WIXLIB

Product Information DocumentDigital MixersPRO SERIESPRO6-CC-IPLive Digital Console Control Centre with64 Input Channels, 35 Mix Buses and96 kHz Sample RateLive performance digital consolecontrol centre with up to 64simultaneous input channels35 time-aligned and phase-coherentmix busesHyperMAC and AES50 networkingallows up to 288 inputs and 294outputs @ 96 kHz sample rateHyperMAC router with 192bidirectional channels overcopper and optical fibreProvides dual redundant snakeconnection to DL371PRO6 AudioSystem EngineSnake connections up to 500 mwith optical fibre or 100 m withCAT5/5e cable10 VCA (variable control association)and 6 POPulation groupsUp to 36 assignable 1/3octave Klark Teknik DN370graphic equalisersUp to 8 multi-channel digital signalprocessing effects engines29 Midas PRO motorised100 mm faders2 daylight viewable 15" full colourTFT display screensFully interpolated touchsensitive controlsOptional wireless remotecontrol with Midas MIXTENDERApp for iPad*The Midas PRO Series has becomeestablished as the industry standard onlive concert tours and the road-provenPRO6 featuring 64 simultaneous inputchannels and 35 time-aligned andphase-coherent mix buses, shares thefamiliarity of a common user interfaceand workflow with PRO3 and PRO9.Like all PRO Series consoles, the PRO6features managed latency and 40 bitfloating point processing precision.PRO6 sets the standard of performance in high-profile live sound applicationsand is a truly impressive digital control surface for the engineer whose verylivelihood depends on both unparalleled functionality and reliability.HyperMAC and AES50 audio networking technologies allow the PRO6 todynamically assign up to 288 inputs and 294 outputs at 96 kHz samplingrate to any of its input channels and bus outputs on a scene-by-scene basis.This high level of connectivity, coupled with the large channel and buscounts, makes the PRO6 equally at home in theatres and symphony halls asit is in live concert touring, outside broadcast and music festivals.

Product Information DocumentDigital MixersPRO SERIESPRO6-CC-IPLive Digital Console Control Centre with64 Input Channels, 35 Mix Buses and96 kHz Sample RateDigital Audio NetworkingThree bay auto-ranging universalswitch-mode power supply withN 1 redundancySuperMAC (AES50-Compliant) and HyperMACdigital audio networking technologies fromKlark Teknik simultaneously provide highchannel counts, ultra low and deterministiclatencies, sample-synchronous and phasealigned networked clock distribution,error detection, network redundancy,and ease of deployment and use – tomeet the demanding requirements of liveconcert touring.3-Year Warranty Program*Designed and engineered in EnglandThe PRO6 HyperMAC router provides adual redundant snake connection to theDL371PRO6 Audio System Engine over opticalfibre and copper with a bandwidth of 192bidirectional channels of 96 kHz 24 bit digital audio, up to a distance of 500 m with opticalfibre or 100 m with CAT5/5e cable.PRO6 is compatible with all Midas PRO Series digital I/O units, as well as with any other96 kHz-enabled AES50-equipped devices. Multiple PRO Series consoles can be connectedtogether to create either larger mixing systems, or multiple discrete mixing consoles canshare a common resource of networked and distributed I/O interfaces.Advanced Navigation FlexibilityAt the heart of Midas console navigationare the VCA and POPulation groups, whichmirror the natural work flow used by mixengineers and encourages the development ofa mental picture, or “Mind Map”, of the wholesystem. Only the required control elementsand associated feedback are presented,allowing users to adopt structured task-basedworkflows, rather than being presented withan overwhelming ‘sea of knobs’.*iPad is a trademark of Apple Inc. All third-party trademarks are theproperty of their respective owners. Their use neither constitutes aclaim of the trademark nor affiliation of the trademark owners withMUSIC Group. Product names are mentioned solely as a reference forcompatibility, effects and/or components. Warranty details can befound at music-group.com.2 of 12

Product Information DocumentDigital MixersPRO SERIESPRO6-CC-IPLive Digital Console Control Centre with64 Input Channels, 35 Mix Buses and96 kHz Sample RateIntegrated Effects Processors and Graphic EqualisersThe PRO X can simultaneously process up to 8 internal multi-channel effects and DL371PRO6’s40 bit floating-point audio processing hosts a wide choice of virtual effects devices, which rangefrom dual-mono delay units, stereo modulation and numerous diverse reverberation simulations,multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to36 1/3 octave Klark Teknik DN370 Graphic Equalisers (GEQs) are provided, which can be patchedinto any output.PRO6 provides comprehensive automatic latency management of all internal routing and processinglatency – and also includes compensation for external analogue inserts. All audio samples aresynchronised before summing, resulting in absolute phase coherence at the outputs, without thecomb filtering effects of competing products that often result in specific frequencies being cancelledout completely.All effects processors and GEQs are custom-designed to function within this automatic latencycompensation system. This ensures a phase-coherent, sample-accurate mix regardless of whetherthe devices are used as channel inserts or on auxiliary buses.Midas PRO FaderNot satisfied with the existing motorised fader choices in the marketplace, Midas created thePRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - andproviding high linearity, robustness, and smooth feel during operation. This decision yielded manyother benefits, including total quality control over the manufacturing process and lower costs thatcould be passed on to customers.As a digital console manufacturer, Midas has a perspective on the actual application of motorfaders that a component manufacturer would not have. The multi-disciplinary development projectcombined mechanical design, electronic hardware and software optimisation with a rigorous testingprogramme and an investment in material science to produce the best possible performance inactual operation in Midas PRO Series consoles. Semi-precious metals are used for the wiper fingersfor their hard-wearing properties, and precision resistive tracks were created that offered highlylinear positional accuracy, coupled with long-term durability and even response in use.3 of 12

Product Information DocumentDigital MixersPRO SERIESPRO6-CC-IPLive Digital Console Control Centre with64 Input Channels, 35 Mix Buses and96 kHz Sample RateHighest Quality Display ScreensThe PRO6 Control Centre features dual 15" full colour daylight-viewable TFT displays for use inall environments, both inside and outdoors. The displays provide visual feedback for the entiresystem, the on-screen menus instantly navigate to the console overview page, which keeps all vitalinformation (all metering, all fader positions, mutes and solos) in view at all times.Digital Precision, Analogue ResponseThe oversampled digital signal processing algorithms, combined with the fully interpolated andtouch sensitive user controls, result in the smooth continuous response and immediacy of workingon an analogue console. Parameter adjustment becomes fast and easy, and the continuous phaseshift of a swept frequency control is heard without the quantisation artefacts exhibited by competingdigital consoles.Wireless Remote ControlDelivering unprecedented control and mobility, the MIXTENDER App for iPad* combines control ofkey functions with the highly responsive system metering, allowing users to take control of PRO6using an iPad from anywhere in a venue. Support for multiple simultaneous iPads allows FOH andmonitor engineers to work collaboratively, enhancing productivity and communication as well assaving valuable time during set-up.The MIXTENDER App for iPad is available as a free download from the Apple App Store.4 of 12

Product Information DocumentDigital MixersPRO SERIESPRO6-CC-IPLive Digital Console Control Centre with64 Input Channels, 35 Mix Buses and96 kHz Sample RateRedundancy - For Peace of MindThe PRO6 has dual-redundant control computers, and three removable power supplies - only two ofwhich are required for operation. The power supplies, which are interchangeable with those in theDL371PRO6 Engine, are auto-voltage sensing for use on a worldwide basis and provide seamlessswitchover in the unlikely event of a loss of one of the three power supplies.Combined with the dual-redundant HyperMAC snake and the redundant AES50 networking, noother console goes further in providing peace of mind. This means that during a show the user canfocus on what is most important - treating the audience to a flawless sonic experience.You Are CoveredWe always strive to provide the best possible Customer Experience. Our products are made in ourown MUSIC Group factory using state-of-the-art automation, enhanced production workflows andquality assurance labs with the most sophisticated test equipment available in the world. As a result,we have one of the lowest product failure rates in the industry, and we confidently back it up with agenerous 3-Year Warranty program.5 of 12

Product Information DocumentDigital MixersPRO SERIESPRO6-CC-IPLive Digital Console Control Centre with64 Input Channels, 35 Mix Buses and96 kHz Sample RateDimensions154.84 [6.10"]1055.31 [41.55"]1014.49 [39.94"]REAR VIEW1365 [53.74"]PLAIN VIEW154.84 [6.10"]431.53 [16.99"]22.44 [0.88"]197.45 [7.77"]254.53 [10.02"]231.02 [9.10"]6 of 12797.60 [31.40"]789.38 [31.08"]PLAIN VIEW924.07 [36.38"]145.30 [5.72"]

Product Information DocumentDigital MixersPRO SERIESPRO6-CC-IPLive Digital Console Control Centre with64 Input Channels, 35 Mix Buses and96 kHz Sample RateTechnical SpecificationsSystem SpecificationsDynamic RangeSampling rate96 kHz0 dB gain110 dB, 22 Hz to 22 kHz (unweighted)Latency delay 2 ms (Input to Master output withno latency compensation) 40 dB gain108 dB, 22 Hz to 22 kHz (unweighted)Dynamic range110 dB, 22 Hz to 22 kHzAnalogue Audio System InputsMaximum voltage gain80 dB, Inputs to Subgroups and Masters86 dB, Inputs to Aux and MatrixCrosstalk-100 dB physically adjacent input channelsFader/pan cut off-100 dBFrequency Response0 dB to -1.0 dB, 20 Hz to 20 kHzGain Error @ 1kHz 1.0 dBMic/Line InputsQuantityConnectorA/D converterGainMaximum input levelInput impedanceTalk Mic InputQuantityConnector83-pin XLR balanced mic/line input with 48 V phantom power24 bit, 96 kHz with 128 x oversampling-25 dB to 60 dB 26 dBu10 kOhm0 dB gain-80 dB 40 dB gain-90 dBMic gainMaximum input levelInput impedance13-pin XLR balanced mic input with 48 V phantom power 15 dB to 60 dB 6 dBu600 Ohm0 dB gain0.01% 40 dB gain0.03%Talk Back InputQuantityConnectorMaximum input levelInput impedance13-pin XLR balanced line input 21 dBu10 kOhmInput CMRRDistortion @ 0 dBuDistortion @ 20 dBu0 dB gain0.03% 40 dB gain0.03%Analogue Audio System OutputsNoise Floor0 dB gain-89 dBu, 22 Hz to 22 kHz (unweighted) 40 dB gain-87 dBu, 22 Hz to 22 kHz (unweighted)Equivalent Input Noise (EIN)0 dB gain-89 dBu, 22 Hz to 22 kHz (unweighted) 40 dB gain-127 dBu, 22 Hz to 22 kHz (unweighted)7 of 12Line OutputsQuantityConnectorD/A converterMaximum signal level83-pin XLR balanced line output24 bit, 96 kHz with 128 x oversampling 21 dBuMonitor OutputsQuantityConnectorMaximum signal level43-pin XLR balanced line output 21 dBu