5 - 10 minutes' walk from the importantHaymarket road and rail interchange. The venue contains two spaces: Big Room (250raked seats) - fully equipped, 24-channel digital PA desk (engineer), good lighting grid,stage 9m x 9m. Back Room 50 seats, flat floor (on-stage 12 channel desk, no engineer),x2 lanterns, one on each side of the stage and slightly forward of the stage. Cafe servicethrough the day; bar/cafe through evening. St Bride's is special because the Big Roomstage is one of the biggest performance spaces for the size of the venue. Plus it has asemi-sprung wooden floor with black Harlequin dance flooring. Plus, plus we're just lovelyto work with and have lots of experience in running shows! :)ProgrammingVenue Viewing DetailsMusic primarily - but we veer away from drum kits and so on since (a) there's a sound- Arrange viewing with year-round venue manager t: 44-131 346 1405limiter in the Big Room, and (b) the Back Room doesn't have adequate external soundproofing. Drama - must be capable of being simply staged to fit in with the need forrapid turn-arounds. Spoken word - both venues have suitable acoustics (and PA) forquiet shows. Children's shows.Genres of InterestAlternate Contact MethodsChildren's Shows, Dance Physical Theatre and Circus, Music, Spoken Word, TheatreCodes, Associations and AccessSigned Up to Best Practice CodeYesAssociation of Independent Venue ProducersYesSigned Up to Green Arts InitiativeYesLift or Level AccessPartiallyWheelchair AccessiblePartiallyReserved Accessible ParkingNoFurther Accessibility InformationInduction loop in Big Room and in venue box office but not in Back Room.Media & Marketing, Box Office and Venue FacilitiesMedia & MarketingBox OfficeVenue FacilitiesMedia OfficeNoBox Office HoursAug 8-28 2016 box office Baropens one hour beforefirst show of the dayYesMedia StaffYesBox Office StaffYesCafeYesVenue ProgrammeYesComputerised BoxOffice YesFOH StaffYesPrint Run10000Linked to FringeNoTechnical StaffYesPublicity ChargeNoPhone SalesYesFood & Drink DescriptionFestival Websitewww.acousticmusiccentre.co.ukCredit CardYesCafe service during day. Bar/cafe during evening –food provided by quality local bistro/restaurant, FirstCoast.Additional InformationAdditional InformationAdditional Information
SpacesBack RoomCapacity50Descriptionintimate room with raised stage; linked seats on flat floor.Performance Space TypeBlack BoxPerformance Space Type (if other)Stage Format TypeThrustStage Format Type (if other)Hire Deal TypeBox Office Split with guarantee,Hire Deal Type (if other)Proposed Charges 135 per slot; some discounts for some Additional Chargesrunsnone except by agreement withparticipantSlot Length60 minutesStage Dimensions (Wm x Dm x Hm)4m (w) x 2m (d) x m (h)Lightingx1 lantern 'out front' stage left andanother stage right on small dimmerrackSoundnew (2013) 8-channel PA desk; onstage and self op; adequate cables,mics/stands and DIsStoragevery limitedDressing RoomnoneWheelchair Performer AccessNot AccessibleLift/Level AccessNoAccessible WCNoHearing LoopNoCapacity245Other Technical InformationBig RoomDescriptionKnave/chancel of early 20th century gothic style church with clear sight linesPerformance Space TypeBlack BoxPerformance Space Type (if other)Raked SeatingStage Format TypeOtherStage Format Type (if other)Semi-sprung, wooden, flat floor withfitted Harlequin dance floor.Hire Deal TypeBox Office Split with guarantee,Hire Deal Type (if other)Proposed Chargestypically 480 per slotAdditional Chargesnone except with agreement ofparticipantSlot Length75 minutesStage Dimensions (Wm x Dm x Hm)9m (w) x 9m (d) x m (h)Lightingx4 square truss rig with a total of about Sound44 lanterns (fresnels and profiles).Topdeck Tallescope used to access rigapprox. 9 m above performance area.Lighting board: Zero 88 Jester ML48with UK PSU.State of the art 24-channel digital deskplus speakers, amps, cables, mics, DIsetc etc (and engineer).Storagevery limited but there is some.Dressing Roomtwo large changing room type dressingrooms with showers, wash-basins (hot cold), and toilets. No towels provided.Wheelchair Performer AccessNot AccessibleLift/Level AccessNoAccessible WCYesHearing LoopYesOther Technical Information
Merchant's HallVenue Address: 22 Hanover Street EH2 2EP - Venue Number: 112Organisation: ADM Events - Website:Contact: John Stirling - Address:Phone: 07770734440 - Email: john@arbikie.comGeneral Venue InformationVenue DescriptionWhat Makes this Venue SpecialThis venue is in a fantastic location just off George Street. It has an impressive, largeinternal area with table seating for 220 and a VIP area. Table service meals and acocktail bar will be available during the show.This venue is in a fantastic location just off George Street. It has an impressive, largeinternal area with table seating for 150 and a VIP area. The venue offers associated highend services of food and cocktail barProgrammingVenue Viewing DetailsAcoustic music, music, comedy, danceNo only by appointment as private spaceGenres of InterestAlternate Contact MethodsCabaret and Variety, Comedy, Dance Physical Theatre and Circus, Music,email at john@arbikie.com or mobile 07770 734440Codes, Associations and AccessSigned Up to Best Practice CodeYesAssociation of Independent Venue ProducersNoSigned Up to Green Arts InitiativeYesLift or Level AccessNoWheelchair AccessibleNoReserved Accessible ParkingNoFurther Accessibility InformationMedia & Marketing, Box Office and Venue FacilitiesMedia & MarketingBox OfficeVenue FacilitiesMedia OfficeNoBox Office Hours9-5pm weekdaysBarYesMedia StaffNoBox Office StaffYesCafeYesVenue ProgrammeYesComputerised BoxOffice NoFOH StaffYesLinked to FringeNoTechnical StaffYesPrint RunPublicity ChargeNoPhone SalesYesFood & Drink DescriptionFestival Websitewww.admevents.co.ukCredit CardYesHigh end Cocktail barBar and fine diningAdditional InformationAdditional InformationAdditional Information
SpacesMain HallCapacityDescriptionFantastic hall adaptable for performancePerformance Space TypeEmpty RoomPerformance Space Type (if other)Stage Format TypeRaisedStage Format Type (if other)Hire Deal TypeBox Office Split,Negotiable,Hire Deal Type (if other)Proposed ChargesSlot Length220Additional Charges3 hoursStage Dimensions (Wm x Dm x Hm)LightingSoundStorageDressing Roomm (w) x m (d) x m (h)Other Technical InformationWheelchair Performer AccessNot AccessibleLift/Level AccessNoAccessible WCYesHearing LoopNo
Alba FlamencaVenue Address: 74 East Crosscauseway EH8 9HQ - Venue Number: 237Organisation: alba flamenca - Website: www.albaflamenca.co.ukContact: saliha haouachi - Address: 55 Spottiswoode Street Edinburgh EH9 1DQPhone: 0754000335270 - Email: saliha@albaflamenca.co.ukGeneral Venue InformationVenue DescriptionWhat Makes this Venue SpecialFlamenco and world music/dance venue alongside a tasty Spanish tapas cafe/bar. Thevenue is located in the busy Southside area of Edinburgh, offering a programme ofmusic, dance and story telling for adults and children. Great music, great Spanish foodand a great atmosphere!Fully licensed cafe/bar, serving Spanish tapas, sandwiches and snack or eat in or takeaway.Open early 'til late for Spanish food & refreshments.Kids welcome.Fully accessible to wheel-chair users. Accessible.Spanish music.Small but fab atmosphere.ProgrammingVenue Viewing DetailsWorld music band , dance, story-telling, comedy, kids show.Available for viewing all year.Genres of InterestAlternate Contact MethodsChildren's Shows, Comedy, Dance Physical Theatre and Circus, Music,Codes, Associations and AccessSigned Up to Best Practice CodeYesAssociation of Independent Venue ProducersNoSigned Up to Green Arts InitiativeYesLift or Level AccessNoWheelchair AccessibleNoReserved Accessible ParkingYesFurther Accessibility Informationsmall venue.Media & Marketing, Box Office and Venue FacilitiesMedia & MarketingBox OfficeVenue FacilitiesMedia OfficeNoBox Office Hours10:00-22:30BarYesMedia StaffNoBox Office StaffYesCafeYesVenue ProgrammeYesComputerised BoxOffice NoFOH StaffYesLinked to FringeNoTechnical StaffYesPrint RunPublicity ChargeNoPhone SalesNoFood & Drink DescriptionFestival Websitewww.albaflamenca.co.ukCredit CardYesFully licensedAdditional InformationAdditional InformationAdditional Informationsmall venue but fully accessible to wheelchair
SpacesAlba FlamencaCapacity60DescriptionPerformance Space TypeBlack BoxPerformance Space Type (if other)Stage Format TypeRaisedStage Format Type (if other)Hire Deal TypeNegotiable,Hire Deal Type (if other)Proposed ChargesSlot LengthAdditional Charges1h or 1.15Stage Dimensions (Wm x Dm x Hm)LightingSoundStorageDressing Roomm (w) x m (d) x m (h)Other Technical Informationcome and get in touchWheelchair Performer AccessNo InformationLift/Level AccessNo InformationAccessible WCNo InformationHearing LoopNo Information
Arthur Conan Doyle CentreVenue Address: 25 Palmerston Place Edinburgh EH12 5AP - Venue Number: 290Organisation: Arthur Conan Doyle Centre - Website: arthurconandoylecentre.comContact: Iain Treherne - Address: 25 Palmerston Place Edinburgh EH12 5APPhone: 0131 625 0700 - Email: acdcentre@hotmail.co.ukGeneral Venue InformationVenue DescriptionWhat Makes this Venue SpecialVictorian townhouse.Historical CharacterProgrammingVenue Viewing DetailsPlays, Talks, Comedy, Music, Exhibitions and Children's ShowsViewing Monday to Friday 10:00 -16:00Genres of InterestAlternate Contact MethodsCabaret and Variety, Children's Shows, Comedy, Events, Exhibitions, Music, SpokenWord, Theatre0131 625 0700Codes, Associations and AccessSigned Up to Best Practice CodeYesAssociation of Independent Venue ProducersYesSigned Up to Green Arts InitiativeYesLift or Level AccessNoWheelchair AccessibleNoReserved Accessible ParkingNoFurther Accessibility InformationMedia & Marketing, Box Office and Venue FacilitiesMedia & MarketingBox OfficeVenue FacilitiesBarNoCafeYesMedia OfficeNoBox Office HoursMedia StaffNoBox Office StaffVenue ProgrammeYesComputerised BoxOffice NoFOH StaffYesPrint Run1000Linked to FringeNoTechnical StaffNoPublicity ChargeNoPhone SalesNoFood & Drink DescriptionFestival Websitewww.arthurconandoylecentre.comCredit CardNoArthur Conan Doyle CafeAdditional InformationPosters and Leaflets displayed in vestibuleAdditional InformationNoAdditional Information
SpacesDuffy RoomDescriptionCapacityVictorian Room with two large windows, wooden floor, chandelier, marble fireplace adjoin the Duncan Room and can be usedas a larger room.Performance Space TypePerformance Space Type (if other)Stage Format TypeStage Format Type (if other)Hire Deal Type30Straight Hire,Proposed ChargesHire Deal Type (if other)Additional ChargesSlot Length1 HourStage Dimensions (Wm x Dm x Hm)m (w) x m (d) x m (h)LightingN/ASoundN/AStorageN/ADressing RoomN/AWheelchair Performer AccessNot AccessibleLift/Level AccessNoAccessible WCNoHearing LoopNoCapacity70Other Technical InformationThe Duncan RoomDescriptionLovely Victorian Room. Three large windows, wooden floor, chandelier and marble fireplace. Excellent acoustics.Performance Space TypeOtherStage Format TypeHire Deal TypePerformance Space Type (if other)Stage Format Type (if other)Straight Hire,Proposed ChargesHire Deal Type (if other)Additional ChargesSlot Length1-2 HoursStage Dimensions (Wm x Dm x Hm)m (w) x m (d) x m (h)LightingN/ASoundN/AStorageN/ADressing RoomPrivate Room Available.Wheelchair Performer AccessNot AccessibleLift/Level AccessNoAccessible WCNoHearing LoopNoCapacity20Other Technical InformationThe LibraryDescriptionVictorian Room, two large windows, carpetedPerformance Space TypePerformance Space Type (if other)Stage Format TypeStage Format Type (if other)Hire Deal TypeStraight Hire,Proposed ChargesHire Deal Type (if other)Additional ChargesSlot Length1 HourStage Dimensions (Wm x Dm x Hm)m (w) x m (d) x m (h)LightingN/ASoundN/AStorageN/ADressing RoomN/AWheelchair Performer AccessNo InformationLift/Level AccessNo InformationAccessible WCNo InformationHearing LoopNo InformationCapacity60Other Technical InformationThe SanctuaryDescriptionVictorian Room, stain glass windows, carpeted. Pulpit on raised platform, sound system.Performance Space TypePerformance Space Type (if other)Stage Format TypeStage Format Type (if other)Can be set to performers requirements
Hire Deal TypeStraight Hire,Proposed ChargesHire Deal Type (if other)Additional ChargesSlot Length1 HourStage Dimensions (Wm x Dm x Hm)m (w) x m (d) x m (h)LightingN/ASoundN/AStorageN/ADressing RoomN/AWheelchair Performer AccessNot AccessibleLift/Level AccessNoAccessible WCNoHearing LoopNoOther Technical Information
Assembly CheckpointVenue Address: 3 Bristo Place EH1 1EY - Venue Number: 322Organisation: Assembly - Website: www.assemblyfestival.comContact: Heather Ruck - Address: Assembly Roxy 2 Roxburgh Place Edinburgh EH8 9SUPhone: 0131 623 3000 - Email: programming@assemblyfestival.comGeneral Venue InformationVenue DescriptionWhat Makes this Venue SpecialAssembly Checkpoint is the Fringe's premier venue for cabaret, music and more. Thevenue is located inside an old church and exudes warmth and charm. There is a barinside the upstairs venue and further drinking and dining options downstairs.Assembly Checkpoint is the Fringe's premier venue for cabaret, music and more. Thevenue is inside an old church and exudes warmth and a faded grandeur. There is a barinside the upstairs venue and further drinking and dining options downstairs. AssemblyCheckpoint is incredibly located right on on one of the Festival's busiest thoroughfares, inthe former Forest Cafe.The flexible seating is usually configured with cabaret seating at the front with rowsbehind, but can be removed altogether for late night parties.ProgrammingVenue Viewing DetailsAssembly has an international reputation for the quality of our artistic programme and By appointment only. The stage, technical rig and seating etc. are installed just for thefor showcasing new talent. Assembly is the longest running of the multi-venueFestival, so plenty of imagination is required if viewing the space the rest of the year.operators on the Fringe, with our programme widely recognized as ‘the jewel in thecrown of the Fringe’ (Scotsman). Every year our diverse, curated programme featuresexciting emerging talent alongside some of the world’s most respected performers andartistic institutions, and features the best theatre, comedy, circus, music, cabaret,dance and exhibitions in Edinburgh.Assembly Checkpoint has developed a reputation for its incredible programme ofmusic, cabaret and late night parties, but it also hosts theatre, musicals and spokenword events. The vast majority of shows in our curated programme run for the full threeand a half weeks of the Festival, and have running times of between 45 and 90minutes.Genres of InterestAlternate Contact MethodsCabaret and Variety, Children's Shows, Comedy, Dance Physical Theatre and Circus,Events, Music, Musicals and Opera, Spoken Word, TheatreVisit our website for more information on performing at Assembly and detailed venuespecifications http://assemblyfestival.com/performers.phpCodes, Associations and AccessSigned Up to Best Practice CodeYesAssociation of Independent Venue ProducersYesSigned Up to Green Arts Initi
A venue rental arrangement in which you split your show's box office takings with the venue, eg. 60% to you, 40% to the venue. Box office split with guarantee A venue rental arrangement in which you will pay the venue either a percentage of your box office revenue, as with a normal box office split, or an agreed fixed fee
