Magic In Theory And Practice - Szm

Transcription

MAGIC IN THEORY AND PRACTICEMagic in Theory andPracticeby Aleister CrowleyGet any book for free on: www.Abika.comGet any book for free on: www.Abika.com1

MAGIC IN THEORY AND PRACTICELIMITED LICENSEExcept for notations added to the history ofmodification, the text on this diskette down to the nextrow of asterisks must accompany all copies made of thisfile. In particular, this paragraph and the copyrightnotice are not to be deleted or changed on any copies orprint-outs of this file. With these provisos, anyone maycopy this file for personal use or research. Copies may bemade for others at reasonable cost of copying and mailingonly, no additional charges may be *****************************Pages in the original are marked thus at the bottom: {pagenumber}Comments and notes not in the original are identified withthe initials of the source: AC note Crowley note.WEHnote Bill Heidrick note, etc.footnotes have been moved up to the point of citation inthe text and set off by . just before and after ********************************Do what thou wilt shall be the whole of the LawGet any book for free on: www.Abika.com2

3MAGIC IN THEORY AND PRACTICEMAGICKIN THEORY ANDPRACTICEbyThe Master TherionAleister Crowley{Based on Castle Books edition of NewYork}HYMN TO PANepsilon-phi-rho-iota-xi epsilon-rho-omega-tau-iota piepsilon-rho-iota-alpha-rho-chi-eta-sigma delta ga iota-omega pi-alpha-nu pi-alpha-nuomega -pi-alpha-nu pi-alpha-nu ilon, chi-upsilon-lambdalambda-alpha-nu-iota-alpha-sigma ron-iotapi-epsilon-tau-rho-alpha-iota-alpha-sigma alpha-piomicron i-alpha-nu-eta-theta, omegatheta-epsilon-omega-nu chi-omicron-rho-omicron-piomicron-iota alpha-nu-alpha-xiSOPH. AJ.Thrill with lissome lust of the light,O man! My man!Come careering out of the nightOf Pan! Io Pan!Io Pan! Io Pan! Come over the seaFrom Sicily and from Arcady!Roaming as Bacchus, with fauns and pardsAnd nymphs and satyrs for thy guards,On a milk-white ass, come over the seaTo me, to me,Come with Apollo in bridal dress(Shepherdess and pythoness)Come with Artemis, silken shod,And wash thy white thigh, beautiful God,In the moon of the woods, on the marble mount,The dimpled dawn of the amber fount!Dip the purple of passionate prayerIn the crimson shrine, the scarlet snare,The soul that startles in eyes of blueGet any book for free on: www.Abika.com{V}

4MAGIC IN THEORY AND PRACTICETo watch thy wantonness weeping throughThe tangled grove, the gnarled boleOf the living tree that is spirit and soulAnd body and brain --- come over the sea,(Io Pan! Io Pan!)Devil or god, to me, to me,My man! my man!Come with trumpets sounding shrillOver the hill!Come with drums low mutteringFrom the spring!Come with flute and come with pipe!Am I not ripe?I, who wait and writhe and wrestleWith air that hath no boughs to nestleMy body, weary of empty clasp,Strong as a lion and sharp as an asp --Come, O come!I am numbWith the lonely lust of devildom.Thrust the sword through the galling fetter,All-devourer, all-begetter;Give me the sign of the Open Eye,And the token erect of thorny thigh,And the word of madness and mystery,O Pan! Io Pan!Io Pan! Io Pan Pan! Pan Pan! Pan,I am a man:Do as thou wilt, as a great god can,O Pan! Io Pan!Io Pan! Io Pan Pan! I am awakein the grip of the snake.The eagle slashes with beak and claw;The gods withdraw:The great beasts come, Io Pan! I am borneTo death on the hornOf the Unicorn.I am Pan! Io Pan! Io Pan Pan! Pan!I am thy mate, I am thy man,Goat of thy flock, I am gold, I am god,Flesh to thy bone, flower to thy rod.With hoofs of steel I race on the rocksThrough solstice stubborn to equinox.And I rave; and I rape and I rip and I rendEverlasting, world without end,Mannikin, maiden, Maenad, man,In the might of Pan.Io Pan! Io Pan Pan! Pan! Io Pan!------------{VII}{Illustration on page VIII described:Get any book for free on: www.Abika.com{VI}

5MAGIC IN THEORY AND PRACTICEThis is the set of photos originally published facingpage 12 in EQUINOX I, 2 and titled there: "The Signs ofthe Grades."These are arranged as ten panels:* * * ** *****In this re-publication, the original half-tones havebeen redone as line copy. Each panel consists of anillustration of a single human in a black Tau robe,barefoot with hood completely closed over the face. Thehood displays a six-pointed figure on the forehead --presumably the radiant eye of Horus of the A.'. A.'., butthe rendition is too poor in detail. There is a crosspendant over the heart. The ten panels are numbered inblack in the lower left corner.The panels are identified by two columns of numberedcaptions, 1 to 6 to the left and 7 to 10 to the right.description is bottom to top and left to right:The"1. Earth: the god Set fighting." Frontal figure. Rt. footpointed to the fore and angled slightly outward with weighton ball of foot. Lf. heel almost touching Rt. heel andfoot pointed left. Arms form a diagonal with body, rightabove head and in line with left at waist height. Handspalmer and open with fingers outstretched and together.Head erect."2. Air: The god Shu supporting the sky." Frontal. Heelstogether and slightly angled apart to the front, flat onfloor. Head down. Arms angled up on either side of headabout head 1.5 ft. from head to wrist and crooked as ifsupporting a ceiling just at head height with the fingertips. The palms face upward and the backs of the handsaway from the head. Thumbs closed to side of palms.Fingers straight and together."3. Water: the goddess Auramoth." Same body and footposition as #2, but head erect. Arms are brought down overthe chest so that the thumbs touch above the heart and thebacks of the hands are to the front. The fingers meetbelow the heart, forming between thumbs and fingers thedescending triangle of water."4. Fire: the goddess Thoum-aesh-neith." Frontal. Headand body like #3. Arms are angled so that the thumbs meetin a line over the brow. Palmer side facing. Fingers meetabove head, forming between thumbs and fingers theascending triangle of fire."5,6. Spirit: the rending and closing of the veil." Headerect in both. #5 has the same body posture as #1, exceptthat the left and right feet are countercharged and flat onGet any book for free on: www.Abika.com

6MAGIC IN THEORY AND PRACTICEthe floor with the heels in contact. Arms and hands arecrooked forward at shoulder level such that the handsappear to be clawing open a split veil --- hands haveprogressed to a point that the forearms are invisible,being directly pointed at the front. Lower arms are flatand horizontal in the plain of the image.#6. has the same body posture as #1, feet in same positionas #5. The arms are elbow down against abdomen, with handsforward over heart in claws such that the knuckles aretouching. Passing from #5 to #6 or vice versa is done bymotion of shoulders and rotation of wrists. This isdifferent from the other sign of opening the veil, the Signof the Enterer, which is done with hands flat palm to palmand then spread without rotation of wrists."7-10. The L V X signs.""7. Osiris slain --- the cross." Body and feet as in #2.Head bowed. Arms directly horizontal from the shoulders inthe plane of the image. Hands with fingers together,thumbs to side of palm and palmer side forward. The taushape of the robe dominates the image."8. L Isis mourning --- the Svastica." The body is insemi-profile, head down slightly and facing right ofphotograph. The arms, hands, legs and feet are positionedto define a swastika. Left foot flat, carrying weight andangled toward the right of the photo. Right foot toe downbehind the figure to the left in the photo. Right upperarm due left in photo and forearm vertical with fingersclosed and pointing upward. Left arm smoothly canted downto the right of the panel, with fingers closed and pointeddown."9. V Typhon --- the Trident." Figure frontal and standingon tip toe, toes forward and heels not touching. Headback. Arms angled in a "V" with the body to the top andoutward in the plain of the photo. Fingers and thumbs as#7, but continuing the lines of the arms."10. X Osiris risen --- the Pentagram." Body and feet asin #7. Head directly frontal and level. Arms crossed overheart, right over left with hands extended, fingers closedand thumb on side such that the palms rest on the twoopposite n-alpha-iota alpha-thetaalpha-nu-alpha-tau-omicron-sigma theta-epsilon-omicronsigma, alpha-mu-beta-rho-omicron-tau-omicron-sigma,Get any book for free on: www.Abika.com

7MAGIC IN THEORY AND .epsilon-tau-iotatheta-nu-eta-tau-"Magic is the Highest, most Absolute, and most DivineKnowledge of Natural Philosophy, advanced in its works andwonderful operations by a right understanding of the inwardand occult virtue of things; so that true Agents beingapplied to proper Patients, strange and admirable effectswill thereby be produced. Whence magicians are profoundand diligent searchers into Nature; they, because of theirskill, know how to anticipate an effect, the which to thevulgar shall seem to be a miracle.""The Goetia of the Lemegeton of KingSolomon.""Wherever sympathetic magic occurs in its pureunadulterated form, it is assumed that in nature one eventfollows another necessarily and invariably without theintervention of any spiritual or personal agency.Thus its fundamental conception is identical with thatof modern science; underlying the whole system is a faith,implicit but real and firm, in the order and uniformity ofnature. The magician does not doubt that the same causeswill always produce the same effects, that the performanceof the proper ceremony accompanied by the appropriatespell, will inevitably be attended by the desired results,unless, indeed, his incantations should chance to bethwarted and foiled by the more potent charms of anothersorcerer. He supplicates no higher power: he sues thefavour of no fickle and wayward being: he abases himselfbefore no awful deity. Yet his power, great as he believesit to be, is by no means arbitrary and unlimited. He canwield it only so long as he strictly conforms to the rulesof his art, or to what may be called the laws of nature asconceived by {IX} him. To neglect these rules, to breakthese laws in the smallest particular is to incur failure,and may even expose the unskilful practitioner himself tothe utmost peril. If he claims a sovereignty over nature,it is a constitutional sovereignty rigorously limited inits scope and exercised in exact conformity with ancientusage. Thus the analogy between the magical and thescientific conceptions of the world is close. In both ofthem the succession of events is perfectly regular andcertain, being determined by immutable laws, the operationof which can be foreseen and calculated precisely; theelements of caprice, of chance, and of accident arebanished from the course of nature. Both of them open up aseemingly boundless vista of possibilities to him who knowsthe causes of things and can touch the secret springs thatset in motion the vast and intricate mechanism of theworld. Hence the strong attraction which magic and sciencealike have exercised on the human mind; hence the powerfulstimulus that both have given to the pursuit of knowledge.They lure the weary enquirer, the footsore seeker, onthrough the wilderness of disappointment in the present byGet any book for free on: www.Abika.com

8MAGIC IN THEORY AND PRACTICEtheir endless promises of the future: they take him up tohe top of an exceeding high mountain and shew him, beyondthe dark clouds and rolling mists at his feet, a vision ofthe celestial city, far off, it may be, but radiant withunearthly splendour, bathed in the light of dreams."Dr. J. G. FRAZER, "The Golden Bough".""So far, therefore, as the public profession of magichas been one of the roads by which men have passed tosupreme power, it has contributed to emancipate mankindfrom the thraldom of tradition and to elevate them into alarger, freer life, with a broader outlook on the world.This is no small service rendered to humanity. And when weremember further that in another direction magic has pavedthe way for science, we are forced to admit that if theblack art has done much evil, it has also been the sourceof much good; that if it is the child of error, it has yetbeen the mother of freedom and truth."Ibid.{X}"Prove all things; hold fast that which is good."St. Paul."Also the mantras and spells; the obeah and the wanga;the work of the wand and the work of the sword; these heshall learn and teach.""He must teach; but he may make severe the ordeals.""The word of the Law is Theta-epsilon-lambda-eta-mualpha."LIBER AL vel xxxi: The Book of the Law.-------------This book is forALL:for every man, woman, and child.My former work has been misunderstood, and its scopelimited, by my use of technical terms. It has attractedonly too many dilettanti and eccentrics, weaklings seekingin "Magic" an escape from reality. I myself was firstconsciously drawn to the subject in this way. And it hasrepelled only too many scientific and practical minds, suchas I most designed to influence.ButMAGICKis forALL.I have written this book to help the Banker, thePugilist, the Biologist, the Poet, the Navvy, the Grocer,Get any book for free on: www.Abika.com

MAGIC IN THEORY AND PRACTICEthe Factory Girl,Golfer, the Wife,fulfil themselvesfunction.Let me explainblazoned the wordthe Mathematician, the Stenographer, thethe Consul --- and all the rest --- toperfectly, each in his or her own properin a few words how it came about that IMAGICKupon the Banner that I have borne before me all my life.Before I touched my teens, I was already aware that Iwas THE BEAST whose number is 666. I did not understand inthe least {XI} what that implied; it was a passionatelyecstatic sense of identity.In my third year at Cambridge, I devoted myselfconsciously to the Great Work, understanding thereby theWork of becoming a Spiritual Being, free from theconstraints, accidents, and deceptions of materialexistence.I found myself at a loss for a name to designate mywork, just as H. P. Blavatsky some years earlier."Theosophy", "Spiritualism", "Occultism", "Mysticism", allinvolved undesirable connotations.I chose therefore the name."MAGICK"as essentially the most sublime, and actually the mostdiscredited, of all the available terms.I swore to rehabilitateMAGICKto identify it with my own career; and to compel mankind torespect, love, and trust that which they scorned, hated andfeared. I have kept my Word.But the time is now come for me to carry my banner intothe thick of the press of human life.I must makeMAGICKthe essential factor in the life ofALL.In presenting this book to the world, I must thenexplain and justify my position by formulating a definitionofMAGICKand setting forth its main principles in such a way thatALLmay understand instantly that their souls, their lives, inevery relation with every other human being and everycircumstance, depend uponMAGICKand the right comprehension and right application thereof.I. "DEFINITION."MAGICKis the Science and Art of causing Change to occur inconformity with Will.{XII}Get any book for free on: www.Abika.com9

MAGIC IN THEORY AND PRACTICE(Illustration: It is my Will to inform the World ofcertain facts within my knowledge. I therefore take"magical weapons", pen, ink, and paper; I write"incantations" --- these sentences --- in the "magicallanguage" i.e. that which is understood by the people Iwish to instruct; I call forth "spirits", such as printers,publishers, booksellers, and so forth, and constrain themto convey my message to those people. The composition anddistribution of this book is thus an act ofMAGICKby which I cause changes to take place in conformity withmy Will )II. "POSTULATE."ANY required Change may be effected by the applicationof the proper kind and degree of force in the proper mannerthrough the proper medium to the proper object.(Illustration: I wish to prepare an ounce of Chloride ofGold. I must take the right kind of acid, nitrohydrochloric and no other, in sufficient quantity and ofadequate strength, and place it, in a vessel which will notbreak, leak, or corrode, in such a manner as will notproduce undesirable results, with the necessary quantity ofGold: and so forth. Every Change has its own conditions.In the present state of our knowledge and power somechanges are not possible in practice; we cannot causeeclipses, for instance, or transform lead into tin, orcreate men from mushrooms. But it is theoreticallypossible to cause in any object any change of which thatobject is capable by nature; and the conditions are coveredby the above postulate.)III. "THEOREMS."(1) Every intentional act is a Magical Act. (Illustration: See "Definition" above.){XIII}(2) Every successful act has conformed to the postulate.(3) Every failure proves that one or more requirementsof the postulate have not been fulfilled.(Illustrations: There may be failure to understand thecase; as when a doctor makes a wrong diagnosis, and histreatment injures his patient. There may be failure toapply the right kind of force, as when a rustic tries toblow out an electric light. There may be failure to applythe right degree of force, as when a wrestler has his holdbroken. There may be failure to apply the force in theright manner, as when one presents a cheque at the wrongwindow of the Bank. There may be failure to employ thecorrect medium, as when Leonardo da Vinci found hismasterpiece fade away. The force may be applied to anunsuitable object, as when one tries to crack a stone,thinking it a nut.)(4) The first requisite for causing any change isthrough qualitative and quantitative understanding of theconditions.Get any book for free on: www.Abika.com10

MAGIC IN THEORY AND PRACTICE(Illustration: The most common cause of failure in lifeis ignorance of one's own True Will, or of the means bywhich to fulfil that Will. A man may fancy himself apainter, and waste his life trying to become one; or he maybe really a painter, and yet fail to understand and tomeasure the difficulties peculiar to that career.)(5) The second requisite of causing any change is thepractical ability to set in right motion the necessaryforces.(Illustration: A banker may have a perfect grasp of agiven situation, yet lack the quality of decision, or theassets, necessary to take advantage of it.)(6) "Every man and every woman is a star." That is tosay, every human being is intrinsically an independentindividual with his own proper character and proper motion.(7) Every man and every woman has a course, dependingpartly on the self, and partly on the environment which isnatural and necessary for each. Anyone who is forced fromhis own course, either through not understanding himself,or through external opposition, comes into conflict withthe order of the Universe, and suffers accordingly.{XIV}(Illustration: A man may think it his duty to act in acertain way, through having made a fancy picture ofhimself, instead of investigating his actual nature. Forexample, a woman may make herself miserable for life bythinking that she prefers love to social consideration, or"vice versa". One woman may stay with an unsympathetichusband when she would really be happy in an attic with alover, while another may fool herself into a romanticelopement when her only true pleasures are those ofpresiding at fashionable functions. Again, a boy'sinstinct may tell him to go to sea, while his parentsinsists on his becoming a doctor. In such a case, he willbe both unsuccessful and unhappy in medicine.)(8) A Man whose conscious will is at odds with his TrueWill is wasting his strength. He cannot hope to influencehis environment efficiently.(Illustration: When Civil War rages in a nation, it isin no condition to undertake the invasion of othercountries. A man with cancer employs his nourishment aliketo his own use and to that of the enemy which is part ofhimself. He soon fails to resist the pressure of hisenvironment. In practical life, a man who is doing whathis conscience tells him to be wrong will do it veryclumsily. At first!)(9) A man who is doing this True Will has the inertia ofthe Universe to assist him.(Illustration: The first principle of success inevolution is that the individual should be true to his ownnature, and at the same time adapt himself to hisenvironment.)(10) Nature is a continuous phenomenon, though we do notknow in all cases how things are connected.(Illustration: Human consciousness depends on theproperties of protoplasm, the existence of which depends oninnumerable physical conditions peculiar to this planet;Get any book for free on: www.Abika.com11

MAGIC IN THEORY AND PRACTICEand this planet is determined by the mechanical balance ofthe whole universe of matter. We may then say that ourconsciousness is causally connected with the remotestgalaxies; yet we do not know even how it arises from --- orwith --- the molecular changes in the brain.)(11) Science enables us to take advantage of thecontinuity of Nature by the empirical application ofcertain {XV} principles whose interplay involves differentorders of idea connected with each other in a way beyondour present comprehension.(Illustration: We are able to light cities by rule-ofthumb methods. We do not know what consciousness is, orhow it is connected with muscular action; what electricityis or how it is connected with the machines that generateit; and our methods depend on calculations involvingmathematical ideas which have no correspondence in theUniverse as we know it. )(12) Man is ignorant of the nature of his own being andpowers. Even his idea of his limitations is based onexperience of the past, and every step in his progressextends his empire. There is therefore no reason to assigntheoretical limits to what he may be, or to what he maydo.(Illustration: A generation ago it was supposedtheoretically impossible that man should ever know thechemical composition of the fixed stars. It is known thatour senses are adapted to receive only an infinitesimalfraction of the possible rates of vibration. Moderninstruments have enabled us to detect some of thesesuprasensibles by indirect methods, and even to use theirpeculiar qualities in the service of man, as in the case ofthe rays of Hertz and Rontgen. As Tyndall said, man mightat any moment learn to perceive and utilise vibrations ofall conceivable and inconceivable kinds. The question ofMagick is a question of discovering and employing hithertounknown forces in nature. We know that they exist, and wecannot doubt the possibility of mental or physicalinstruments capable of bringing us into relation withthem.)(13) Every man is more or less aware that hisindividuality comprises several orders of existence, evenwhen he maintains that his subtler principles are merelysymptomatic of the changes in his gross vehicle. A similarorder may be assumed to extend throughout nature.(Illustration: One does not confuse the pain oftoothache with {XVI} the decay which causes it. Inanimateobjects are sensitive to certain physical forces, such aselectrical and thermal conductivity; but neither in us norin them --- so far as we know --- is there any directconscious perception of these forces. Imperceptibleinfluences are therefore associated with all materialphenomena; and there is no reason why we should not workupon matter through those subtle energies as we do throughtheir material bases. In fact, we use magnetic force tomove iron, and solar radiation to reproduce images.)(14) Man is capable of being, and using, anything whichhe perceives, for everything that he perceives is in aGet any book for free on: www.Abika.com12

MAGIC IN THEORY AND PRACTICEcertain sense a part of his being. He may thus subjugatethe whole Universe of which he is conscious to hisindividual Will.(Illustration: Man has used the idea of God to dictatehis personal conduct, to obtain power over his fellow, toexcuse his crimes, and for innumerable other purposes,including that of realizing himself as God. He has usedthe irrational and unreal conceptions of mathematics tohelp him in the construction of mechanical devices. He hasused his moral force to influence the actions even of wildanimals. He has employed poetic genius for politicalpurposes.)(15) Every force in the Universe is capable of beingtransformed into any other kind of force by using suitablemeans. There is thus an inexhaustible supply of anyparticular kind of force that we may need.(Illustration: Heat may be transformed into light andpower by using it to drive dynamos. The vibrations of theair may be used to kill men by so ordering them in speechas to inflame war-like passions. The hallucinationsconnected with the mysterious energies of sex result in theperpetuation of the species.)(16) The application of any given force affects all theorders of being which exist in the object to which it isapplied, whichever of those orders is directly affected.(Illustration: If I strike a man with a dagger, hisconsciousness, not his body only, is affected by my act;although the dagger, as such, has no direct relationtherewith. Similarly, the power of {XVII} my thought mayso work on the mind of another person as to produce farreaching physical changes in him, or in others throughhim.)(17) A man may learn to use any force so as to serve anypurpose, by taking advantage of the above theorems.(Illustration: A man may use a razor to make himselfvigilant over his speech, but using it to cut himselfwhenever he unguardedly utters a chosen word. He may servethe same purpose by resolving that every incident of hislife shall remind him of a particular thing, making everyimpression the starting point of a connected series ofthoughts ending in that thing. He might also devote hiswhole energies to some one particular object, by resolvingto do nothing at variance therewith, and to make every actturn to the advantage of that object.)(18) He may attract to himself any force of the Universeby making himself a fit receptacle for it, establishing aconnection with it, and arranging conditions so that itsnature compels it to flow toward him.(Illustration: If I want pure water to drink, I dig awell in a place where there is underground water; I preventit from leaking away; and I arrange to take advantage ofwater's accordance with the laws of Hydrostatics to fillit.)(19) Man's sense of himself as separate from, and opposeto, the Universe is a bar to his conducting its currents.It insulates him.Get any book for free on: www.Abika.com13

MAGIC IN THEORY AND PRACTICE(Illustration: A popular leader is most successful whenhe forgets himself, and remembers only "The Cause". Selfseeking engenders jealousies and schism. When the organsof the body assert their presence otherwise than by silentsatisfaction, it is a sign that they are diseased. Thesingle exception is the organ of reproduction. Yet even inthis case its self-assertion bears witness to itsdissatisfaction with itself, since it cannot fulfil itsfunction until completed by its counterpart in anotherorganism.(20) Man can only attract and employ the forces forwhich he is really fitted.(Illustration: You cannot make a silk purse out of asow's ear. A {XVIII} true man of science learns from everyphenomenon. But Nature is dumb to the hypocrite; for inher there is nothing false. )(21) There is no limit to the extent of the relations ofany man with the Universe in essence; for as soon as manmakes himself one with any idea the means of measurementcease to exist. But his power to utilize that force islimited by his mental power and capacity, and by thecircumstances of his human environment.(Illustration: When a man falls in love, the whole worldbecomes, to him, nothing but love boundless and immanent;but his mystical state is not contagious; his fellow-menare either amused or annoyed. He can only extend to othersthe effect which his love has had upon himself by means ofhis mental and physical qualities. Thus, Catullus, Danteand Swinburn made their love a mighty mover of mankind byvirtue of their power to put their thoughts on the subjectin musical and eloquent language. Again, Cleopatra andother people in authority moulded the fortunes of manyother people by allowing love to influence their politicalactions. The Magician, however well he succeed in makingcontact with the secret sources of energy in nature, canonly use them to the extent permitted by his intellectualand moral qualities. Mohammed's intercourse with Gabrielwas only effective because of his statesmanship,soldiership, and the sublimity of his command of Arabic.Hertz's discovery of the rays which we now use for wirelesstelegraphy was sterile until reflected through the mindsand wills of the people who could take his truth, andtransmit it to the world of action by means of mechanicaland economic instruments.)(22) every individual is essentially sufficient tohimself. But he is unsatisfactory to himself until he hasestablished himself in his right relation with theUniverse.(Illustration: A microscope, however perfect, is uselessin the {XIX} hands of savages. A poet, however sublime,must impose himself upon his generation if he is to enjoy(and even to understand) himself, as theoretically shouldbe the case.)(23) Magick is the Science of understanding oneself andone's conditions. It is the Art of applying thatunderstanding in action.Get any book for free on: www.Abika.com14

MAGIC IN THEORY AND PRACTICE(Illustration: A golf club is intended to move a specialball in a special way in special circumstances. A Niblickshould rarely be used on the tee, or a Brassie under thebank of a bunke

MAGIC IN THEORY AND PRACTICE 7 Get any book for free on: www.Abika.com omicron-upsilon-chi epsilon-tau-iota theta-nu-eta-tau-omicron-sigma Pythagoras. "Magic is the Highest, most Absolute, and most Divine Knowledge of Natural Philosophy, advanced in its works and wo