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Viewing the document in Presentation mode. . . . . . . . . . . . . . . . 52Exploring on your own. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 543SETTING UP A DOCUMENT AND WORKING WITH PAGESEgrets and HeronsGetting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58Monarch ButterfliesPreserving habitatAmazing migrationOf the more than 400 species of birds found in the Carolinas,perhaps the most majestic are the colonial wading birds. Characterized by long legs, long necks and long, pointed bills, thesecharismatic and graceful denizens of shores, lagoons, and wetlands search for food—fish, frogs, and small invertebrates, suchas shrimp, crabs, and crayfish.As a result of what researchers assert is a “catastrophic drop” inthe number of monarchs migrating from the northern part of theUnited States and Canada to Mexico, a number of conservationefforts are underway. Mexican authorities have redoubled effortsto stop illegal logging in the mountain area where the butterfliesspend the winter. In August 2014, scientists from a number of organizations filed a petition with the U.S. Fish and Wildlife Servicerequesting that monarchs be listed as “threatened.”Herons and egrets both belong to the Ardeidae family, however,there is no clear distinction between the two. In general, species that are white or have ornate plumage are called egrets. Youcan identify herons and egrets in flight because of their retracted necks, unlike their cousin the ibis, which flies with an outstretched neck. In the late 1800s, Great Egrets were hunted nearlyto extinction for their feathers. This led to the first laws protecting endangered birds.56Creating and saving custom document settings . . . . . . . . . . . . 59Perhaps the most significant efforts are being made with respectto the monarchs’ most important food source and larval host—milkweed plants. The world’s struggle against weeds may besucceeding, but in winning that war, the battle to save the monarch is being lost. Milkweed loss means monarch loss. Expertstoday are studying ways to restore milkweed growth in the areasfrequented by migrating butterflies. Even citizen scientists andbackyard gardeners can help by planting milkweed, but caution isalso required because not every variety of milkweed is appropriate for monarch purposes.Creating a new document. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60Switching between open InDesign documents . . . . . . . . . . . . . . 62Working with master pages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 622 Flora & Fauna of the Coastal CarolinasFlora & Fauna of the Coastal CarolinasF&FApplying master pages to document pages. . . . . . . . . . . . . . . . . . 723Adding new document pages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74Rearranging and deleting document pages. . . . . . . . . . . . . . . . . 74Changing the size of pages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Adding sections to change page numbering. . . . . . . . . . . . . . . . 76Overriding master page items on document pages andplacing text and graphics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78Viewing the completed spread. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Exploring on your own. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 824WORKING WITH OBJECTSarrive smart. leave smarter. IN THIS ISSUE:Investing in Training. WhetherR etur n Ad d res s :159 Wes ter n Ave W Suite A457S eattl e, WA 98119you're a small startup or a Fortune500 company, providing training foryour employees is one of the bestinvestments you can make. Page3.CustomerTestimonialswww.evolveseattle.comthe BUZZYieldCSS Master Class. This educationalseminar for experienced webdesigners will teach you how to getthe most out of cascading style sheetsto create state-of-the art web pages.Page 3.Photo by John SandersPhoto by Focus PhotosAdobe Creative Cloud Master ClassAdobe Creative Cloud is officially hitting the road! Beginning in Seattle andmoving on to Portland, the Midwest and several cities on the East Coast, thisseminar will teach you how to get the most out of Creative Cloud.Creative Cloud gives you the world’s best creative tools, always up to date. Andnow, all the apps and assets—including new Adobe Stock images—are alwaysright where you need them. And everything is seamlessly connected throughAdobe CreativeSync technology, so you can easily turn your brightest ideas intoPhoto by KY StudioShauneen H.eVolve NewsletterPhoto by Emily MillsJeff G.Senior PhotographerSalesFaccummy nibh enibh ex et adigna consed tat, commy nim ver ilel dolortio conulputatum vendremodipsuscing etum vel ipit delitluptatu. Exercil iquipit iliquis.Faccummy nibh enibh ex et adigna consed tat, commy nim ver ilel dolortio conulputatum vendremodipsuscing etum vel ipit delitluptatu. Exercil iquipit iliquis adit .Faccummy nibh enibh ex et adigna consed tat, commy nim ver ilel dolortio conulputatum vendremodipsuscing etum vel ipit delitluptatu. Exercil iquipit iliquis aditutpatem zzriusto duisis at nibh elinci ex endiatem zzriure doloboreduisit lummy.Molly Y.SCAN for the latestinformation fromAdobe.4Photo by Robin CruiseSylvia B.Senior AdministratorJohn C.In-house CounselCreative DirectorAzzriure dolobore duisit lummynos nulput iriusci llametuero doconsequipit. Exercil iquipit iliquisadit utpatem zzriusto duisis atnibh el inci ex endiatem.Exercil iquipit iliquis adit utpatemzzriusto duisis at nibh el inci exendiatem. Azzriure doloboreduisit lummyHannah B.Creative DirectorExercil iquipit iliquis adit utpatemzzriusto duisis at nibh el inci exendiatem. Azzriure doloboreduisit lummyyour best work across your desktop and mobile devices.Given the rapidly evolving digital publishing scene, this seminar is a must foranyone who is considering electronic distribution of content. It will explain howyou can use Adobe software to create virtually any kind of digital publication—for tablets, eReaders, and smartphones. Unleash your creative power and stayahead of the curve by becoming a Creative Cloud power user.w w w.evo l veseattl e.co mT 5 5 5 .5 5 5 .5 5 5 5F 5 5 5 .5 5 5 .5 5 5 5Have any ideas for us? We welcome yoursuggestions on new classes, seminars, and trends.Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Working with layers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87NEW Day & EveningClasses» We’re forever eVolve-ing, and thisyear is no exception. At the startof the new year, we rolled out awhopping SEVEN new classes!Creating and modifying text frames. . . . . . . . . . . . . . . . . . . . . . . . . 92» Advanced Dreamweaver CCTechniques» Creating HTML E-mail (eve.)» InDesign CC Advanced (eve.)» Illustrator CC Advanced (eve.)Photo by Bob Hickok84» Photoshop CC Advanced (Sat.)» Intro to mobile apps (eve.)» Collaborating with CreativeSync(day)Creating and modifying graphics frames . . . . . . . . . . . . . . . . . . . 98Seattle Acrobat UserGroup» Brian Wood, eVolve’s Director ofTraining, continues as ChapterLeader of the Acrobat Users Group.The next meeting is on Wednesday,June 21 at Adobe University inFremont. The meeting topic willbe posted at eVolve’s websitea week before the event.The event is free andrefreshments willbe served. Firstarrivals getseats.Adding metadata captions to graphics frames. . . . . . . . . . . . . 106Send an email with the subject“My Recommendations” to info@evolveseattle.comeVolve Newsletter1Placing and linking graphics frames. . . . . . . . . . . . . . . . . . . . . . . 107Changing the shape of a frame. . . . . . . . . . . . . . . . . . . . . . . . . . . . 110Wrapping text around a graphic. . . . . . . . . . . . . . . . . . . . . . . . . . . 112Modifying the shape of frames. . . . . . . . . . . . . . . . . . . . . . . . . . . . 114Transforming and aligning objects . . . . . . . . . . . . . . . . . . . . . . . . 118Selecting and modifying grouped objects. . . . . . . . . . . . . . . . . 122Creating a QR code . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124Finishing up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125Exploring on your own. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125viContents

5FLOWING TEXT128Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130Pi LOCAL NOV/DEC 2015LOCAL NOV/DEC 2015 P1{local stats}Ilightthought that thedrizzle on thisName: Alexis K.Age: 35Occupation: ExecutiveDirector, Urban MuseumFlowing text into an existing frame . . . . . . . . . . . . . . . . . . . . . . . 131Favorite Neighborhood:“I can’t answer this questionpublicly if I’m expected tokeep my job.”crisp fall day mightbe a deterrent.Favorite Meridien memory:“New Year’s Eve. The city wascelebrating its bicentennialand everyone was out in thestreets, happy, and talkingabout how much they lovedwhere they lived.”When I asked Alexis, director ofMeridien’s Urban Museum,to give me her personal tour of thecity she’s resided in since her teenageyears, she accepted, but only if we didit by bicycle.I’m not a fitness freak and Meridienis known for its formidable hills, sowhen 6 a.m. rolled around, when Inoted damp streets outside my apartment window and my cell phoneFlowing text manually. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134started buzzing, I was hoping it wasAlexis calling to tell me that we wereswitching to Plan B.“Sorry, Charlie. We’re not goingto let a little misty air ruin our fun.Anyway, the forecast says it will clearup by late morning.”So much for Plan B.We met at the Smith Street subwaystation, a mid-century, mildly brutalist concrete cube designed by archi-Creating text frames while flowing text. . . . . . . . . . . . . . . . . . . . 136Creating threaded frames automatically. . . . . . . . . . . . . . . . . . . 138Bikes continued on 2Flowing text automatically. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140Applying paragraph styles to text . . . . . . . . . . . . . . . . . . . . . . . . . 142Adjusting columns. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144Adding a jump line page number . . . . . . . . . . . . . . . . . . . . . . . . . 146Exploring on your own. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1476EDITING TEXTLOCAL JUNE/JULY 2015“Beauty and culture are vitalto any city’s appeal, but theybecome pretty irrelevantif the air is so polluted youcan’t go outside.”—Nathan, Yours Partnerdept.Finding and changing a missing font. . . . . . . . . . . . . . . . . . . . . . 153P12/LETTERSTHE LOCALP18/LISTEntering and importing text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155P22/PRODUCTPROTECTIONFinding and changing text and formatting. . . . . . . . . . . . . . . . . 157From art restorers torestaurants, your monthlymix of better urban living.P48/2 WHEELS GOODAlexes K., director of Meridien’s Urban Museum, takes us on a personaltour. Sometimes the best way to see the city is by bicycle. By Franklin M.P60/ BIN THERE, DONE THATThe way we generate and dispose of refuse is not sustainable in the longrun. That’s why Meridien’s Waste Disposal guru, Glen W., is developingnew ways to get residents off their trashy ways. By Ella G.P68/ FARM IN THE BACKYARDMore and more Meridien residents are forgoing the flower garden andswing set for tomato plants and chicken coops. Local contributing editorMartin H. talks to some of these modern-day Old McDonalds.150Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152P3JUNE/JULY 2015 DESTINATION MERIDIENLAT:47 36’0” LONG:14 31’0”The latest do-no-harmwares that Local editorshave been using, abusing,and keeping aroundthe office.P30/3X3Our three monthly problems for another three ofour favorite creative types:what to do with Meridien’sempty South Square.Checking spelling. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160BY THEP76/NUMBERSHow does Meridien stackup to other favorite cities?Editing text by dragging and dropping. . . . . . . . . . . . . . . . . . . . 164Using the Story Editor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165Tracking changes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167Exploring on your own. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1687WORKING WITH TYPOGRAPHYGetting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172RestaurantProfileDINING170Assignments RestaurantAdjusting vertical spacing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173lasagna, seared duck breast, flatironready for reality,” says Kleinman. Hemany students are placed at countrysteak, steak Diane prepared tablesidewants students to be able to read tickets,clubs and resorts that prefer formal train-and pesto-crusted lambchops. We opted for asucculent trout and ten-der spareribs, and noticethat a 10 macaroni and“Maybe the nextcelebrity chef to hitperform, and recover anding, chefs from all over town—Panzano,learn getting valuableJax Fish House, Julia’s, St. Mark’s—havefront-of-the-house andtrained at Assignments as well. Or try O’sbusiness experience inRestaurant, whose recent media darlingaddition to cooking.chef Ian Kleinman is not just a formerWorking with fonts, type styles, and glyphs. . . . . . . . . . . . . . . . 177cheese entree makesAssignments kid-friendlyfor special occasions.THE GOALSThe purpose of thistown will whip upSMake a reservation and maybe the nextkitchen at one time.celebrity chef to hit town will whip up aStudents at the Schooltableside bananas Foster for you.Foster for you.”of Culinary Arts workthey can hit the ground running. “Thedegree in culinary management.end restaurants in town—for 25 plus another 40 (just for starters) for a singlethat is on the edge of institutional withable, thinking on their feet, gettingslab of steak. Or, you can visit Assignments Restaurant, run by students of theits cream-colored walls, faux cherryInternational Culinary School at The Art Institute of Colorado, where tableside prepara-furniture and kitschy cafe artwork,tions include Caesar salad for 4.50 and steak Diane for 19. No, this isn’t Elway’s, butthis is a spot that welcomes intimatethe chefs in training create a charming experience for patrons from start to finish.conversation with friends and family.TRY IT @ HOMEthe industry all over the country, says Chef Instructor Stephen Kleinman, CEC, AAC.a glass of wine, tempts you with its“Whether I go to a restaurant in Manhattan or San Francisco, people know me,”carefully planned variety. “The menu is2 cloves garlicTaste kosher salt2 anchovy fillets, chopped1 coddled egg½ lemon½ Tbsp Dijon mustard¼ cup red wine vinegar¾ cup virgin olive oil¼ tsp WorcestershireRomaine lettuce heart,washed and dried¼ cup croutons¼ cup Parmesan cheeseTaste cracked black pepperKleinman says, describing encounters with former students. Although he claimsall designed to teach cooking meth-to be a “hippie from the ’60s,” Kleinman apprenticed in Europe, attended a culinaryods,” says Kleinman. “It covers 80 to 85academy in San Francisco and had the opportunity to cook at the prestigious Jamespercent of what students have beenlearning in class—saute, grill, braise,make vinaigrettes, cook vegetables,“Some of the best restaurantswww.opentable.comHours . . . . . . . . . . Wednesday–Friday, 11:30a.m.–1:30 p.m. and 6–8 p.m.bake and make desserts.” In a twist onin the world serve tableside; chefs“You have to know the rules to breakare more grounded this way,” claimsthem,” Kleinman insists that studentsKleinman, who would never beneed to first learn the basics before theymistaken for a snob. “By havingcan go on to create their own dishes.the students come to the front ofthe house—serving as waitpeopleand preparing dishes tableside—cap, arrives followed by an appetizerwe break a lot of barriers.”of chorizo-stuffed prawns wrapped inTHE RESTAURANTside Caesar preparation is a wonderfulAssignments Restaurant, tucked back by the Quest Dia

Adobe InDesign CC (2015 release) Classroom in a Book , the best-selling series of hands-on so ware training workbooks, o ers what no other book or training program does—an o cial . Photos in Lessons 2, 8, and 11 are used with permission from Eric Shropshire Photography Printed and bound in the United States of America ISBN-13: 978-0 .