WIXLIB

œœ n œ œ œ œ œœ .c œœœœ œ.c n œœ œœ œœ œœ œ .œœ # œœ œœ œœ œœ Œ c c#œ œ œ œ œ.fœ œ œ.c œ œfa2c #œ œ œ œ œ.Musical Analysiscn b f fŒŒŒœ œ c Visiting the Great Composersc cf n cœ œ 6th Editionœ œc œ #œ œ n . .c œ #œ œ .b . .c cb .Frans AbsilINCOMPLETE DEMO VERSIONOrder the full version E-book from the webstore.c c ccb .b 13/ # 11œ #œ œ .E7œb 13/ # 11œE7c œ.œ œœ œ c n n œœ œœ n œœ œœ œ .œ œ œ œ œ œ œ œ bœ nœ œ cyŒb c Œyy y y yYc æ æœc œææSuspended cymbalc fæc nœ œ œ œ œ.Œfœ n n bœ

ColophonThis musical analysis book contains compositions from the classicalsymphonic and chamber music repertoire. It includes many masterworks by the great composers from the tonal music period.This document has been created using the public domain LATEX computer typesetting program. The navigation links (printed in blue) inthe Adobe Acrobat Reader file (the pdf-file) were created using thehyperref package from the LATEX distribution.FREE DEMO VERSION (PERSONAL USE ONLY):This incomplete demo version e-book is offered free of charge. Orderand buy the full version of this music analysis E-book from the webshop t edition:Sixth Edition, 2017, Vs. 6.1.Musical Analysis: Visiting the Great Composers, 6th Edition, Frans Absilc 2005-2017 F.G.J. Absil, the Netherlands.URL Website: www.fransabsil.nlAll rights reserved. No part of this publication may be reproduced or transmitted in any form or byany means, electronic or mechanical, including photocopying, recording, or any information storageand retrieval system, without prior permission in writing from the Author.iiINCOMPLETE DEMO VERSION - PERSONAL USE ONLY

ContentsColophoniiList of FiguresxviPreface12xxiIntroduction1.1 What you will find in this book . . . . . . . . . . . . . . .1.2 How the musical analysis diagrams were created . . . . .1.3 How to read the analysis diagrams . . . . . . . . . . . . .1.3.1 Notation in the analysis tables . . . . . . . . . . .1.3.2 Absolute chord notation in the harmonic analysis1.3.3 Two template musical forms . . . . . . . . . . . .1.3.4 Key relationship diagram . . . . . . . . . . . . . .1.4 Further reading . . . . . . . . . . . . . . . . . . . . . . . .1113411121517Johann Sebastian Bach2.1 Vierstimmige Choralgesänge . . . . . . . . . . . . . .2.1.1 Nrs. 154-163 Herzlich tut mich verlangen . . . .2.2 Cantata No. 12 Weinen, Klagen, Sorgen, Zagen, BWV 122.2.1 Movement 2. Lento . . . . . . . . . . . . . . .2.3 Cantata No. 78 Jesu, der Du meine Seele, BWV 78 . . . .2.3.1 Movement 1 . . . . . . . . . . . . . . . . . . .2.3.2 Movement 2 Aria. Duetto Wir eilen . . . . . .2.4 Brandenburg Concerto No. 4, BWV 1049 . . . . . . . .2.4.1 Mvt. 2 Andante . . . . . . . . . . . . . . . . . .2.4.2 Mvt. 3 Presto . . . . . . . . . . . . . . . . . . .2.5 Orchestral Suite No. 3, BWV 1068 . . . . . . . . . . . .2.5.1 Mvt. 1 Ouverture . . . . . . . . . . . . . . . . .2.5.2 Mvt. 2 Air . . . . . . . . . . . . . . . . . . . . .2.5.3 Mvt. 3 Gavotte 1 . . . . . . . . . . . . . . . . .2.5.4 Mvt. 4 Gavotte 2 . . . . . . . . . . . . . . . . .2.5.5 Mvt. 5 Bourrée . . . . . . . . . . . . . . . . . .2.5.6 Mvt. 6 Gigue . . . . . . . . . . . . . . . . . . .191919192527272732323234343438384040iii.

CONTENTS34ivJoseph Haydn3.1 String Quartet Op. 76, No. 1 in G Major . . . . . . . .3.1.1 Mvt. 1 Allegro con spirito . . . . . . . . . . . .3.1.2 Mvt. 2 Adagio sostenuto . . . . . . . . . . . .3.1.3 Mvt. 3 Menuetto presto - Trio . . . . . . . . . .3.1.4 Mvt. 4 Allegro ma non troppo . . . . . . . . .3.1.5 Key relationship overview . . . . . . . . . . .3.2 String Quartet Op. 76, No. 2 in D Minor Quinten . . .3.2.1 Mvt. 1 Allegro . . . . . . . . . . . . . . . . . .3.2.2 Mvt. 2 Andante o più tosto allegretto . . . . .3.2.3 Mvt. 3 Menuetto allegro ma non troppo - Trio3.2.4 Mvt. 4 Vivace assai . . . . . . . . . . . . . . . .3.2.5 Key relationship overview . . . . . . . . . . .3.3 String Quartet Op. 76, No. 3 in C Major Kaiser . . . . .3.3.1 Mvt. 1 Allegro . . . . . . . . . . . . . . . . . .3.3.2 Mvt. 2 Poco adagio; cantabile . . . . . . . . . .3.3.3 Mvt. 3 Menuett allegro - Trio . . . . . . . . . .3.3.4 Mvt. 4 Finale. Presto . . . . . . . . . . . . . . .3.3.5 Key relationship overview . . . . . . . . . . .43434343484851515252565658606060656568Wolfgang Amadeus Mozart4.1 Sonata in F Major KV 332 . . . . . . . . .4.1.1 Mvt. 1 Allegro . . . . . . . . . . .4.1.2 Mvt. 2 Adagio . . . . . . . . . . .4.1.3 Mvt. 3 Allegro assai . . . . . . . .4.1.4 Key relationship overview . . . .4.2 String Quartet in C Major No. 19 KV 465 .4.2.1 Mvt. 1 Adagio - Allegro . . . . . .4.2.2 Mvt. 2 Andante cantabile . . . . .4.2.3 Mvt. 3 Menuetto Allegro . . . . .4.2.4 Mvt. 4 Allegro . . . . . . . . . . .4.2.5 Key relationship overview . . . .4.3 String Quartet in B[ Major No. 22 KV 5894.3.1 Mvt. 1 Allegro . . . . . . . . . . .4.3.2 Mvt. 2 Larghetto . . . . . . . . . .4.3.3 Mvt. 3 Menuetto moderato . . . .4.3.4 Mvt. 4 Allegro assai . . . . . . . .4.3.5 Key relationship overview . . . .4.4 String Quintet in C Major KV 515 . . . . .4.4.1 Mvt. 1 Allegro . . . . . . . . . . .4.4.2 Mvt. 2 Menuetto Allegretto . . . .4.4.3 Mvt. 3 Andante . . . . . . . . . . .4.4.4 Mvt. 4 Allegro . . . . . . . . . . .4.4.5 Key relationship overview . . . .4.5 String Quintet in G Minor KV 516 . . . . .4.5.1 Mvt. 1 Allegro . . . . . . . . . . .4.5.2 Mvt. 2 Minuetto . . . . . . . . . 09109111111.INCOMPLETE DEMO VERSION - PERSONAL USE ONLY

CONTENTS4.5.3 Mvt. 3 Adagio ma non troppo . . . . . . . .4.5.4 Mvt. 4 Adagio - Allegro . . . . . . . . . . . .4.5.5 Key relationship overview . . . . . . . . . .4.6 Clarinet Quintet in A Major KV 581 . . . . . . . . . .4.6.1 Mvt. 1 Allegro . . . . . . . . . . . . . . . . .4.6.2 Mvt. 2 Larghetto . . . . . . . . . . . . . . . .4.6.3 Mvt. 3 Menuetto . . . . . . . . . . . . . . . .4.6.4 Mvt. 4 Allegretto con Variationi . . . . . . .4.6.5 Key relationship overview . . . . . . . . . .4.7 Symphony No. 38 Prague KV 504 . . . . . . . . . . .4.7.1 Mvt. 1 Adagio - Allegro . . . . . . . . . . . .4.7.2 Mvt. 2 Andante . . . . . . . . . . . . . . . . .4.7.3 Mvt. 3 Finale presto . . . . . . . . . . . . . .4.7.4 Key relationship overview . . . . . . . . . .4.8 Symphony No. 39 KV 543 . . . . . . . . . . . . . . .4.8.1 Mvt. 1 Adagio - Allegro . . . . . . . . . . . .4.8.2 Mvt. 2 Andante con moto . . . . . . . . . . .4.8.3 Mvt. 3 Menuetto Allegro - Trio . . . . . . . .4.8.4 Mvt. 4 Finale Allegro . . . . . . . . . . . . .4.8.5 Key relationship overview . . . . . . . . . .4.9 Symphony No. 40 KV 550 . . . . . . . . . . . . . . .4.9.1 Mvt. 1 Allegro molto . . . . . . . . . . . . . .4.9.2 Mvt. 2 Andante . . . . . . . . . . . . . . . . .4.9.3 Mvt. 3 Menuetto allegretto - Trio . . . . . . .4.9.4 Mvt. 4 Allegro assai . . . . . . . . . . . . . .4.9.5 Key relationship overview . . . . . . . . . .4.10 Symphony No. 41 in C Major Jupiter KV 551 . . . . .4.10.1 Mvt. 1 Allegro vivace . . . . . . . . . . . . .4.10.2 Mvt. 2 Andante cantabile . . . . . . . . . . .4.10.3 Mvt. 3 Menuetto allegretto - Trio . . . . . . .4.10.4 Mvt. 4 Molto allegro . . . . . . . . . . . . . .4.10.5 Key relationship overview . . . . . . . . . .4.11 Opera The Magic Flute KV 620 . . . . . . . . . . . . .4.11.1 Ouvertüre . . . . . . . . . . . . . . . . . . . .4.11.2 No. 1 Introduction ‘Zu Hülfe’ . . . . . . . . .4.11.3 No. 2 Arie ‘Der Vogelfänger’ . . . . . . . . . .4.11.4 No. 3 Arie ‘Dies Bildnis ist bezaubernd schön’ .4.11.5 No. 4 Arie ‘O zittre nicht’ . . . . . . . . . . .4.11.6 No. 5 Quintett . . . . . . . . . . . . . . . . .4.11.7 No. 6 Terzett ‘Du feines Täubchen nur herein!’4.11.8 No. 7 Duett ‘Bei Männern, welche Liebe fühlen’4.11.9 No. 8 Finale . . . . . . . . . . . . . . . . . . .4.11.10 No. 9 March of the Priests . . . . . . . . . . .4.11.11 No. 10 Aria ‘O Isis und Osiris’ with Choir . .4.11.12 No. 11 Duet ‘Bewahret euch vor Weibertücken’4.11.13 No. 12 Quintet ‘Wie? wie? wie?’ . . . . . . .4.11.14 No. 13 Aria ‘Alles fühlt der Liebe Freuden’ . .INCOMPLETE DEMO VERSION - PERSONAL USE 7169169174179179181181184185187196198198200200v

4.11.214.11.224.11.235viNo. 14 Aria ‘Der Hölle Rache’ . . . . . . . . . . . .No. 15 Aria ‘In diesen heil’gen Hallen’ . . . . . . . .No. 16 Trio ‘Seid uns zum zweiten Mal willkommen’No. 17 Arie ‘Ach, ich fühl’s, es ist verschwunden’ . .No. 18 Chorus ‘O Isis und Osiris, welche Wonne!’ .No. 19 Trio ‘Soll ich dich, Theurer, nicht mehr sehn?’No. 20 Aria ‘Ein Mädchen oder Weibchen’ . . . . . .No. 21 Finale . . . . . . . . . . . . . . . . . . . . .Key relationship overview . . . . . . . . . . . . .Ludwig van Beethoven5.1 Sonata Op. 2, No. 1 in F Minor . . . . . . . . . . . . .5.1.1 Mvt. 1 Allegro . . . . . . . . . . . . . . . . .5.1.2 Mvt. 2 Adagio . . . . . . . . . . . . . . . . .5.1.3 Mvt. 3 Menuetto and Trio, Allegretto . . . .5.1.4 Mvt. 4 Prestissimo . . . . . . . . . . . . . . .5.1.5 Key relationship overview . . . . . . . . . .5.2 Sonata Op. 13 in C Minor Pathétique . . . . . . . . .5.2.1 Mvt. 1 Grave - Allegro di molto e con brio .5.2.2 Mvt. 2 Adagio cantabile . . . . . . . . . . . .5.2.3 Mvt. 3 Rondo Allegro . . . . . . . . . . . . .5.2.4 Key relationship overview . . . . . . . . . .5.3 Sonata Op. 27 No. 2 in C] Minor Quasi una Fantasia .5.3.1 Mvt. 1 Adagio sostenuto . . . . . . . . . . .5.3.2 Mvt. 2 Adagio cantabile . . . . . . . . . . . .5.3.3 Mvt. 3 Presto agitato . . . . . . . . . . . . . .5.3.4 Key relationship overview . . . . . . . . . .5.4 String Quartet in B[ Major, Op. 130 . . . . . . . . . .5.4.1 Mvt. 1 Adagio ma non troppo – Allegro . . .5.4.2 Mvt. 2 Presto . . . . . . . . . . . . . . . . . .5.4.3 Mvt. 3 Andante con moto ma non troppo . .5.4.4 Mvt. 4 Alla danza tedesca, Allegro assai . .5.4.5 Mvt. 5 Cavatina, Adagio molto espressivo .5.4.6 Mvt. 6 Finale Allegro . . . . . . . . . . . . .5.4.7 Key relationship overview . . . . . . . . . .5.5 Symphony No. 5 in C Minor, Op. 67 . . . . . . . . .5.5.1 Mvt. 1 Allegro con brio . . . . . . . . . . . .5.5.2 Mvt. 2 Andante con moto . . . . . . . . . . .5.5.3 Mvt. 3 Allegro . . . . . . . . . . . . . . . . .5.5.4 Mvt. 4 Allegro . . . . . . . . . . . . . . . . .5.5.5 Key relationship overview . . . . . . . . . .5.6 Symphony No. 6 in F Major Pastorale, Op. 68 . . . .5.6.1 Mvt. 1 Allegro ma non troppo . . . . . . . .5.6.2 Mvt. 2 Andante molto moto . . . . . . . . .5.6.3 Mvt. 3 Allegro . . . . . . . . . . . . . . . . .5.6.4 Mvt. 4 Allegro . . . . . . . . . . . . . . . . .5.6.5 Key relationship overview . . . . . . . . . 1254254254255259259263265265265269269273INCOMPLETE DEMO VERSION - PERSONAL USE ONLY

CONTENTS5.7.275275278280280285287287287Franz Schubert6.1 Symphony No. 8 Unvollendete, D759 . . . . . . . . . . . . . .6.1.1 Mvt. 1 Allegro moderato . . . . . . . . . . . . . . . .6.1.2 Mvt. 2 Andante con moto . . . . . . . . . . . . . . . .6.1.3 Key relationship overview . . . . . . . . . . . . . . .6.2 String Quartet No. 14 in D Minor Death and the Maiden, D8106.2.1 Mvt. 1 Allegro . . . . . . . . . . . . . . . . . . . . . .6.2.2 Mvt. 2 Andante con moto . . . . . . . . . . . . . . .

Colophon This musical analysis book contains compositions from the classical symphonic and chamber music repertoire. It includes many master-works by the great composers from the tonal music period.