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Back To The BluesI’ve said several times before in articles that I have written that the uniqueness of the Blues is all toooften lost in its ubiquity. In many ways the Blues has become the “wallpaper” of our culture: when it’snew and fresh we notice it and comment; but once it’s been up for a while we no longer pay attention toit. We develop an, “Oh, yeah, that’s always been there,” attitude. And, this attitude causes us to fail tounderstand breadth and depth of the Blues. We have lost the capacity to comprehend.That may sound like quite a negative indictment, but, let’s look at an example: if I were to ask a group of10 or 20 of you how many have seen the Coen Brothers’ movie, “O Brother, Where Art Thou?,” I wouldsuspect a positive response of about 90%. And, if I asked if there were any Blues influences in the movie, most of that same 90% would point to the character of Tommy Johnson, played by Chris ThomasKing, son of Tabby Thomas (who was proprietor of Tabby’s Blues Box in Louisiana and a recordingartist on the Excello label). Some may point out the Blues influences in the work of T. Bone Burnett,who was responsible for the music for the film. And, of course, there’s also the prison worksong, “PoPerry AberliLazarus,” that opens the film, Skip James’, “Hard Time Killin’ Floor,” and, The Fairfield Four performing,“Lonesome Valley.” The Blues seems to be everywhere in this movie; it is a perfect example of the ubiquity of the Blues.However, in this ubiquity, the Blues is almost reduced to a decorative one off in other words, the aural wallpaper. It completes thescenes without overwhelming them – just as a good wallpaper is supposed to do for a room.In all of this it is very easy to lose sight of one other Blues in the movie; one that is archaic and modern, a taproot that has fed andnurtured both Blues and Old Timey music for probably 100 years, fluidly crossing back and forth between African American and whiteperformers with lyrics shapeshifting to resonate with all of its audiences. It is a song that in its ubiquity stresses its uniqueness.The song? It’s, “In The Jailhouse Now.” Let’s look at this song’s history:1924 - “Jail House Blues,” by Whistler’s Jug Band seems to the earliest recorded version (9/25/1924 on Gennett). However, a whiteAtlanta stage performer named Ernest Rogers, claimed to have sung it on the radio in 1922.1927 - “She’s In Graveyard Now,” by Earl McDonald’s Original Louisville Jug Band (3/30/27 on Columbia) .1927 - “He’s In The Jailhouse Now,’ by Blind Blake with Gus Cannon (of Cannon’s Jug Stompers) on banjo (11/1927, Paramount).1928 - “He’s In The Jailhouse Now,” by Jim Jackson (1/21/1928 on Vocalion)And, here, it crosses streams to be recorded by Jimmie Rodgers!1928 - “In The Jailhouse Now,” by Jimmie Rodgers (2/15/1928 on Victor). We know that Jimmie Rodgers spent part of his early careerplaying in tent and medicine shows that also featured Frank Stokes – a great early Memphis Bluesman who teamed with DanSanes as the Beale Street Sheiks. Stokes may have had this song in his repertoire and it is possible this is where Rodgerspicked it up. However, Rodgers took credit for writing this song, an unfortunate and false appropriation1929 - “I’m In The Jailhouse Now,” by Boyd Senter and His Senterpedes (2/6/29 on Victor). The most notable thing about this versionis that it features the Dorsey Brothers, Tommy and Jimmy, on trombone and alto sax, and is a jazz version of the song.1930 - “In The Jailhouse Now, No.2.,” by Jimmie Rodgers (7/12/30 on Victor). Jimmie travelled to Hollywood, CA to record this one.1930 - “He’s In The Jailhouse Now, No.2,” by Gene Autry (11/20/30 on Banner but recorded at the Gennett studios in Richmond, IN).Autry made his early success as a Jimmie Rodgers imitator and tribute artist and this is one of the examples of those efforts. Genealso reprised this song in his 1938 movie, “Prairie Moon.”The song moves back to the Blues side with the next recording.1930 – “He’s In The Jailhouse Now,” by the Memphis Sheiks, aka the Memphis Jug Band (11/21/1930 on Paramount).At this point, apart from a Pink Anderson recording of the song in 1950 for Prestige-Bluesville, the song moves into the cowboy/country genre, being recorded by Webb Pierce, Johnny Cash and many more; leading to the “Soggy Bottom Boys” version in “OBrother.”So, we have a song that has embedded itself in musical heritage – but, what’s the point?As interesting as the musical meanderings of this song are, even more intriguing are the variations of the lyrics that occur over theyears and as the song crosses cultural streams.Whistler’s version seems to be dependent on earlier, possibly published versions of the song though none have been found. The lyrics are strictly about a night of partying and drinking “Jamaica Gin, “ or Jake, a patent medicine popular in the late 19th century thatcould be up to 80% alcohol! The night ends badly, “ when I went to pay that man, I found that poor gal’s hand In my pocket wheremy money was. She’s in the graveyard now I told that judge right to his face that woman’s hand was out of place – She’s in thegraveyard now.”Earl McDonald’s version of the song has significantly different lyrics, telling the tale probably indicative of African American life inmany urban centers but taking place in this case in New York City:“We hustled round that town, In all our hustlin’ round, we could not raise that rent no way we tried. My mother took in washing, MyBLUES NEWSOctober 20164

sister done the ironing, I helped around the town by shining shoes; My daddy walked around, Like he owned New York town, Spending all mama’s money buyin’ booze. He’s in the jailhouse now .” The Ida of Whistler’s version appears as Ida as does the JamaicanGinger. Again, we have another vivid portrait.Jamaica Ginger was marketed as a medicine. The brand shown was “not over 94%alcohol.” The role of Jake in early Blues is widespread. It was in wide use as a liquoralterna ve during Prohibi on. The neurological condi on known as “jake leg”afflicted many of its users , destroying the nerves in the back controlling leg muscles.Blind Blake’s version brings politics into play:“My brother was a voter, Also a great promoter, Goin’ around giving advice, Says, “Go down to the poll and vote,” Instead of votingonce, he voted twice. He’s in the jailhouse now.”Paramount artwork for the 78 rpm record by Blind Blake reprinted by JohnTe eller of Blues Images.This story is repeated in the Memphis Sheiks’ version this way:“I remember last election, Jim Jones got in action, Said he’d vote for the man who paid the biggest price. Next day at the poll, Hevoted with heart and soul, But instead of voting once he voted twice. He’s in the jailhouse now (2x) Instead of staying at home, Andlet those white folks business alone, He’s in the jailhouse now.”Jim Jackson gets us closer to the version we are most familiar with from the Country and Western stream – and, since, Jackson wasalso a tent and medicine show performer who most likely was known to Jimmie Rodgers; probably the source:“I had a friend named Campbell, He used to steal and gamble, He made his living cheating all the while; He played a game theycalled euchre, Pinochle and poker, He thought he was the smartest dude in town. But I just found out Monday, That he got locked upSunday, They got him in that jailhouse down in town, They got Campbell in the jail, No one to go his bail, The judge won’t even accept him a fine. He’s in the jailhouse now(x2) I told Campbell once or twice, “Stop playin’ cards and shooting dice.” Yes they got him– He’s in the jailhouse now.When Pink Anderson would record this song in 1950 it is almost identical.So, to the point: this is a song that struck a chord with all of its performers and audiences. Most early Bluesmen seemed to know it,from Memphis to Mississippi to the Carolinas. It was one of Jimmie Rodgers’ most requested tunes and was a hit on the CountryWestern charts for both Webb Pierce and Johnny Cash. It is the perfect stereotypical Blues song talking about alcohol, loose women, gambling, hard times, and jail. These are what probably made it the perfect performance Blues – especially for those Bluesmenwho played for white audiences .Yet, there is an elemental truth to it that gets right to the heart of the matter. And, in all its permutations, it is still, at its core, a Blues song, taking its performer and audience back to the Blues.(In writing this I have relied on Paul Olliver’s, Songsters and Saints; Blues and Gospel Records, 1902-1942 by Godrich and Dixon;Jazz Records, 1897-1042, by Brian Rust; Country Music Records, A Discography, 1921-1942 and Blacks, Whites, and Blues, byTony Russell; Meeting Jimmie Rodgers, by Barry Mazor; Ralph Peer and the Making of Popular Roots Music, by Barry Mazor, and,Public Cowboy No. 1, The Life and Times of Gene Autry, by Holly George-Warren)Perry AberliBLUES NEWSOctober 20165

New Music ReviewsBy Bob BrownLouisville “White Lightning” CurtisSweet Kentucky RainMinnesota resident, Louisville “White Lightning” Curtis aka Curtis Marlatt, is a former Louisville resident, former KBS Board Member, and band leader of Curtis andthe Kicks.I know little about Marlatt other than a song that I heard on the Saturday NightBlues Party when Scott Mullins was the DJ, that grabbed my attention and that Iremember to this day (I actually recorded it off the radio). So what I do know isthat he is an excellent slide guitarist and songwriter.This CD consists of 7 songs, 6 of which are Marlatt originals. The opener is“Prodigal Son Blues” that I would swear is Keb Mo, both in playing and singing. Anexcellent intro to the CD in my opinion. The second song “All Over the South” is amore blues-rock song with a heavy bass and slide guitar throughout which is thedirection most of his songs go in. “Hard Times” is a slower ballad style song with the vocals more highlighted than instruments.The last two songs go in a different direction. “Oatmeal Toast and Beer” is a slow song with guitar and vocals only,where the singer is thankful for his lover who prepares him his oatmeal, toast and beer for breakfast. The final song onthe CD is a funky song called “Its All in Your Mind” which is completely different than the rest of the CD. Marlatt doesn’twant to be predicable as this song proves.For anyone who remembers Curtis, or wants more info on him, check out his website at http://www.lwlcurtis.com/index/where, among other things, you can listen to all of the songs on this CD.My overall impression of this CD is that it is well worth having in your collection.EDITOR’S NOTE: Louisville “White Lightning” Curtis will be performing at Garvin Gate on Saturday the 8th at 8:30!John LongStand Your GroundDelta GrooveJohn Long’s last release in 2006(“Lost and Found”) received great reviews fromthis author. He hasn’t lost his originality since then, as this CD proves. His style,playing, lyrics, and vocals remind one of the masters of old. His music is countryblues and most songs consist of only Long singing and playing resonator slide guitar. He also plays harmonica, and according to the liner notes, a 1938 Samsonitesuitcase (which he stomps to keep time).There are 13 songs on the CD, all but 5 written by Long. Covers include songs byHomesick James, Willie Johnson, Mike Cronic, Willie McTell, and Thomas Dorsey.Other artists on the CD include Fred Kaplan on piano, Bill Stuve on upright bass,and Washington Rucker on drums. These supporting musicians play on 2, 4, and 5songs respectively. All others songs feature Long only.John Long is not simply a musician that plays old country blues. He would fit in with Robert Johnson, Willie McTell andothers. He has the same feel for the music that the old blues players had and brings it into the digital age.This CD may not be for everybody, but those who love good country blues, will love this CD. I for one am definitely a fanof Long.BLUES NEWSOctober 20166

Big Jon Atkinson & Bob CorritoreHouse Party at Big Jon’sDelta GrooveBob Corritore is a household name to us blues lovers. He has played harmonicawith some of the most respected blues musicians, and recorded on and producedmany CDs. He has won several blues awards and in addition, he owns a bluesclub in Phoenix, and hosts a blues radio show. Jon Atkinson is not so well known-until now.Atkinson was attracted to the blues from an early age and shunned the populardigital music of his youth. He sought out the blues greats of the day to learn moreof the older styles. Jon was noticed by Kim Wilson who took him into his BluesAll Stars. Wilson credits Atkinson with understanding the “soul” of music.In 2015, Corritore travelled to San Diego, Atkinson’s home, and recorded this CDin Jon’s home studio (the “House Party). Jon is considerably younger than Corritore (Jon is still in his 20’s), but thrives onthe older blues music that so inspires Corritore. Their collaboration on this CD harks back to the electric blues of the 1950’s.They gathered a group of musicians whose ages varied by as much as 60 years, but whose talents and style blended perfectly with their vision for the CD.There are 16 songs on this CD, half or which are originals, and all are performed with verve. Originals include songs byCorritore, Atkinson, Courtney, and Riley. The guitar, harmonica, and other instruments blend with just the right amount ofreverb to replicate the sound of the great recordings of the 50’s. Atkinson’s guitar work is exceptional throughout and reminds one of Hollywood Fats’ style. And of course, Corritore’s harp is top notch as usual.Atkinson proves his talent at vocals on eight of the songs, and has just the voice to fit the songs. The other songs sung byguests Willie Buck, Alabama Mike, Dave Riley, and Tomcat Courtney. Although I really liked Atkinson’s voice, the othersadded a little different tone/inflection/depth to the vocals that were equally as enjoyable.There is not a song on this CD that I did not like. I have come to expect good music from all of Delta Groove Music (andBob Corritore) releases and I got it on this one. It is one of the best new CD’s of the year. You can check out more information about this CD and others by Bob Corritore at www.bobcorritore.com.Mike Wheeler BandTurn UpDelmarkMike Wheeler has been a lead and rhythm guitarist for several Chicago bands including Big James and the Chicago Playboys, and Jimmy Johnson. His is supposedly one of the hardest working bands in the Chicago area. This, his second release on the Delmark label proves that he can be a successful front man for theband. His exceptional guitar work and funky blues tunes with deep bass and clearvocals prove his metal.The 13 songs on the CD are all originals except for Little Milton’s “That’s WhatLove Will Make You Do”. Larry Williams’ funky bass lines blend with Kenny Anderson’s trumpet, Hank Ford’s tenor sax, Cleo Cole’s drums and Brian James on keyboards but still leave room for Wheeler’s funky guitar and his great vocals. Onesong “Brand New Cadillac”, is heavy metal which is a true departure from the otherblues/funk/R&B songs on the CD. The final cut is “Sad State of the World” and is one song whose theme can beguessed from the title.Make no mistake about it, Wheeler is talented. His guitar solos and guitar in general show he is the real deal. His styleof funky, electric, soul drenched songs, are well thought out and entertaining. His fills after every verse of most songs isgreat guitar work. The horns (which, by the way, are part of the Big James and the Chicago Playboys band) lend a gooddimension to the guitar drenched songs. Funky wah-wah guitar on songs like “Yeah” show Wheeler’s influences.The lyrics of the title song are an upbeat story of what he does when his girl is around - turn up. This may sound to thereader like a “gushy” song, but it is really a good one and Wheeler’s vocals make you feel good too.Overall this CD is a great release by a veteran which hopefully will generate him more exposure. They would be a greatband to have at one of our local festivals-sure to please everybody.BLUES NEWSOctober 20167

da Mudcats are proud to announcea brand new recording for your listening pleasure !Produced by Down in the Alley Records andrecorded live at MOM's Music on FrankfortAve on Saturday, August 13, da Mudcatsnew CD titled "Easy Does It" with 12 newtunes will be available at the Garvin GateBlues Festival October 7-8.Trivia: The original Mudcats performed at the first GGBF 28 years ago!da Mudcats Live @ MOM'sDoug Lamb, Rob Pickett, Gene Wickliffe, Mike Lynch, Susan O'NeilAll Photos David TrueDWild1

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9Creative Table Kitchen and Catering(Lexington) – Kelly RicheyPizza Place – Open Jam 7:00Rubbies Southside G&B - Open JamShamrock B&G (Lexington) - Open Jam30Pizza Place – Open Jam 7:00Rubbies Southside G&B - Open JamShamrock B&G (Lexington) - Open Jam23Pizza Place – Open Jam 7:00Rubbies Southside G&B - Open JamShamrock B&G (Lexington) - Open Jam16Pizza Place – Open Jam 7:00Rubbies Southside G&B - Open JamShamrock B&G (Lexington) - Open JamWillie's Locally Known (Lexington) Jonny Grave 8:00Bourbon on Main(Frankfort) – Open JamTee Dee's Blues &Jazz Club (Lexington)Tee Dee Young Band& Friends31Bourbon on Main(Frankfort) – Open JamTee Dee's Blues &Jazz Club (Lexington)Tee Dee Young Band& Friends24Bourbon on Main(Frankfort) – Open JamTee Dee's Blues &Jazz Club (Lexington)Tee Dee Young Band& Friends17Bourbon on Main(Frankfort) – Open JamTee Dee's Blues &Jazz Club (Lexington)Tee Dee Young Band& Friends10Bourbon on Main(Frankfort) – Open JamTee Dee's Blues &Jazz Club (Lexington)Tee Dee Young BandLyric Theatre(Lexington) – BobbyRush and Dallahan3Oct-2Big Rock Jazz & Blues Festival –Hermanos, The Beat Daddys and SteveCrews & Birdland SouthKingfish (Jeffersonville IN) – Boogie MenPizza Place – Open Jam 7:00Rubbies Southside G&B - Open JamShamrock B&G (Lexington) - Open JamSouth Indiana Bacon & Blues Festival(Elizabeth, IN)MondaySundayCorbett's Robbie Bartlett 6:00Henry Clay'sHouse (Lexington)Northside SheiksOff Broadway TapHouse (Madison)Open Jam 8:00Stevie Ray's Blues Jam 9:00Nov-1Corbett's Robbie Bartlett 6:00Henry Clay'sHouse (Lexington)Northside SheiksOff Broadway TapHouse (Madison)Open Jam 8:00Stevie Ray's Blues Jam 9:0025Corbett's Robbie Bartlett 6:00Henry Clay'sHouse (Lexington)Northside SheiksOff Broadway TapHouse (Madison)Open Jam 8:00Stevie Ray's Blues Jam 9:0018Corbett's Robbie Bartlett 6:00Henry Clay'sHouse (Lexington)Northside SheiksOff Broadway TapHouse (Madison)Open Jam 8:00Stevie Ray's Blues Jam 9:0011Corbett's Robbie Bartlett 6:00Henry Clay'sHouse (Lexington)Northside SheiksOff Broadway TapHouse (Madison)Open Jam 8:00Stevie Ray's Blues Jam 9:004TuesdayMajid's – Tanita Gaines 7:00Mick's Lounge (Jeffersonville IN)Open Mic 8:00Stevie Ray's – TNT Open Jam 9:00VFW Post (Madison IN) – Open JamVolare – Robbie Bartlett Duo 7:003Kentucky Center - 4th AnnualLouisville Music AwardsMajid's – Tanita Gaines 7:00Mick's Lounge (Jeffersonville IN)Open Mic 8:00Stevie Ray's – TNT Open Jam 9:00VFW Post (Madison IN) – Open JamVolare – Robbie Bartlett Duo 7:0027Levee at the River House –Soul CircusMajid's – Tanita Gaines 7:00Mick's Lounge (Jeffersonville IN)Open Mic 8:00Stevie Ray's – TNT Open Jam 9:00VFW Post (Madison IN) – Open JamVolare – Robbie Bartlett Duo 7:0020Majid's – Tanita Gaines 7:00Mick's Lounge (Jeffersonville IN)Open Mic 8:00Stevie Ray's – TNT Open Jam 9:00VFW Post (Madison IN) – Open JamVolare – Robbie Bartlett Duo 7:0013Majid's – Tanita Gaines 7:00Mick's Lounge (Jeffersonville IN)Open Mic 8:00Stevie Ray's – TNT Open Jam 9:00Tavern in the Garden (E'Town) –Laurie Jane & the 45's 6:00VFW Post (Madison IN) – Open JamVolare – Robbie Bartlett Duo 7:006ThursdayOctober 2016Check's Cafe – KBS BoardMeeting 7:00Linda's Log Cabin (Vernon IN)Open Jam 7:00Stevie Ray's – Blues & Greys 8:30Volare – Robbie Bartlett Duo 7:002Linda's Log Cabin (Vernon IN)Open Jam 7:00Stevie Ray's – The Blues DriftersVolare – Robbie Bartlett Duo 7:0026Linda's Log Cabin (Vernon IN)Open Jam 7:00Stevie Ray's – Louisville Fats &The Rhythm Cats 8:30Volare – Robbie Bartlett Duo 7:0019Linda's Log Cabin (Vernon IN)Open Jam 7:00Stevie Ray's – Jenny & the JetsVolare – Robbie Bartlett Duo 7:0012Check's Cafe – KBS BoardMeeting 7:00Linda's Log Cabin (Vernon IN)Open Jam 7:00Stevie Ray's – Blues & Greys 8:30Volare – Robbie Bartlett Duo 7:005WednesdayKentuckiana Blues CalendarBlues & Boogie Piano Summit (Newport)Levee at the River House – RobbieBartlett 9:00Old Talbott Tavern (Bardstown) – BigBlack Cadillac 9:00Parlay Social (Lexington) – Five BelowStevie Ray's – TBA4Diamond's (St Matthews) – Soul CircusIt's Five O'Clock Somewhere(Nicholasville) – Five Below Band 9:00Jeff Ruby's – Robbie Bartlett 9:00Smyrna Inn – Bluestown 8:30Stevie Ray's – Mississippi Adam RiggleBand 6:30 / Replay 9:3028Cheapside Bar & Grill (Lexington) –Spot Check Billie 10:00Grand Theatre (Frankfort) – Joan OsborneJeff Ruby's – Robbie Bartlett 9:00New Vintage – C.W. Stoneking 9:00Stevie Ray's – D Man & the Alley Hounds6:30 / Soul Circus 9:3021Bistro 42 (Prospect) – Soul Circus 9:00Chubby Ray's Pizza – Carla Zee & HolySmoke 8:00Jeff Ruby's – Napoleon & the Beats 9:00Stevie Ray's – Derby Sauce 6:30 / BigBlack Cadillac 9:3014Champions Bar & Grill (Richmond) Five Below Band 9:00Garvin Gate Blues FestivalGrand Theatre (Frankfort) – Taj MahalJeff Ruby's – Napoleon & the Beats 9:00Stevie Ray's – The Subourbons 6:30 /Old School 9:307FridayBackstretch B&G (Lexington) – Ronn CrowderBlues & Boogie Piano Summit (Newport)Chateau Thomas Winery (Nashville IN) –Fistful of Bacon 7:00Diamond's (St Matthews) – Soul CircusOld Talbott Tavern (Bardstown) – BigBlack Cadillac 9:00Stevie Ray's – TBA5Backstretch B&G (Lexington) – Ronn CrowderIt's Five O'Clock Somewhere(Nicholasville) – Five Below Band 9:00Jeff Ruby's – Robbie Bartlett 9:00Stevie Ray's – Laurie Jane & the 45's 6:30 /Nobody'z Bizzness 9:30Wight-Meyer Vineyards (Shepherdsville) da Mudcats 7:0029Backstretch B&G (Lexington) – Ronn CrowderGilbert's Bar & Grill – Laurie Jane & the 45'sJeff Ruby's – Robbie Bartlett 9:00Momma's Last Chance Saloon(Nicholasville) – Five Below Band 9:00MOM's Music (Mellwood Ave) – Open JamSpectators Sports Bar – Soul Circus 10:00Stevie Ray's – Travlin Mojos 6:30 / The BeatDaddys 9:3022Backstretch B&G (Lexington) – Ronn CrowderBig Four Lawn at Waterfront Park Wine on the River Festival with Jimmy DavisBand and Soul Circus 2:00Jeff Ruby's – Napoleon & the Beats 9:00Proud Mary BBQ (Lexington) – Five BelowStevie Ray's – Louisville Fats & the RhythmCats 6:30 / V-Groove 9:3019th Hole (Nashville IN) – Fistful of Bacon812 B&G (Sellersburg IN) – The Boogie Men15Backstretch B&G (Lexington) – Ronn CrowderBrother's BBQ (Danville) – One Shot JohnnyChateau Thomas Winery (Nashville IN) –Gary Applegate 7:00Garvin Gate Blues FestivalHaunted Huntingburg Blues Festival(Huntingburg IN)Knight Club (Frankfort) - Five Below BandLevee at the River House – Soul CircusPaddy Wagon (Richmond) – Dallas ColeStevie Ray's – Julius 6:30 / Duck andCover 9:30Wick's Pizza (New Albany IN) – Napoleon& the Beats 9:008Saturday

A list of venues featuring local and regional blues actscan be found at www.kbsblues.orgShow dates/times are always subject to change.It’s a good idea to check in with the clubbefore hitting the road!123 East Market StreetNew Albany IN 47130812-945-8044www.jimmysmusiccenter.comDoug’s DJ & Karaoke - 502-836-7622, Guitar Emporium - 1610 Bardstown Rd - 502-459-4153,Jimmy’s Music Center - 123 East Market Street New Albany IN - 812-945-8044,MLR Video 5

2016 Garvin Gate Blues Festival - - - - - - - - - - - - - 9 Kentuckiana Blues Calendar - - - - - - - - - - - - - - - - 10 Photos courtesy of the artists The 21st Garvin Gate Blues Festival takes place on Friday and Saturday, October 7 and 8, at the corner of Oak Street and Garvin Place near downtown Louisville. The festival features a mix of .