Transcription
simple is beautiful
N U D EA R EWe l i v e i n a c o n f u s i n g w o r l d ; t o o m a n y c h o i c e s ,t o o m a n y p r o d u c t s , t o o m u c h ‘ n o i s e ’.Nude believes things can be different;the remedy simple.Simple is beautiful.S i m p l e i s p u r e , c l e a r, t r a n s p a r e n t .Simple is useable, clean, uncluttered.Simple is convenient, reliable, timeless.Simple is all of these things, and also thereason things are so rarely simple.Because designing and making somethingsimple is not as simple as it seems.Simplicity means caring enough to consideractual needs before refining them to theiressence - nothing more, nothing less, the finalobject easy to understand, use and live with.This means getting closer to the user in orderto determine where less equals more, and formmost perfectly meets function; where everythingis always in the right place at the right time.This idea of simplicity is the guiding principlebehind Nude.It is reflected in our design-aesthetic, our mindset and culture.W EThe result is our promise reflected in glass.Nude simple is beautiful.
C O N T E N T S0 4 I N S P I R AT I O N1 6 R O C K & P O P A RT I S T C O L L E C T I O N24 LIVING26 ICONS3 2 VA S E S & B O W LS72 ACCESSORIES84 LIGHTING9 2 E AT I N G & D R I N K I N G94 ZERO102 WINE1 2 0 W H I S K Y & S P I R I TS150 BEVERAGES1 6 6 E AT I N G178 DESIGNERS187 INDEXAll of our catalogues are available in digital formats. Digital catalogueshave less impact on environment with zero waste and low carbon footprint.HandmadeLead FreeCrystal GlassDishwasherSafe#Of Gift Box inthe Outer BoxHand WashOnlyLead FreeCrystal GlassIon Shielding
5Chef Mauro Colagrecoof MIRAZURBorn in La Plata, Argentina in 1976, Mauro ColagrecoMirazur, Chef Colagreco’s three-star restaurant in Menton,attended culinary school at the Lycée Hôtelier de Laearned the coveted title of World’s Best Restaurant andRochelle before going on to work with the most legendaryBest Restaurant in Europe 2019 but it has continued to winnames in French cuisine: Bernard Loiseau, Alain Passard,critical kudos consistently for 12 years. Like Nude, MirazurAlain Ducasse and Guy Martin. In 2006, at the age of 29,blends sophisticated craftsmanship with a luxurioushe opened his own restaurant on the French Riviera and,simplicity. It was a quest for quality that prompted ChefwIthin six months, had become the first non-French chefColagreco to choose Nude’s glassware collections--Stemto be named Revelation of the Year by the Gault & MillauZero and the Alba, Chill, Finesse, Vintage, Red or Whiteguide. Today, Mirazur boasts three Michelin stars and aCarafe and Camp--to frame his singular food service.berth at the pinnacle of S. Pellegrino’s Best 50 list.“Nude is simple, beautiful and stylish,” he says.“I WORK TO MEET PEOPLE AND MAKE THEME X P E R I E N C E A U N I Q U E M O M E N T. N O T B E I N GA F R A I D T O F O L L O W Y O U R O W N PA S S I O N I ST H E K E Y.”Shonquis Moreno: Why did you decide touse Nude glassware at Mirazur?Mauro Colagreco: I chose Nude glasswarefor its different style and also for thelightness of the glass itself. With that kindof glassware we can use one glass for thewine pairing instead of many differentglasses, which can be overwhelming. Itbecomes like a show for the client.S.M: Do you think that the quality offood and food service, the atmosphereand the aesthetics of a restaurant havea significant influence on each other?M.C.: I believe that the gastronomicexperience begins with the person’sarrival at the restaurant, not just with thetasting of a dish. Each element--food,service, atmosphere and aesthetics--ispart of a coherent whole that will providea broader and richer experience for thesenses and in the minds of the peoplewho visit us. This year we have renewedthe interior and we continue with work inother areas of the restaurant according tothis philosophy.S.M: Does glass, as a material, havea particular meaning or beauty for youas a chef?M.C.: Of course, glass is a very interestingmaterial for chefs. We can give glasswhatever form and color we wish and wemust use fire to do it!It’s just like cooking.S.M: Where do you most often find yourinspiration for the creative processof cooking?M.C.: Inspiration is an unanticipatedprocess, which cannot be predicted, butin my case most of the time inspirationcomes from the ingredients I find inthe gardens, or that I discover in themarket. From there, I like to play with newcombinations. I work with the organolepticproperties of the ingredients, but alsoI think about their origins, the historyrelated to each ingredient, and the way weusually work with it.S.M: Like people, restaurants probablychange naturally over the years, butMirazur just keeps winning awardslike this year’s Best Restaurant 2019award. What do you think has been thekey to maintaining your successover time?M.C.: The secret is to always evolve. I’venever worked for the prizes, to follow theachievements of others. I work to feel freein my creations. I work to meet people andmake them experience a unique moment.Not being afraid to follow your ownpassion is the key.S.M: In 2006, how did you originallywant the gastronomic experience tofeel at Mirazur? What influenced orinspired you while you were creating theconcept?S.M: Besides Mirazur, I know thatyou also own a chain of Argentinehamburger restaurants, Carne. Whatattracts you to owning these two verydifferent types of restaurants?M.C.: Although Mirazur has evolvedover time, I had the idea from the firstday: I did not want to offer just dishes tocustomers, but a real experience. I wantedto offer a “trip” and for the customer totrust me and let himself be drawn into theexperience. It is a challenge that, for me,requires great responsibility and creativityto support customers in their desire tobe surprised. In a menu there is muchmore than ingredients. There is emotion,associations that will occur in the memoryand the personal and unique universe ofeach person in the encounter with a smell,a color, a texture. For me, this is “the trip”.M.C.: For me, there is good cuisine andbad cuisine. The important thing is notthe public but the values. We always cookaccording to the same principles--usingonly excellent ingredients and respectingnature--whether it is for a wide audienceor haute cuisine. The foundation is thesame.
YAIR HAIDUThe Master of Elegant TastesYair Haidu is not only a wine expert but also managed The Israel Wine Academy in hisnative land in the 1990’s. The Israeli-French Haidu studied at Hebrew University inJerusalem, even creating wine lists for the airline El Al before working for the Austrianglassware company Riedel, handling retail in Europe from 1999-2006. He is nowbrand consultant for Nude. There he helps strategize, consult and contribute to thedevelopment of designs including new wine glass collection Stem Zero Master Glass.Melissa Feldman: What’s your experience been when working with glassmakers?Yair Haidu: I love to work with glassmakers. There is something very special when workingwith creators in a field that hasn’t changed in thousands of years. In an expandingtechnological world it’s inspiring to see a profession that has remained intact sincethe Bronze Age. The thing that has always impressed me is the willingness to constantlychallenge the possibilities, even when at times the request seems to defy the laws ofphysics. The working conditions nearing furnaces of over 1000 degrees, pipes, andmelting liquids are truly arduous and finding them with a positive attitude, and to makeexperimental work is something I will always appreciate.M.F.: What exactly was the original inspiration for the Stem Zero Master GlassCollection?Y.H.: Although I love complexity, I hate complication. There is a spot in which by trying tobe too perfect and too detailed we lose everyone. It is the case with wine glasses andalthough every glass will make the same wine taste different, there is a point in whichwe have to stop complicating things and search for the simple, which paradoxically isalways the most difficult thing to do. This glass was created for either wine professionalsseeking an all-around instrument to taste wines on the go or for people who cannotafford to keep different glasses for every wine they encounter.M.F.: What was your thinking regarding the design and shape of the Stem ZeroMaster Glass Collection?Y.H.: When looking at the glassware, the collection had to bring clarity and simplicity. Iwanted to inspire confidence in our customers so we looked at fine-tuning four types ofglasses you need; two white and two red. And we made sure to not name them by theirgrape varieties. For the whites we called one Delicate and the second Full-bodied.For the red, we have a glass for Elegant and one for Powerful red wines. The Master isa unique glass within the Stem Zero line. We realized that for many people who lovewine, they might need more than four glasses. This glass could not be too large, but smallenough to carry into restaurants and tastings. The Master is more professional and workswith all varieties. It’s the best for one glass.M.F.: How did you interact with the design process for Stem Zero?Y.H.: The design process is very specific when understanding the glass shape while stillattempting to be original and create something new that wasn’t done before. Weplayed with the design on the drawing board, then 3D printer, then we gave it to thedesign team and they created a mold.M.F.: Did you do tastings with theprototypes before going into production?Y.H.: We had the opportunity to do sometastings. I was able to observe wherethe competition failed and was lucky tocreate glasses with enough time with theopportunity to modify, but ultimately did notfeel the need to modify. Today when I tastewith wine, the glasses feel like they werecreated in the right proportions.M.F.: What types of decorative objects doyou incorporate on to your table?Y.H.: I love flowers so vases are imperativeon my table. Candleholders are not aprerequisite but on the romantic table, Istill opt for the natural shimmering light ofcandles. Decanters are also decorativeobjects I love to play with during dinnerand I love playing with materials, that iswhy Alba by Nude which combines marbleand crystalline is one of my favorites.
9ROCK & POPArtist CollectionLike hand-blown glass--liquid and solid, brittle but unbreakable--humansare unique: Genetically, we're almost identical, but we differ in tiny waysthat make each of us unrepeatable.As a young, modern brand, Nude celebrates singularity. We are endlesslyinspired by the expressive potential of street culture and the myriadmusical genres to which it has given rise. Street art and music are felt,not reasoned. They are languages that promote self-expression in infiniteforms but, at the same time, are understood by anyone and everyone.Hand-illustrated in editions of 10, the Rock & Pop series of designerAli Bakova's Memento Mori skulls is an artistic collaboration that imbueseach piece with the emotion, artistry and immediacy of theseinspirations. By making their mark on the luminous surfaces of Bakova'sskulls, graffiti writers Cins and Kien, tattoo artists Erensu Ekmekcilerand Luca Font, and illustrators Sena and Umut Karaman have turnedhigh culture and craft into a canvas for street art and fashion. In the end,it takes icon-busting to create an icon. It takes courage, rule-breakingand creativity to make one's mark on the street. Nude celebrates thecomplexity--on the street, in glass, or inside ourselves--that it takesto create something genuinely new, unique and perfectly simple.‘Pop and rock means the 1980s to me,’ says illustrator Umut Karaman.‘My personality as a designer was developing in the 80s and the musicleft marks on my life.’ Karaman also designed patterns to be used onvases & glasses for Nude Rock & Pop collection. The pieces play withneon colors, bold shapes, dynamic figures, simple 1980s-echoing lines,and the spirit of pop and rock.
11OPTI &LAYERSShonquis Moreno: Where do you mostoften find your design inspiration?Defne Koz: My design always tries toawaken the senses, to evoke subtleemotions with deep, rich materialsand shapes. All my designs for Nudeuse glass to explore different kindsof sensations, mostly visual, but alsotactile sensations through the use oftextures and surface patterns. Myinterest is to develop a multi-sensorylanguage and create immersiveexperiences that engage the wholebody and the whole mind.by Defne KozS.M.: You’ve worked with glass manytimes. Is the material special in anyway, in your opinion?D.K.: I learned that glass is transparentbut not invisible, that’s a bigdifference. Even when the materialitself is neutral and transparent, it’snot the absence of sensation, butthe addition of many sensationsNude has been working with Defne Koz since 2017, when the brand launched her Layers vase collectionin Palazzo Litta during Milan Design Week. This year, Nude introduced her Opti vases and centerpiecein Ambiente. Based between Milan and Chicago, Koz’s work combines her Turkish origins with a love forItalian culture, while investigating a wide range of product types. She recently received the Elle Decothat are ever-changing, difficult tograsp because they change with thelight hitting from different angles.Glass is rich and mysterious, and youperceive it differently every time. Forthis reason, every time I work with thematerial, I try and explore one of itsmany attributes: reflection, refraction,translucency, fade, texture, layering,and color.S.M.: What was your inspiration forthe shapes and the lovely texture ofOpti Collection?D.K.: Opti is all about textures,the surface of the vases is‘micro-pleated’ to create an opticalillusion, a visual vibration of thesurface. In the transparent versionof Opti, the texture is amplified bythe refraction of the material, in theversions in colored glass this createsa kind of color moiré.Turkey Designer of the Year award and, for Layers, the German Design Gold Award 2019.“GLASS IS RICH ANDM YS T E R I O U S , A N DYO U P E RC E I V E I TD I F F E R E N T LY E V E R YT I M E .”S.M.: What flowers do you put in Optivases?D.K.: I put a large bunch of yellow mimosasin the first prototype of Opti that I got inmy studio. The small yellow flowers createa cloud of texture that dialogues very wellwith the texture of the glass vase.S.M.: How do you think about choosing acolor palette when you’re working withglass?OPTISee at p.66-67D.K.: Layers vases are based on transparentlayering, so I selected colors that work nicelyin addition to each other, like overlappingcolor filters. For Opti collection I selectedvery ‘native’ glass colors, like clear andsmoke green, because they work well withthe texture of the surface.S.M.: Is there any object you would liketo design in glass, in particular, that youhaven’t done yet?D.K.: A car. Maybe it sounds crazy, becausewe’re used to thinking that cars need to bestrong, metallic, protecting us from crashes,but there was a period, between the ‘60sand the ‘70s, when designers were openingup the living space of cars with much largerwindows and using glass in a very innovativeway. Today only a few cars are designed‘from the inside out’, to give a great qualityof life inside. Considering the progress inglass technology, I’m sure we could createa great sense of openness, and a strongerconnection between inside and outside, withextensive use of glass in a moving vehicle.
13Space Copenhagenon SilhouetteDanes Signe Bindslev Henriksen and Peter Bundgaard Rützou are graduates of the Royal Danish Academy of Fine Arts.The pair launched Space Copenhagen, their design firm in 2005 where they work across disciplines, producing furniture,lighting and objects for interiors for residential and hospitality projects. The couple often use natural materials, and asubdued color palette that highlights craft. Space Copenhagen’s clients range from international manufacturers includingGeorg Jensen, GUBI, Stellar Works, and Fredericia Furniture. Restaurant and hotel projects include 11 Howard, NewMelissa Feldman: Have you worked with glass before?Space Copenhagen: It is our first time working with glass, and theglass itself and the complexity of the craft techniques behind it isdeeply fascinating to us.M.F.: What was it like working with the Nude team?S.C.: Our collaboration with the wonderfully skilled craftsmen atNude has been truly inspiring. Whether fused, cast or blown, thesheer immediacy of the process, the intensity of coaxing moltenglass into these exquisite precise forms is quite unique and unlikeanything we have experience with.M.F.: What’s your approach when combining form and function?What other types of foods are you imagining would work in thesevessels?S.C.: Every case is different. Here, we were interested in how toeffortlessly convey a welcoming, generous gesture in the form. Thesmall family of individual bowls, yet compatible base identities canbe used in different ways and common for the them all is their openand inviting and generous shape. Our intention was to create avery flexible collection. Whether filled with nuts, a dish, on their ownor with a couple of berries, we wanted them to communicate aninviting gesture in an understated but clear way.“ W H E N W E S TA R T E D S K E T C H I N G ,O U R I N S P I R AT I O N WA S P U R E LY T H EM AT E R I A L I T S E L F ”York; the original Noma launched by René Redzepi in Copenhagen; Geranium, Copenhagen owned by Bócuse d’Or winnerRasmus Kofoed; and Geist, run by Michelin star chef Bo Bech.M.F.: How do you think aboutincorporating decorative objects likethese on to your table setting?are unique to glass determining outcomein ways that were new to us, which was agreat learning.S.C.: The generous sentiment of sharingbowls and trays for a table setting isappealing to us, and we like the simplesculptural ornamental character that glasspieces like these introduce to a space.M.F.: What other types of accessoriesare you interested in designing thatmight relate to the collection you’ve justcreated?M.F.: What was your original inspirationfor the Silhouette Collection and howdid you begin your design process whencreating the collection for Nude?SILHOUETTESee at p.176-177S.C.: When we started sketching,our inspiration was purely the materialitself. In the process, its fluid andtransparent nature quickly became almosta fourth dimension witha constant interplay between edge,volume and curve, and techniques thatS.C.: We see so many amazing possibilities,whether glass, vases or larger free formobjects, which could be really interestingto explore.M.F.: Do you like cooking? If so what inspecific? Fish perhaps?S.C.: For both of us cooking isa wonderfully relaxing, social andsometimes almost meditative endeavor,something that takes you out ofa busy professional life and intoa sphere where it’s about this ritual andexperience. We love the Mediterraneanand Asian way of sharing a meal, together,passing the bowl or plate along, a lotof choice, many dishes on the table,that whole interaction around the tablethroughout the meal.M.F.: Do you have a favorite restaurantbesides the ones you’ve designed? And why?S.C.: We work with restaurants fora living, and seek out food experiencesall the time, both here in Copenhagenand when traveling. So, to us culinaryexperiences are so intrinsically tied tothe place you’re at, the mood, you’rein, the people you’re with, that singlingout a favorite wouldn’t be fair. It couldbe amazing dumplings in a side streeton Lower East Side, fine dining inCopenhagen, or fresh fish in a modestfamily restaurant in Milan.
OCK&PA RT I S T C O L L E CT I O NROP
17FacetedSkull LFacetedSkull LFacetedSkull LFacetedSkull LFacetedSkull L28460 110894528460 110894328460 110894628460 110894028460 1116027Faceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoOpal WhiteOpal WhiteM E M E N T O1Luminous Green1Black11198 * 260 mm / 210 mm198 * 260 mm / 210 mm198 * 260 mm / 210 mm198 * 260 mm / 210 mm198 * 260 mm / 210 mm7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”Artist CollectionM O R I1Opal WhiteFacetedSkull LFacetedSkull LFacetedSkull L28460 110894428460 1108941Faceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoBlack1Black1BlackFacetedSkull LBlackFacetedSkull L28460 110894228460 110893825640 1108939Faceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado Cráneo11Black1198 * 260 mm / 210 mm198 * 260 mm / 210 mm198 * 260 mm / 210 mm198 * 260 mm / 210 mm198 * 260 mm / 210 mm7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”* Al l pro du c t s a re h a n dm a de a n d pro du c e d o n l y 10 pi e c e s .
19FacetedSkull SFacetedSkull SFacetedSkull SFacetedSkull S25397 110893225397 110893325397 110893525397 1108937Faceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoM E M E N T OBlackBlackBlack666680 * 105 mm / 83 mm80 * 105 mm / 83 mm80 * 105 mm / 83 mm80 * 105 mm / 83 mm3 1/4 * 4 1/4” / 3 1/4”3 1/4 * 4 1/4” / 3 1/4”3 1/4 * 4 1/4” / 3 1/4”3 1/4 * 4 1/4” / 3 1/4”Artist CollectionM O R IBlackFacetedSkull SFacetedSkull SFacetedSkull S25397 110893125397 110893425397 1108936Faceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoClearClearClear66680 * 105 mm / 83 mm80 * 105 mm / 83 mm80 * 105 mm / 83 mm3 1/4 * 4 1/4” / 3 1/4”3 1/4 * 4 1/4” / 3 1/4”3 1/4 * 4 1/4” / 3 1/4”
21VaseVaseVase28551 111269128551 111269028551 aseVaseJarrónM I N IArtist CollectionM A G N O L I AOpal WhiteOpal WhiteOpal White666112.5 mm / 200 mm112.5 mm / 200 mm112.5 mm / 200 mm4 1/2” / 7 3/4”4 1/2” / 7 3/4”4 1/2” / 7 3/4”VaseVaseVase28552 111268828552 111268728552 aseVaseJarrónOpal White6Opal White6Opal White680 mm / 150 mm80 mm / 150 mm80 mm / 150 mm3 1/4” / 6”3 1/4” / 6”3 1/4” / 6”
23Set of 4Highball Glasses96867 111277828423 1112693BroccaCrucheWasserkanneJarra de aguaBroccaCrucheWasserkanneJarra de agua661000 cc / 88 mm / 280 mm1000 cc / 88 mm / 280 mm33 3/4 oz / 3 1/2” / 11”33 3/4 oz / 3 1/2” / 11”Artist Collection28423 1112692Artist CollectionJugWith CoverF I N E S S EJugWith CoverM I R A G EArtist CollectionF I N E S S ELong drinkGrand verreHighballVaso de refresco6445 cc / 66 mm / 151 mm15 oz / 2 1/2” / 6”Set of 4Glasses96865 1112772BicchiereVerreTrinkgläsVaso6390 cc / 82 mm / 88 mm13 1/4 oz / 3 1/4” / 3 1/2”Set of 4Highball Glasses96866 1112777Long drinkGrand verreHighballVaso de refresco6480 cc / 73 mm / 154 mm16 1/4 oz / 2 3/4” / 6”
LIVING
L I V I N GICONS
29FacetedSkull LFacetedSkull LFacetedSkull LFacetedSkull LFacetedSkull SFacetedSkull SFacetedSkull STealightHolder28460 107562828460 107563128460 107678328460 110853225397 108633025397 107563425397 107563725435 1107069Faceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoPorta M E M E N T O1Black11Luminous GreenClear6BlackClear666198 * 260 mm / 210 mm198 * 260 mm / 210 mm198 * 260 mm / 210 mm198 * 260 mm / 210 mm80 * 105 mm / 83 mm80 * 105 mm / 83 mm80 * 105 mm / 83 mm80 * 105 mm / 75 mm7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”3 1/4 * 4 1/4” / 3 1/4”3 1/4 * 4 1/4” / 3 1/4”3 1/4 * 4 1/4” / 3 1/4”3 1/4 * 4 1/4” / 3”FacetedSkull LFacetedSkull LFacetedSkull LFacetedSkull MFacetedSkull SFacetedSkull SFacetedSkull S28460 108632728460 107692628460 107692725640 110853425397 108633325397 108633625397 1086350Faceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado CráneoFaceted SchädelFacettes SkullSfaccettato SkullTallado Cráneoby Ali BakovaM O R I1Opal WhiteLuminous Green1Silver1Copper1Clear2Gold Bottom6Copper Bottom6Black6198 * 260 mm / 210 mm198 * 260 mm / 210 mm198 * 260 mm / 210 mm117 * 153 mm / 125 mm80 * 105 mm / 83 mm80 * 105 mm / 83 mm80 * 105 mm / 83 mm7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”7 3/4 * 10 1/4” / 8 1/4”4 1/2 * 6” / 5”3 1/4 * 4 1/4” / 3 1/4”3 1/4 * 4 1/4” / 3 1/4”3 1/4 * 4 1/4” / 3 1/4”Exq ui si t e l y scul p t ure d g l a ss o rn a m e n t d e s i g n e d by I s ta n b u l - b a s e d A l i B a kova . S h a p e d as t h e t op h a lf ofa h um a n sk ul l , t he o r na m e nt s re s t on a f l a t b a s e . T h ey c om e i n j e t b l a c k , c rys ta l c l e a r, an d opa qu e wh it egla ss.The p i e ce s co m e i n t wo s i ze s , of fe ri n g a b ol d or s u b tl e a d d i ti on to a ny d e s k or b ooksh e lf. Th e gla ssis cut i n sha r p p r i sm a t i c st ro ke s , ref l e c ti n g th e l i g h t i n a p owe rf u l way.Th ey a re ic on ic it e ms, a n d t h e c e n t re pie c e of t h e NUDE Me me n t o Mor i c olle c t io n. The skulls act as a constant remind erof ou r mor t a lit y, a n d a n in spira t ion t o live life t o t h e fu ll, ma k in g t h e most of eve ry moment we have.They are iconic items,a n d t h e c e n t re pie c e of t h e NUDE Me me n t o Mor i c olle c t ion . Th e sk u lls a c t a s a c onstant remind er of our mortality, and anin spira t ion t o live life t o t h e fu ll, ma k in g t h e most of eve r y mome n t we h ave .
31Skull Bowl LSkull Bowl LSkull Bowl L28416 107677928416 107571328416 1076780SchädelschaleCrâne BowlSkull BowlCráneo TazónSchädelschaleCrâne BowlSkull BowlCráneo TazónSchädelschaleCrâne BowlSkull BowlCráneo TazónBlack22240 * 249 mm / 150 mm240 * 249 mm / 150 mm9 1/2 * 9 3/4” / 6”9 1/2 * 9 3/4” / 6”9 1/2 * 9 3/4” / 6”Skull Bowl SSkull Bowl SSkull Bowl S28690 108665828690 108666028690 1086659SchädelschaleCrâne BowlSkull BowlCráneo TazónSchädelschaleCrâne BowlSkull BowlCráneo TazónSchädelschaleCrâne BowlSkull BowlCráneo Tazónby Erdem AkanM O R I240 * 249 mm / 150 mmSmoke6Black6Opal White6130 * 134 mm / 81 mm130 * 134 mm / 81 mm130 * 134 mm / 81 mm5 * 5 1/4” / 3 1/4”5 * 5 1/4” / 3 1/4”5 * 5 1/4” / 3 1/4”M E M E N T OM E M E N T OM O R I2Opal Whiteby Ali BakovaSmokeWhiskyBottleSet of 2Whisky Glasses92926 110775722610 1107964Bottiglia WhiskyV a WhiskyWhiskyflascheLicoreraBicchiere WhiskyVerre a WhiskyWhiskeyglasVaso de Whisky63750 cc / 115 * 155 mm / 183 mm300 cc / 96.5 mm / 106 mm25 1/4 oz / 4 1/2 * 6” / 7 1/4”10 1/4 oz / 3 3/4” / 4 1/4”
L I V I N GVA S E S & B O W L S
35Lidded VesselLidded VesselLidded VesselPetroleum GreenCaramel28936 110135728936 110135928938 110136528938 1101367Scatola di immagazzinaggioBoîte de rangementAufbewahrungskisteCaja de almacenajeScatola di immagazzinaggioBoîte de rangementAufbewahrungskisteCaja de almacenajeScatola di immagazzinaggioBoîte de rangementAufbewahrungskisteCaja de almacenajeScatola di immagazzinaggioBoîte de rangementAufbewahrungskisteCaja de almacenajeCobalt BlueCaramel66by Sebastian Herkner66130 mm / 107 mm130 mm / 107 mm160 mm / 154 mm160 mm / 154 mm5” / 4 1/4”5” / 4 1/4”6 1/4” / 6”6 1/4” / 6”Lidded VesselB E R E TLidded VesselLidded VesselAmberCaramel28937 110136128937 1101363Scatola di immagazzinaggioBoîte de rangementAufbewahrungskisteCaja de almacenajeScatola di immagazzinaggioBoîte de rangementAufbewahrungskisteCaja de almacenaje66214 mm / 65 mm214 mm / 65 mm8 1/4” / 2 1/2”8 1/4” / 2 1/2”L ike t h e in imit a ble F re n c h h e a dge a r, t h e se lidde d ve sse ls a re remarkab le for their eleg ant, ef fortlesssimplic it y. L ids c raft e d from silk y-look in g bra ss c lose ove r soft l y tinted g lass containers--in three sizes-like t h e t a st efu l t oppe rs of t h e B a squ e s pe ople , wh o or igin a t e d the b eret.
37VaseVaseVase38004 110194138004 110194338004 aseVaseJarrónPetroleum GreenCaramel111315 mm / 300 mm315 mm / 300 mm315 mm / 300 mm12 1/2” / 11 3/4”12 1/2” / 11 3/4”12 1/2” / 11 3/4”by Pentagon DesignB L A D EClearPlayin g on gla ss’ in n a t e ma t e r ia l c on t ra dic t ion s, t h e B la de va ses juxtap ose sof t and hard , smooth andsh a r p, in a sin gle obje c t . In spire d by t h e a r t wor ld’s e xplora t ions into sheer overlain color, Blad e g ives an od, in pa r t ic u la r, t o t h e wor k of a r t ist s, wh ose wor ks re lie s on the overlap of transp arent hues.
39Vase SVaseVaseVase38005 110194638005 110194838005 aseVaseJarrónClearPetroleum GreenVase SSmokeBlue28289 104993128289 el22206 mm / 400 mm206 mm / 400 mm206 mm / 4
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