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About Chapman Chamber OrchestraThe Chapman Chamber Orchestra (CCO), under the direction of Daniel Alfred Wachs, isconsidered among the finest u versity ensembles on the West Coast. Nobel Peac Priz e l au eateEli Wiesel lauded CCO following An Evening of Holocaust Remembrance, an nterdisci linarycollaboration with the Rogers Center for Holocaust Studies. In the fall of 2009, a live recording ofMilhaud's La Creation du Monde was selected by the Phillips Collection in Washington, D.C. toaccompany its exhibit, "Man Ray, African Art and the Modernist L ens.' In Februar y of 2008, CCOjoined forces with Orange County's Pacific Symphony as part of its Eighth America? omposersFestival. CCO recently completed a survey of Mahler song cycles with bariton Vladim1r Chernovand initiated a partnership with the LA Opera Domingo-Thornton Young Artist Program. In May2014, CCO and University Choirs will join the Orange County Youth Symphony Orchestra ndinternational soloists in a performance of Beethoven's Ninth Symphof!Y and a West Coast prem1ereby Mark Anthony Turnage at the Renee & Henry Segerstrom Concert Hall, presented under theauspices of the Philharmonic Society of Orange County.Chapman University Orchestras have received national recogniti n when presented the cov tedASCAP (American Society of Composers, Authors and Publishers) award at the Amer canSymphony Orchestra League Annual Conference for performances f mus c y Americancomposers and the Chamber Orchestra was a finalist in the 2012 American Prize m OrchestralPerformance.In frequent demand, the orchestras have performed at the Music Educators National, Divisional,State and Southern Section Conferences. The Chamber Orchestra has been the featu edperf rming ensemble for the CMEA (California Music Educators Association) Southern Sec onConference. The Chamber Orchestra has toured extensively on the West Coast of the UrutedStates and has performed on international tours in Europe, Chi a, Hong Kon?, an J apa?. Closerto home, CCO performs an annual series of concerts at the Nixon Presidential Library m YorbaLinda and at St. John's Lutheran Church in Church, and serves as the orchestra for OperaChapman.About the ProgramPiano Concerto No. 1 in F sharp minorSergei Rachmaninoff was born April 1, 1873 in Oneg, Novgorod District, Russia to wealthvamateur pianists. Under his mother's tutelage, the young Rachmaninoff began his musical trainingand piano studies at the age of four. After falling into financial failure, his family was forced to selltheir country estate and relocate to St. Petersburg, where Rachmaninoff continued studying at theSt. Petersburg Conservatory. Rachmaninoff had struggled to maintain his studies after the tragicdeath of his sister and the separation of his parents, vvhich resulted in his transfer to the l\foscowConservatory. It was in l\foscow where his love for composition and music theory flourished,inspiring him to create the initial sketches of his first piano concerto at the age of seve1 teen.Like many of Rachmaninoff's early compositions, his Piano Concerto No. 1 clearly exhibits thecomposer's admiration for his Russian heritage, especially the music of Tchaikovsky andRimsky-Korsakov. This influence provides the overarching character for Rachmaninoff's earlycompositional endeavors and would provide the basis on which he would develop his own musicalstyle.concerto, Rachmaninoff set the piece aside to write theAfter the completion of his firstsecond and third concerti, revisiting the first in 1917. Exhibiting the compositionally mature andacclaimed characteristics of his musical style, he perfected the concerto and created a revisededition to be performed in New York on January 18, 1919. Bmvever, the successes ofRachmaninoff s second and third piano concerti overshadowed the re-mastering of the first,delaying its recog-nitionthe musical communitv. A similar fate was to befall his much-neo-lectedbFourth Concerto.JAlthough the revised first concerto never surpassed the popularity of its successors, the attractiveindividual aesthetic and the great level craftsmanship in its composition has propelled the work intothe standard piano repertoire. The concerto breaks away from the melancholy affect that purveysmuch of Rachmaninoff's later music, illustrating a hidden extroverted side of the composer. This ismost perceived in the first movement, where the brilliant introductory brass fanfare sets the entiremovement ablaze with energy as the piano's Liszt-like audacity and technical acrobatics challengeeven the most virtuosic of pianists.-Stephanie Calascione, '15Requiem Mass in D minor, K. 626ASSOCIATION OF CALIFORNIASYMPHONY ORCHESTRASSergei Rachmaninoff(1873 - 1943)Wolfgang Amadeus Mozart(1756 - 1791)Wolfgang Amadeus Mozart was born in Salzburg, Austria on January 27, 1756. A child prodigy, hemastered both piano and violin at an early age and composed his first masterpiece? by the age offive. Despite his great talents and enormous musical output, Mozart struggled financiallythroughout his adult life. His unruly spending habits and elaborate lifestyle coupled with his ratherdifficult personality left him unpopular among patron circles. Mozart's freelance composition careerleft him with little money and unable to support himself and his wife. In 1791, Mozart fell ill just as

Texts and TranslationsAbout the Programhe was commissioned by an anonymous patron to compose a Requiem Mass. Several months later,on December 5, he died with this work only partially completed.The opening Requiem and Kyrie sections of the Mass are the only movements that Mozart himselffully composed. Lore has it that Mozart had premonitions of his own death even before composingthe Requiem, and in doing so, became convinced that he was actually composing his own funeralmusic. As his health declined, Mozart gave detailed instructions on finishing the Requiem to his pupil, Xaver Siissmayer. After Mozart's death, the composer's widow, Constanze, was desperate forthe commission and asked Siissmayer to complete the work her late husband had begun. TheRequiem was completed and given to the anonymous patron in time. Constanze was to collect thecommission.Although Mozart did not complete the entire Requiem, very little was actually written by Siissmayer.For each movement, Mozart had composed basic outlines of the vocal parts, the bass line, andseveral isolated passages such as the famous trombone solo. Much of what Siissmayer wrote wasformulated from the opening movement, an idea which according to Constanze, Mozart himselfhad suggested. A copy was made of the entire Requiem before given to the patron and both are inVienna.Eventually, it came to light that Mozart's anonymous patron was Count Franz Georg Walsegg, anamateur musician who indulged in the practice of commissioning works from competent composersand passing them off as his own. Walsegg had lost his wife in February of 1791 and the Requiem hepurchased from Mozart, who knew nothing of his intentions, was to be performed in her memory.Instead, the Requiem is now performed in Mozart's memory.-Stephanie Calascione, '15L Introit: RequiemRequiem aeternam dona eis) Domine)et lux perpetua luceat eis.Te decet f?ymnus) Deus) in Sion)et tibi reddetur votum in Jerusalem.Exaudi orationem meam)ad te omnis caro veniet.Requiem aeternam dona eis) Domine)et lux perpetua luceat eis.Grfint them eternal rest, Lord,and let perpetual light shine on them.A hymn praises You, God, in Zion,and homage will be paid to You in Jerusalem.Hear my prayer,to You all flesh will come.Grant them eternal rest Lordand let perpetual light shlne o them.IL KyrieKyrie eleison.Christe eleison.Iyrie eleison.Lord have mercy.Christ have mercy.Lord have mercy./IL Sequence1. Dies iraeDies irae) dies iliaSolvet saeclum infavilla)teste David cum S irylla.Quantus tremor estfuturus)quando judex est venturus)cuncta stricte discussurus!Day of wrath, day of angerwill dissolve the world in ashesas foretold by David and the sibyl.Great trembling there will bewhen the Judge descends from heaventhe strict investigator of all things.2. Tuba mirumTuba mirum spargens sonumper sepulcra regionum)coget omnes ante thronum.The trumpet will send its wondrous soundthroughout earth's sepulchresand gather all before the throne.Mors stupebit et natura)cum resurget creatura)judicanti responsura.Uber scriptus preferetur;in quo totum continetur;unde mundusjudicetur.Death and nature will be astoundedwhen all creation rises again,'to answer the judgement.A book will be brought forth,in which all will be writtenby which the world will be' judged.Judex ergo cum sedebit,quid-quid latet, apparebit)nil inultum remanebit.When the judge takes his place,what is hidden will be revealednothing will remain unavenged.

Texts and TranslationsTexts and TranslationsQuid sum miser tune dicturus?quem patronum rogaturuscum vixJustus sit securus?1What shall a wretch like me say?Who shall intercede for me,when the just ones need mercy?3. Rex tremendaeRex tremendae mqjestatis1qui salvandos salvas gratis1salve me1 Jons pietatis.King of tremendous majesty,who freely saves those worthy ones,save me, source of mercy.4. RecordareRecordare1 Jesu pie1quod sum causa tuae viae;ne me perdas ilia die.Remember, kind Jesus,my salvation caused your suffering;do not forsake me on that day.Quaerens me1 sedisti lassus1redemisti crucem passus;tantus labor non sit cassus.Faint and weary you have sought me,redeemed me, suffering on the cross;may such great effort not be in vain.Juste judex ultionis,donum Jae remissionisante diem rationis.Righteous judge of vengeance,grant me the gift of absolutionbefore the day of retribution.Ingemisco1 tamquam reus:culpa rubet vultus meus;supplicanti parce1 Deus.I moan as one who is guilty:my face blushes with guilt;spare thy supplicant, 0 God.Qui Mariam absolvisti1et latronem exaudisti1mihi quoque spem dedisti.You, who absolved Mary [Madalene],and listened to the thief,give me hope also.Preces meae non sunt dignae)sed tu1 bonus1 Jae benigne1ne perenni cremer igne.My prayers are unworthy,but, good Lord, have mercy,and rescue me from eternal fire.Inter oves locum praesta1Et ab haedis me sequestra1S tatuens in parte dextra.Provide me a place among the sheep,and separate me from the goats,guiding me to Your right hand.5. ConfutatisConfutatis maledictis)jlammis acribus addictis;voca me cum benedictus.Oro supplex et acclinis1cor contritum quasi cinisgere curam mei finis.1When the accused are confoundedand doomed to flames of woe'call me among the blessed. 'I kneel with submissive heart'my contrition is like ashes,help me in my final condition.6. LacrimosaLacrimosa dies illa1qua resurget ex favillajudicandus homo reus.Huie ergo parce1 Deus1pie Jesu Domine1dona eis requiem. Amen.That day of tears and mourning,when from the ashes shall arise'all humanity to be judged.Spare us by your mercy, Lord,gentle Lord Jesus,grant them eternal rest. Amen.IV. OffertoryL Domine]esuDomine Jesu Christe1 Rex gloriae)libera animas omnium fideliumdefunctorum de poenis ieferniet de profundo lacu.Libera eas de ore leonis1ne absorbeat eas tartarus1ne cadant in obscurum.S ed signifer sanctus Michaelrepraesentet eas in lucem sanctam.Quam olim Abrahae promisistiet semini fJUS.Lord Jesus Christ, King of glory,liberate the souls of the faithfuldeparted from the pains of hell'and from the bottomless pit.Deliver them from the lion's mouthlest hell swallow them up,'lest they fall into darkness.Let the standard-bearer, holy Michael,bring them into holy light.Which was promised to Abrahamand his descendants.2. HostiasHostias et preces tibz Domine1laudis ojferimus.Tu sucipe pro animabus illis1quaram hodie memoriam facimus.Fae eas) Domine1de morte transire ad vitam1Quam olim Abrahae promisistiet semini fJUS.Sacrifices and prayers of praise, Lord,we offer to You.Receive them in behalf of those soulswe commemorate today.And let them, Lord,pass from death to life,which was promised to Abrahamand his descendants.

University SingersTexts and TranslationsV. SanctusS anctus) S anctus) S anctus)Domine Deus S abaoth.PJeni sunt coeli et terra gloria tua.Hosanna in excelsisHoly, holy, holy,Lord God of Hosts.Heaven and earth are full of Your glory.Hosanna in the highest.VI. BendedictusBenedictus qui vendIn nomine Domini.Hosanna in excelsis.VII. Agnus DeiAgnus Dei) qui tollispeccata mundi)dona eis requiem.Agnus Dei) qui tollispeccata mundi)dona eis requiem.Agnus Dez qui tollispeccata mundi)dona eis requiem sempiternam.Blessed is He who comesIn the name of the Lord.Hosanna in the highest.Lamb of God, who takes awaythe sins of the world,grant them eternal rest.Lamb of God, who takes awaythe sins of the world,Grant them eternal rest.Lamb of God, who takes awaythe sins of the world,grant them eternal rest forever.VIII. Communion:Lux aeternaLux aeterna luceat eis) Domine)cum sanctis tuis in aeternum)quia pius es.Requiem aeternum dona eis) Domine)et Lux perpetua luceat eis)cum S anctus tuis in aeternum)quia pius es.Let eternal light shine on them, Lord,as with Your saints in eternity,because You are merciful.Grant them eternal rest, Lord,and let perpetual light shine on them,as with Your saints in eternity,because You are merciful.Stephen Coker, conductorHye-Young Kim, accompanistEric Parker, presidentJacquelyn Clements, vice presidentSopranoAltoTenorBassKatie BourlandChelsea ChavesJacquelyn ClementsEmily DyerCristiana FranzettiAmira FultonNeda LahidjiKyla McCarrelMonica AlfredsenKeegan BrownNatasha BratkovskiShannon BruceShaina HammerAnnie KubitschekJanet OrsiRachel StoughtonSavannah WadeKevin GinoHayden KellermeyerDuke I imChris MazeMarcus PaigeEric ParkerNathan WilenAndrei BratkovskiBenjamin FinerDaniel FisterMarqis GriffithAnthony LeeBenedict RessaAndrew SchmittDaniel ShipleyElliott WulffUniversity ChoirStephen Coker, conductorHye-Young Kim, accompanistSopranoEmily BeaverSarah BrownAllison BurrNicole CoffaroJessica DennyEmilie FoltzJennie HarrisEmilia Lopez-YafiezShannon McBaneMeghan MehtaJulie PajuheshfarKylena ParksSavvy PletcherKatie RockMegan SanbornNatalie UrangaMia Dessenberger, presidentAlexander Willert, vice presidentAltoTenorBassKylee BestenlehnerElaine ChaPareesa CharmchiSara CurtisMia DessenbergerAlexandra GiacominiPhoebe GildeaAngelique HernandezShayda KhorasaniLaura MillerRachel PanchalElisa Perez-SelskyChanel TraboldtSavannah WadeBronwyn WarzeniakCarl ElsonJordan GoodsellBrett GrayMichael HamiltonMason HockJaekoo KangJeremiah LussierAaron PageHunter SchmidtAlexander WillertAlex BodreroNate BrownDallas CummaroBen FinerJames GaskinDonner HansonTimothy MilnerRyan MorrisJared NaMichael N aoumovitchAndrew SilesRyan Tan

Edgar Sholund Memorial ScholarshipChapman Chamber OrchestraDaniel Alfred Wachs, music director & conductorViolin IEmily UematsuChloe TardifElizabeth Lee Kimmi LevinLaura SchildbachRachelle SchoutenMichael FlemingCody BurschViolin IIMacie SlickMatthew OwensbyMarc RosenfieldGabrielle StetzAlayne HsiehSuzanne HaitzAnna Munakata ViolaWill KelloggNicky KaynorJavier Chacon Jr.Launa KressinJesse SimonsStephanie CalascioneSun GreenePriscilla PerazaCelloEli Kaynor Christopher DeFazioNathaniel CookConnor BogenreifConrad Ho Devin MarcusDouble BassAnn Marie Kawai Kevin BakerFluteBella Staav Mary Young OboeEmilia Lopez-YanezKyle Chattleton TromboneMichael Rushman Zachary Mariano Cody KleinhansTimpaniJordan CurcurutoOrganWilliam Wells §ClarinetBen LambillotteCynthia LeyKevin HommaBassoonRebecca RiveraTeren Shaffer §French HornMatthew BondRobert LoustaunauMatthew OttoMichael FleischmannTrumpetNaoto HallJonathan Ballard ·Saul ReynosoThe Sholund Music Scholarship Fund was established in memory of Dr. Edgar Roy Sholund, longtime and much beloved member of the Chapman College faculty. The Sholund MemorialScholarship Concert annual proceeds go to the Sholund Fund, which provides scholarships for musicstudents. The first Sholund Scholarship was awarded in 1973.Edgar Sholund was born on October 23, 1915, and died May 8, 1966, of a heart attack. Dr. Sholundfirst came to Chapman College, at the age of thirty-one, in 1947 as an Assistant Professor. He taughtTheory, Music History, Modal Counterpoint, and Form and Harmonic Analysis. He was promoted toAssociate Professor in 1950 and Professor in 1954, and served as Head of the Music Departmentfrom 1955 until his death in the spring of 1966, at the age of 50.Dr. Sholund attended Hastings College in Hastings, Nebraska from 1933-35. He received his A.B. in1937 and his M.A. in 1939, from Columbia University. Under the guidance of Archibald T.Davison he received his Ph.D. in 1942 from Harvard University. He studied with Paul Henry Lang,Douglas Moore, Seth Bingham, and Alton Jones and also studied at Trinity College of Music inLondon. He served in the United States Army from 1942-46 as a Chaplain's Assistant. Prior to hisyears at Chapman he taught at Columbia University, where his duties included teaching MusicAppreciation and an assignment as assistant director of chapel music.The Bach B-Minor Mass performed by the Music Department on May 22, 1966 was the first SholundMemorial Scholarship Concert commemorating Dr. Sholund for his fine work, loyalty, and devotionto the College and his friends.StaffBella StaavAdministrative Assistant& Head LibrarianStephanie CalascioneLibrarianKevin BakerEnsemble ManagerJesse SimonsOperationsDr. Sholund is buried in Gothenburg Cemetery, Gothenburg, Dawson County, Nebraska. At the timeof his death he left his mother, Mabel Sholund of Orange and his sister Carolyn Karlsrud of NewYork.In 1962 the Chapman College annual, the CEER was dedicated to Dr. Sholund. It stated "Under hisleadership this has been an outstanding department and one of great importance and value to the totalprogram of the college. His interest in the college, has however, gone far beyond his owndepartment and is evidenced by his work on the Artist Lecture Series, his loyal support of the athleticsincerity, his sense of humor,program and his help with innumerable other campus activities. Hishis genuine interest in students, his scholarship, and above all his enthusiasm for teaching have madean invaluable contribution to the college and the lives of its students. With gratitude and with respectthe 1962 CEER is dedicated to Dr. Edgar Sholund".Dr. Sholund held memberships in the American Musicological Society and the Music ExecutivesAssociation of California and served as chairman of the Southern California Section of bothorganizations.At Chapman he served as Chairman of the Athletics Committee, served on the Artist Lecture SeriesCommittee, Honors Council, Convocations Committee, Faculty Council, Library ,committee andStandards Committee.- Willy A. Hall, '64, '7 5

HPMNUIERCH R LMUSICCJune 24-28, 201Dear Alumni, Parents and Friends:On behalf of our faculty, staff and students, thank you for joining us for this excitingpresentation. I am grateful to all the members of our College of Performing Arts familyfor the support that allows us to continue to present great performances like the one yourare about to see.Preparing the next generation of performers and artists takes the support of all of us whoare passionate about the performing arts and who value its presence in our lives. As asupporter of the arts, you have a crucial role to play to ensure the success of the College ofPerforming Arts and the students who are at the heart of all we do. Your financial supportallows the College of Performing Arts to provide the kind of educational and performingopportunities crucial to our students' growth into artists. Please join our community ofloyal alumni, parents and community partners devoted to developing the talents of the nextgeneration of artists with a gift to the Fund for Excellence.The Fund for Excellence supports College of Performing Arts initiatives that enhance ourstudents' experience. Your gift to the Fund for Excellence has a tremendous impact on allof our programs by: eeProviding our students with opportunities to work with professional artists;Ensuring top notch community performances of classic and contemporary art;Strengthening our programs by maintaining our ability to attract the brightest and mosttalented stude

and OCYSO is the 2012 winner in the youth category. In May 2014, OCYSO will present the West Coast premiere of a new work by Mark Anthony Turnage on a special subscription concert presented by the Philharmonic Society of Orange County at the Renee & Henry Segerstrom Concert Hall. During Wachs' tenure, the Chapman Chamber Orchestra completed a .