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INDEXAacting, see realism, and performanceactor characters, 11, 103–105,108, 139Agassiz, Louis, 113n21Armstrong, Nancy, 6, 14n1, 96, 97, 137artist characters, 13, 52–53, 58–59, 74in ‘Andrea del Sarto’, 13, 116, 119,122, 127, 130in Aurora Leigh, 11, 13, 52–54,56–59, 60–68, 71, 74–76,77n12, 132, 133, 159in Eleanor’s Victory, 14, 170in ‘Fra Lippo Lippi’, 13, 116, 117,119, 121–122, 124, 127,130, 143in ‘Hand and Soul’, 34–42in Hide and Seek, 14, 148, 152, 153,161, 164, 169in John Marchmont’s Legacy, 14,162, 163, 167The Lady’s Mile, 170in Little Dorrit, 25in New Grub Street, 176, 177, 179in ‘North Devon’, 13, 79, 91,96–102, 104, 108, 110in ‘Pictor Ignotus’, 13, 116, 119,121, 123–125, 127, 130–131in Romola, 11, 13, 39, 95,116–118, 131–137, 139–143in Trilby, 175, 176in Two Years Ago, 13, 79, 80, 84,90, 91, 94, 103, 108, 110in Yeast, 13, 79–80, 87–91,94–96, 98–100, 103–104,107–108, 110BBakhtin, Mikhail, 48n7Barrett Browning, Elizabeth, 11, 12,13, 52–53, 54–55, 56, 57–59, 60,64, 65, 66, 67, 68, 69, 74, 75–76,79–80, 85, 95, 111n4, 116, 132,133, 134, 143, 148, 157Aurora Leigh, 60(also see artist characters in)Boucicault, Dion, 113n20 The Author(s) 2016D. Brown, Representing Realists in Victorian Literatureand Criticism, Palgrave Studies in Nineteenth-Century Writingand Culture, DOI 10.1007/978-3-319-40679-4189
190INDEXBraddon, Mary Elizabeth, 12, 14,147–148, 152, 161–168, 170,171–172The Doctor’s Wife, 147, 162Eleanor’s Victory, 162, 166John Marchmont’s Legacy, 14,162, 163Joshua Haggard’s Daughter, 162Lady Audley’s Secret, 162The Lady’s Mile, 170Brantlinger, Patrick, 151–152, 158,161, 166, 172Brontë, Anne, 53–54See also The Tenant of Wildfell HallBrontë, Charlotte, 10, 53–54, 78n12Brontë, Emily, 96–97Browning, Robert, 9, 12, 13, 38, 56,85, 110, 116, 148‘Andrea del Sarto’ (see artistcharacters in)‘Fra Lippo Lippi’ (see artistcharacters in)‘Pictor Ignotus’ (see artistcharacters in)Byerly, Alison, 15n8, 59, 67CCarlyle, Thomas, 54, 55–56, 58, 76,85, 88, 93, 100, 157Christ in the House of His Parents,see Millais, John EverettChristianity, 3, 8, 9, 13, 16n12, 19,53, 54, 55, 56, 65, 66, 82, 90,103, 110, 118, 120, 133, 134,141, 145n6, 145n7, 152, 165,166, 171, 172Collins, Charles Allston, 49n9, 153Collins, Wilkie, 12, 14, 49n9, 148,151–153, 160, 161–163,171–172Antonina, 151Hide and Seek, 14, 148, 152, 153,161, 164, 169 (see also artistcharacters in)Poor Miss Finch, 151The Woman in White, 152, 162Collins, William, R.A., 153, 154,173n8colonization, 97–98, 103competition, see realism, andperformanceconsensus, see realism andCourbet, Gustave, see realism (French)Crary, Jonathan, 6, 7, 87DDanae myth, 69, 71, 78n12Delacroix, Eugène, 52, 56, 75, 148,174n12, 176DeLaura, David J., 81, 85–86,94, 112n11, 112n15, 116,119, 120, 121–122, 125,127, 129Dickens, Charles, 12, 18, 21,22–30, 43, 44, 47, 48n3, 81,82, 84Little Dorrit, see artist characters inDuMaurier, George, 176,177, 179EEliot, George, 5, 7, 8–14, 39, 43, 45,46, 56, 80, 82, 86, 87, 94, 95,110, 111, 116–119, 131–138,140–144, 145n6, 146n14,148–152, 162–166Adam Bede, 5, 10, 80, 82, 131,136, 137Middlemarch, 152The Mill on the Floss, 151
INDEXRomola, 11, 13, 39, 95, 116–118,131–144, 145n5, 145n6,145n11, 163 (see also artistcharacters in)‘The Sad Fortunes of the Rev. AmosBarton’, 150Silas Marner, 151‘Silly Novels by Lady Novelists’, 150empiricism, see realism andenlightenment, see realism andexhortation, see realism asFFlaubert, Gustave, 162, 177Flint, Kate, 6Fraser, Hillary, 117, 118, 132Freedgood, Elaine, 7, 67, 143Frith, William Powell, 164GThe Germ, 34–35, 49n12Gikandi, Simon, 101Gilbert, Pamela, 29, 162, 173n1,173n2Gissing, George, 176–179Green-Lewis, Jennifer, 6, 7, 36, 171HHardy, Thomas, 177Hunt, William Holman, 8, 18, 21, 22,34, 49n14, 49n15, 54, 77n2,153, 173n4, 173n6, 173n9, 176Iidealism, 18, 23, 24, 27, 29, 30, 38,45, 48n8, 56, 57, 62, 65, 66, 74,81, 82, 86, 93, 120, 121, 133,149, 176191identityclass, 11gender, 57, 91nation, 13race, 11, 91individualism, see realism and‘interart’ relationships, 15n8JJameson, Anna, 120Jameson, Frederick, 15n1, 176Jane Eyre, 53–54, 78n12Jauss, Hans Robert, 32KKingsley, Charles, 11–13, 48n3, 76,79–110, 111n2, 112n11,112n12, 112n15, 112n16,112n17, 113n21, 116, 120, 121,127, 130, 131–132, 134, 137,144n3, 152Alton Locke, 83, 89–92, 106art criticism, 120‘North Devon’, 13, 79, 96,100–102, 112n17, 113n18Two Years Ago, 13, 79–80, 84,90–91, 94, 103, 108, 110,113n21Westward Ho!, 96, 100–101,112n17Yeast, 13, 79, 87–96, 98–100, 104,107–110Llabor, see realism andLandow, George, 19Landseer, Edwin, 93, 99Levine, Caroline, 135, 143, 154,173n3
192INDEXLevine, George, 4, 31–33, 36–39, 46,55, 58, 75, 145n5, 178Lewes, George Henry, 9–10, 27,29–30, 33, 47, 48n5, 52, 64, 75,82, 135, 138, 149literality, see realism andLittle Dorrit, see artist characters inLosano, Antonia, 3, 53MMadame Bovary, 162Marcus, Sharon, 16n12, 23, 30, 82marketability, see realism, andperformanceMasson, David, 12, 24–26, 33, 43, 47,48n5, 56, 62, 63, 82, 149–150materialism, see realism, andempiricismMatz, Aaron, 23, 177–179McGann, Jerome, 35–39, 41–42, 49n16Millais, John Everett, 18, 20–23, 29,32, 34, 36, 44, 47, 49n9, 49n14,49n15, 54, 65, 154, 171, 176Mitchell, W.J.T., 2–3, 90–91, 123mysticism, see realism andNnatural history, 96, 101Nemesvari, Richard, 78n12,161–162, 165Nietzsche, Friedrich, 146n14Nochlin, Linda, 15n5, 15n8, 19Novak, Daniel, 6–7, 68, 109Oobjectivity, see realism, andempiricism‘Of the Pathetic Fallacy’, see Ruskin,JohnOliphant, Margaret, 80Otter, Chris, 7PPater, Walter, 12, 18, 42, 176Pearl, Sharrona, 7, 11, 89, 104,112n12performance, see realism andperspective, see realism andphotography, 6–8, 66, 68, 80, 91, 94,103–105, 108–110, 113n20,113n21See also realismphysiognomy, 7, 13, 89, 112n12Platonism, see ChristianityPratt, Mary Louise, 97–101, 112n18Pre-Raphaelites, 4–5, 12, 17–25,29–35, 38, 40, 42–47, 48n2,49n12, 52, 54, 55, 58, 63,66, 76, 80, 84, 85, 95, 105,108, 111n3, 118, 143, 148,155, 157–159, 169,171, 176Pre-Raphaelitism and thePre-Raphaelite Brotherhood,see Hunt, William HolmanRrealism, 17–49, 115–146and consensus, 3, 7, 15n2,16n10, 46and discipline, 65and empiricism, 9, 10, 14, 85,136, 142and Enlightenment, 3, 4, 15n5, 105as exhortation, 10, 135, 136,142, 143as ‘high’ art, 11, 13, 51, 75, 144and ideology, 85, 87, 90, 120, 141
INDEXand individualism, 3, 6, 18, 47,109, 116, 117, 120 (also seeidentity)and labor, 20, 32, 33, 35, 53,55–56, 60, 163, 170, 171, 179and literality, 36, 39and mysticism, 40, 58, 65, 68,76, 95and performance, 7, 13, 139, 166and perspective, 13, 15n8, 53,109, 116, 120, 131, 143,144n1, 170as poetry, 13, 24, 33, 42, 43, 47,51–53, 56, 59, 62, 73–76, 95,132, 139, 148, 149and secularism, 111and ugliness, 21, 25, 27, 29,81, 84realism (French), 4, 15n4, 15n5, 19,23, 40, 45, 77n9, 155, 162,173n9religious characters (Savonarola), 137Renaissance, 11, 13–14, 15n2, 18, 31,39, 46, 86, 95, 116–121, 124,125, 130, 131Reynolds, Joshua, 18, 32–34,51, 62, 77n4, 148–149, 156, 157Rio, Alexis-François, see DeLaura,David J.Rosen, Charles, 19–20Rossetti, Dante Gabriel, 12, 17,18, 34, 36, 42, 43, 61, 76,78n11, 171‘Hand and Soul’, 17, 34, 35, 37,39–42‘The Portrait’ (Sonnet), 40, 72Rossetti, William Michael, 1, 12, 17,21, 23, 24, 36Royal Academy of Art, 17, 18, 47Ruskin, John, 5, 9–12, 30, 31, 33,36, 42, 45, 47, 48n8, 49n9,49n10, 51, 58, 62, 68, 74, 75,19377n4, 77n6, 79, 82–85, 87, 94,95, 109, 111n5, 111n6, 111n7,132, 134, 139, 148, 151–155,163, 167, 173n5, 173n9,174n10SThe Scapegoat, see Hunt, WilliamHolmansecularism, see realism andsensation fiction, 11–12, 14, 111, 144,150, 151, 161, 172,173n1, 178Shires, Linda, 16n10skepticism, see realism, andempiricismSmith, Lindsay, 8, 22, 88, 98,103, 110spiritualism, see realism, andmysticismsubjectivity, see realism, andempiricismSussman, Herbert, 20, 55–56,112n13TThe Tenant of Wildfell Hall, 53Teukolsky, Rachel, 15n1, 15n8Thackeray, William, 18, 24,25–26, 44, 47, 48n5, 63,81, 176Trollope, Anthony, 28–30, 47,49n9, 52Turner, J.M.W., 163–164, 167,173n9Uugliness, see realism and
194INDEXVvisual culture, 8, 16, 52, 59, 66also see realismWWatt, Ian, 3–4, 15n5, 77n9Werner, Marcia, 54–55, 58Wilde, Oscar, 176, 179Wittemeyer, Hugh, 9Wood, Esther, 43–46, 52, 66, 95,118, 176, 179Wuthering Heights, 96–97ZZerner, Henry, see Rosen,Charles
[Anon.] (1850, May 9). The Exhibition of the Royal Academy. Third notice. London Times, 20(484), p. 5. [Anon.] (1850, May 14). Exhibition of the Royal Academy [Christ in the House of His Parents review]. Illustrated London News, p. 336. [Anon.] (1850, May 18). Pathological Exhibition at the Royal Academy (Noticed by our surgical advisor). Punch .
