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Transcription

The Art ofBoudoir PhotographyHow to Create Stunning Photographs of WomenChrista Meola

The Art of Boudoir Photography:How to Create Stunning Photographs of WomenChrista MeolaNew Riderswww.newriders.comTo report errors, please send a note to errata@peachpit.comNew Riders is an imprint of Peachpit, a division of Pearson Education.Copyright 2013 by Christa MeolaAcquisitions Editor: Ted WaittProject Editor: Susan RimermanProduction Editor: Lisa BraziealDevelopment/Copy Editor: Peggy NautsProofreader: Liz WelchIndexer: Karin ArrigoniComposition: Kim Scott, Bumpy Designcover and interior Design: Mimi HeftCover Photographs: Christa MeolaNotice of RightsAll rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic,mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Forinformation on getting permission for reprints and excerpts, contact permissions@peachpit.com.Notice of LiabilityThe information in this book is distributed on an “As Is” basis, without warranty. While every precaution has beentaken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entitywith respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions containedin this book or by the computer software and hardware products described in it.TrademarksMany of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks.Where those designations appear in this book, and Peachpit was aware of a trademark claim, the designations appearas requested by the owner of the trademark. All other product names and services identified throughout this bookare used in editorial fashion only and for the benefit of such companies with no intention of infringement of thetrademark. No such use, or the use of any trade name, is intended to convey endorsement or other affiliation withthis book.ISBN-10:0-321-86270-8ISBN-13: 978-0-321-86270-9987654321Printed and bound in the United States of America

For every woman,with the courage to be vulnerable:You inspire me.For all artists,who expose and celebrate beauty:You strengthen me.And for our lovers,who adore and appreciate us:You free us to be real.Here’s to feeling great naked!

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AcknowledgmentsI am fortunate enough to be blessed with so manypeople to be thankful for, who love me, who support the work I do, who make my life and job easier,whom I’m better off for having known, who directlyor indirectly contributed significantly to this book.Words cannot express the measure of my gratitudefor the following people in my life, and I can’t possibly cover everyone here who helped birth thisbook baby.To the Peachpit family: Ted Waitt, for being thebook’s big daddy and early supporter. I decided tosay yes to this book-writing journey because of you.Um, thank you?Editor extraordinaire Susan Rimerman, whosehelpful insight was so key in shaping this book’scontent. I am so grateful for your guidance, determination, and patience.Marketing mastermind Scott Cowlin, whoseenthusiasm for photography and this book made megiddy. Thank you for the continuing support, Scott.Copy editor Peggy Nauts, who’s as quick withwords as she is adept at using them, and proofreaderLiz Welch. Thank you for making me sound polished.Production editor Lisa Brazieal, who kept thebook on track and whose smile I could feel in everyemail. Thank you, Lisa!Designer Mimi Heft, thank you for putting suchlovely attention to detail into the book design, lettingme fuss about more negative space, and for sexing upa photography manual.Thanks to Keely Hild, whose perception and PRefforts really reflected the core message of my goalsfor this book.And the book’s other contributors: supermodel,muse, and my dear friend Larva. Thanks for yourhonest insight into a pro model’s intentions anddesires. Tons more gratitude for your above-andbeyond ability to shine in front of my camera. Youmake me look good.Brilliant photographers and generous friendsRobert and Katherine of Johnson Sarkissian, whomade Chapter 6, “Creating Light that Flatters,” possible with their enthusiastic assistance with theequipment and behind-the-scenes work. I thank you,and my back thanks you.The best makeup artist I know and close friendRachel Lund Olsen, you are as beautiful on theinside as you are on the outside. Thank you formaking the world a prettier place and for offeringyour makeup tips to Chapter 4, “Telling a Story withStyling.”Phenomenal designer and great friend NatashaLakos, you keep my brand looking good, and thediagrams in this book are no exception. Thank youfor giving so generously of yourself and your talent.Supercool stylist Grasie Mercedes. Thanks forlending your valuable advice to women on how todress for their shape. I appreciate your efforts inhelping us all look stunning as we are.Treasured friend and encyclopedia of equipmentinformation John Cornicello. Thank you for sharingyour insight during the book’s early stages. I valueyour friendship and kindness as much as your stellaradvice.Those who make my work better and lifebrighter: My sponsors and partners, whose generosity and service have not only improved my work, life,and business, but also my community. Tons of gratitude to Paul Friedman and the Lensprotogo team,Doug Boutwell and his Totally Rad Actions, Leonv

Sandoval and the team of retouchers at Colorati, andNate Grahek, founder of Sticky Albums.The best studio manager a photographer couldhope for, Phil Ackley, keeps the Christa MeolaPictures ship sailing smoothly and keeps our teamorganized and our clients happy. You have beeninvaluable to the creation of this book. Thank you athousand times over.The 20 beautiful and brainy women of MarieForleo’s mastermind group, as well as Marie, the bestsupport team on the planet. I’m grateful to be a partof such an incredibly positive, brilliant, and loving group. Your support and counsel is always wise,warm, and hilarious. Thanks to Kristen, Michelle,Merick, Dawn, Sarah, Holli, Danielle, Brianna, JenLen, Elsner, Jenny, Kendrick, Jenna, Nathalie, Nisha,Margarita, Jill, Gry, Rachel, Laura, and Louise.My blog readers and online workshop students:Thank you for your enthusiasm and curiosity and forallowing me the honor of supporting you, challenging you, and celebrating your successes with you. I’mhonored to share our passion for photography, andI deeply appreciate your support, kind words, andenthusiasm while joining me on this book-writingjourney.My family: my dad for giving me my first procamera as a kid, my first drawing desk and pencils,and my everlasting love of art. My mom for alwayscheering me on, believing in me, and cooking myfavorite soup when things get tough. My olderbrother, Chris, for engaging with me in spiriteddebate about art and life and for suggesting that I“do something” with my photography. My youngerbrother, Christian, for helping get my businessstarted by doing my first website.Love of my life and partner in crime CostakiEconomopoulos. The best teammate a woman couldask for. It would make us both blush if I were totruly express here how deeply grateful I am for yourpresence in my life and why. Your ever-present support and acts of kindness, understanding, and lovethroughout this book-writing process gave me thepower to get it done. From holding a reflector andshooting behind-the-scenes photos to your brilliantwords of advice and ongoing support, no job wastoo big or small. You’re such an incredible man, myinspiration and MVP. Thank you for making me feelbeautiful and feminine and for celebrating my sensuality while I work hard to celebrate others’.Lastly, I give heartfelt thanks to every womanshowcased in this book, who had the strength andcourage to be vulnerable and share herself intimatelywith me. Thank you for bringing your body andspirit in front of my camera and for granting mepermission to print the resulting photographs inthis book.50mm lens, ISO 400, f/2, 160 sec.vii

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About the AuthorChrista Meola is an internationally recognized photographer who travels theworld for portraits, speaking engagements, and teaching.She believes that honoring our bodies, emotions, choices, and impulsesthrough p hotography—whether in front of or behind the camera—is empowering and profoundly sexy.A self-declared sensualist, she has been infatuated with visual story tellingsince childhood. She has enjoyed life behind the camera since the age of six,when playtime included dressing up with friends and taking pictures.Christa is on a mission to empower women to adore their bodies. Sheoffers private one-on-one shoots in New York City and destinations aroundthe world. She has a penchant for capturing sensual escapades, black and whitebodyscapes, and adoration in motion.Christa has taught thousands of photographers the secrets of her successful boudoir business. She is the founder of the Boudoir Workshops, a six-weekonline course she designed for new and experienced photographers to ignitetheir creativity, sharpen their shooting skills, and create a successful business.She is also the creator of The Money Shots, a posing and coaching guide of thebest-selling shots.Learn more about Christa on her popular blog at cristameola.com.Photo by Carla Coulson ix

Contentsacknowledgments about the authorIntroductionPart IR vixxviiibefore the shootchapter 1Working with Women5RModels, Muses, and Real Women 6Muses: Artists’ Figure Models and DancersRProfessional ModelsR7Planning the Creative DirectionReal Women (Nonmodels) and the Girl NextDoor R 12Creating a TransformativeExperience R 15Take Her on a JourneyMake It an EventxR17Addressing Nerves, Fears,and Doubts  R 18R1511Probe a Little FurtherRImportant Policies to DiscussModel Release FormsCopyrightNudityAlcoholRRRR24252525Other PoliciesRR2225T h e A rt o f B o u d oi r P h otog r ap h y: H o w to C r eat e S t un n i n g P hotogr a phs of WomenR2422

chapter 2Creating SensualMovement R 31Sensuality and How toCultivate Sex Appeal R 33Be ConfidentHave FunRR3434Practice, Practice, PracticeR35Know the Innate Power of AttractionFocus on FeelingTake Your TimeFlirt!RRRR35353537Know the Tricks of the TradeR37Coaching Actions to Create NaturalMovement R 38Keys to Coaching ActionsR40Top 10 Actions for Stunning ResultsCreating Authentic EmotionEmotion Is in Her ExpressionRShoot the In-Between MomentsRR424545R46C on t en t sxi

chapter 3chapter 4Posing to MakeYour Subject ShineThe Principles of Sensual PosingGreat PostureRExtreme PostureRR5252REyes and Eye linesHandsTelling a Storywith Styling R 7551RWorking with Professional StylistsThe Advantages of Hiring a Pro53RTips for Working with Pros54Where to Find Pro Stylists54R55Closer Is Bigger, Farther Is SmallerR588 Biggest Posing Mistakes and How toAvoid Them R 59The Five Boudoir Poses You Need toKnow and Master R 63Why These Five Poses?RHow to Use These Poses63R647979RWardrobe Must-havesRHaving Fun with PropsR8291Getting Glam: Makeup and HairMakeup for CameraFlattering the FaceRR9496A Gorgeously Styled DoR97Before and After: AlisonMy Posing System: Putting It AllTogether R 72xii78RRWardrobe GuidelinesContrapposto and the S-Curve78RT h e A rt o f B o u d oi r P h otog r ap h y: H o w to C r eat e S t un n i n g P hotogr a phs of WomenR100R94R78

part IIon the setRchapter 5A Minimalist’s Approach toEquipment R 107Gear That’s Right for YouA Comparison of LensesUtilityRRR108111111AestheticsR111Lenses for Boudoir24–70mm f/2.8RR11311350mm f/1.2R11585mm f/1.2R115How I Use These Lenses on a ShootOther LensesRBlack Muslin BackdropRR121121Gray Seamless Background PaperBlack Gaffer’s TapeR118121Must-Have AccessoriesA-ClampsRRR123125125C on t en t sxiii

chapter 6Creating Light ThatFlatters R 127Gear: Less Is MoreR128Taking Advantage of Natural LightShooting in the StudioR132Controlled, Dependable LightR132R130Eight Ways to Flatter WomenUsing One Light R 135Mix It Up and Make It Your OwnRWhat’s the Story You Want to Tell?No. 1: Gorgeous BacklightingR136R137138No. 2: Sultry Low-Contrast LightingR140No. 3: Simple, Slimming Short LightingNo. 4: Full-Length Flattering LightingRR143144No. 5: Sidelighting to Dramatically Enhanceor Reduce Curves R 146No. 6: Sexy Noir LightingR148No. 7: Universally Flattering Clamshell LightingNo. 8: Seductive and Flattering FeatheringxivT h e A rt o f B o u d oi r P h otog r ap h y: H o w to C r eat e S t un n i n g P hotogr a phs of WomenRR151149

chapter 7Use Limitations to Ignite Your CreativityCapturing BeautifulPhotographs  R 153Remain OpenStay InspiredShooting Techniques toBring Out the Best in WomenBegin without FanfareStart with Easy SetupsRRRShoot This for ThatGive Her a PeekRAlign the Elements154RR161R155CompositionR165RR167168Depth of FieldR170Shutter SpeedR170Capturing Variety158R172Creating a NarrativeMake It MeaningfulRWhat Is a Photographer’s Vision?Be True to YourselfR157158Cultivating Your Visionand Refining Your VoiceKnow the WhyR158RIntentional Framing154Provide Constant Positive FeedbackEverything Works Great163Communicating Your Visionwith a Camera R 165154Be Professional, Confident, and Take Control159R159162163RRRRR175175Think Cinema: Master, Details, and Close-UpsHave a Beginning, Middle, and EndPutting It All TogetherRRR175175175161Before and After: cynthiaR180C on t en t sxv

part IIIRafter the shootchapter 8Finishing witha Light Touch inPost-ProductionThe Art of EditingWhat Do You Value?RR187188188Choose the Cream of the CropRealistic ExpectationsRRR198To Retouch or Not to Retouch?R199RTechniques in Adobe PhotoshopWorkflow in Adobe LightroomxviRConsider Your Art a Collaborative Effort188190190RStrategies for Choosing Your Best PhotosRMaking Adjustments to Light and Color192From Lightroom to PhotoshopRetouching PhilosophyR198R190The Top Photoshop ToolsR203The Final Presenta

ful boudoir business. She is the founder of the Boudoir Workshops, a six-week online course she designed for new and experienced photographers to ignite their creativity, sharpen their shooting skills, and create a successful business. She is also the creator of The Money Shots, a posing and coaching guide of the best-selling shots.