Transcription
llfellSCHIRMER'S LIBRARYOF MUSICAL CLASSICSFranz WohlfahrtOp. 45Sixty StudiesFor the ViolinEdited byGASTONING.BookIBookIIBLAYTWO BOOKSLibraryVol 838Library Vol. 839SCHIRMER, INCNew YorkCopyright, 1905, by G- Schirmer, Inc.PrintedInthe U. S. A.
PREFACEThe studybeginnersof the violin presents certain difficulties forpupil'swhich are frequently the cause of a sudden abatement in thefirst rudiments.zeal and ambition, even before he has mastered theThe blamefor- this isincapable or negligent;commonlylaidon the teacher, whoiscalledlosing sight of the fact that the pupil beganwithout the slightest notion, not merely of the difficultiesassiduous industryto be encountered, but also of the regular andhis studiesindispensable for surmounting them.It isshowingViolinimportant, therefore, to smooth thesetheir utilityand making them agreeableMethod was published and thewritten,whichlattermay befirst;asperitiesto this endbymypresent Exercises have beenconsidered as forming a supplement tothe former.If practised carefullyandintelligently, they will serve as a solidbecome anfoundation for the technique of any player ambitious toartist17640
Etuden.H.Studies.H Down bow.V Up -bow.Herunterstrich.V Hinaufsfrich.Die Finger moglichst lange liegen lassen.Das linke Handgelenk sehr ruhig.down as long as possible.Holdthe fingersTheleft wrist very quiet.Franz Wohlfahrt,Op.45,BookmN?l. Allegro moderate).muu igPjJr r rri v *iuuuis.rrxri-iW W-—«r#- llcj T Piff!mm17549iijijiiii - ttnrcu:rrrxjm » m Copyright,rlhf&05 by G.Schirtner, Inc.}Pp1-»lA l «- tin TT »Liirj pj& S frrrrrri 1
4Auch beider zweiten, dritten und siebenten Etude benutze man die vor Etude I iStehenden Stricharien.,In the second, third and seventh Etudes the sameboviings that were given for the first Etude are to be, used.N? 2. Allegro modefato. JF JlJjJJJJJJIimiJJIJi l im*; j4iipfii Ip3?* ECU'CL CTp SIN?3.Moderato.Hii lujiTVniij naucuj mf'17849iatfgi totHfi1
N? 4. Allegretto.m*f'iirr[ji ri ti r rCr [ ffi Hrrtflii fi'iajirririiiLiifI* [juf ftif"ihiLiuiQj riftk af lL mm 1*mLer c-WlIiiL LLfLcjtl l 5.fB' f.tfLiriLicffEfiLjjrCTitj jiCufg iniiihij glModeratesfe '[ LJtfcJr i LiJiLili iffiiiirfriinrfririiL L ?iiminnIirirrrr rrfrrnfee LLLLCJ llLLU 'LlXLCJ'iqarrrm Ilr»*»fHroppup [Mlll jiTolJjflltflilJ
N?6. Moderato.6s§*m7T »y1JE4ii sfffflftfiuuinn'iTTIOTjij'mirTnjjfimttLf tmfi rn'fN?7.Allegro moderato.EE SgF*smsm; 17549ui*.rrf Hrfriif ».u rrT] nfl .t.rr iii.rrtl r ta
i cj rrrrnrxCr iiitjj »iit nflflxi? —tj rr'fijimf-wTiilU riiprl llilTJTfr p cr ffl-TOugiJ'jjijjJin irrrii'fi' i ii'Ti JriijiJJ iN?8. Largo.#«3131s-e-&5-izcJ 2 PGrJirizcirni 3i»r fruginSB HIp N? 9. Allegretto''i iuT g'ii jj]j iji Lui LuliijjiiI'rn'ri#-*j'lrl iuMTiiqfnr ri ririf crifTfVrrim&mmmmmg m
8 Genau aufpassen bei Gis auf der D-Saite und bei D aufderA-Sflite.Aufpassen beiSaite,*tsD auf derA-Saite und bei As auf der E-Pay attentionA- string.Lookout fortoG on the D-string andDon the A-string and fortoAl Don theon the fi-st ring.N?10.Moderato.&o—i y oa-*NTH. Moderatof* '»17549m w && w g m ij11'ijn gupjffilfLu Piffaj' ii fljgffii i
N 13. AllegroMn jUyiiUjii iija Syo4wmmmi#m§&l llfTlM4i iuQ*ic fSf#-*iTSrrTff##i#»n Sic-XJB itcjj.ijj ijpijjj E&ijff 'Ci ft ii Dj Li,i4igrfr* g?. ,f.ofem-rf 1754 9'4ak-ft4ULrifi'i—xiiii)ii
10N? 13. Moderate* Btf fttpfi7? S»*/*31'trirfri{tfr m Ti' j#iJ sffir' s?Uuj'f'- firf iJ -.U tfSBtfjT**-j ffl Q.«:p»N?#1 .rto/ rilrrrrirJ7TiiBSSB9omfBtf. irtt Cfl i -i.Allegro non tanto.SIE/Cr JlJU *4ErTOfifrr rr rh T frnji17549ijSij'rcririrtttfir ip mtfnr' ir— -* UsBbahJ iiii'ul"'12t4 - rrr.;''-m;PCW422jr' d liiim r Mr[[i Ii4f&-4*iiirijfl urr r'frtriiMfCfjjlJ* i a
11mlhrjJ iJjJciLri J.,,.ifrj?Jca:rp'rJijc JiJ nrjgecCJ- psl I'jj rifjj r rjj xr ryi4' 1r rrJlj ujiN? 15. Allegro.& fJrjfri rgjOjjt ijonrrT]]tffirTB# amj ir7'T T-f--i*ooijjjj'f f J i*Tn jjj) 7 31iLLfoxjIS17549J*iill«H-d 4 S* #lrtfrnifjn sm y l''
12N?16. Moderate.443J 44jgti 'jIgjpg-*71*s #»2TiJ iia 11 aa,i» am raHt—N 17.«J'iJgg ii gjBMo derato aseai- gIsHEi'" '01j'iljji ii rriJii».i ii4rHif*r i f151latg fe*lsmzzzmd * o *o 7T**2*2IfW1**i MJMBMcffi0iiJRQ rririr»fti fr *r*-t3*5*S* i * r \ o** l 24teMi; r HrrWrrhl%ftli'ZZJir-fcrr*-# # ii'ijjijjyTf iiij i .n ni j nriiT jjjii.rTiai/rrsjn OfjtifrjmfiJiIH jJ17549i Jj Tii' iiV.Mai jjj .rTj rrJi
13PM W ntf m* * »mj Uf PwJ?Jj'.jJ ri r*jjyfijijjN?1754918. Allegro.nrf.3t ffiijjiuDMi
14JJJJ jJBei den letzten 3 Takten behalte man immer dieselbe Strichart bei.IIn the last three measures, employ the same b owingwithout change.N?19. Moderates-tcf-TjimjjJj p rim/Ltniti irrruinr 'iirijijhpiiflj nJe1ri3 uf TTjjJ' sjr4JJ j ]J17549Ul'J'jj jWjl'irr i ju rJ1jj njiiiqJi rCj'ijjiijijkm.wr rrr i, n mo#itai 4in;'i i l
15N? 20. Allegro.mj*i4'm 'm 'LLJ1i"EJ CTf'T LlHi .irfir jh njuijjf rr'J fc J-J.,miujirjTff Trffir- Pj jfTr1''J'rft jJf'i175491u7JT ajgjjj.i anjuortten.4llftir LilH111,ij i.jj iIIfai44 # tempo-[JcJT/ ""*.iSj,j ffi rfTr[ffifrLJ ffipl.ijrujiijLUJilT TrEoTf'L jg« tempo-fTfrrTi7irirujri«1j, " f T -[ifflr[fflftffir 1fe iJJ Jlr- lXJ*i'iCTf T,j,r«"/iw.izgifgUffi" .iwili? mi,mottonil'rzten.iij[ ' -SSI
16N? 21. Allegro.Hii #a5**'.?rPSii «— —ff': 3 "3 *4 4j L#-p446i WW WW# Fj'n friI4 48m444 fei-\jjf1 pfjlt: 14 V46* SfJRrrrF ii0l —J. E EEEi E !l *#«I StjMfcUWi1.* Ji **117&4915E #-*-1MM TO P11*b?M1aM
17N? 22. Allegro.v 4*ff"jFes4 um »yIttc t jfflrt rritt gggiJM54Urrur njiiJTu.inrru fe# lljjH'"** Nii
18N? 23. Moderato. n pu rf rtin titfI ff ub\ to tt Q\jjjjjTiJ?u cntrcjcricjrCf w ,ooftcarLrtfi Jtrificfcfg#j3* »i J t J*i*» ,ftt»« j ** » #» .*li rrfrrhrfrrrri9 SCJ" JJU J-j.L f ffiriiigagr»lw *! *ftrtCfiF—rLIitfLfcjiCf''o "ii c rrfr iiujjM M ]j r *»1 Lf' O*y *gf# cricJcJcriLrLf rrrfiIii'Lf Lr cJr*T P »0 0ifrrr.JirrrjLftf tTCfcr [ cjjf cftrcf*cJ" 1 ufiUi U' irrrrrrftrrfrrri sJr JpiCJ"* **fi«Jtri rfrrr c.r r r*11549f rtrflljlfjl JVJJjJilJiJiJIftl\Lis
19N?24. Moderatbassai.iiJJJJJlJpJ»iflBI J J JfilIJJ"JT31J Ij Jr3N? 25. AllegroJIJfJTJ -5Jffl J?J*3O0t4H "fn m1«HPs17549Jffic rirjfyw r--0"rmrJrTf;1tt fis:# * ffpff9 9—-
20N 26.* *Allegro.S caji[ fmri[j cari[ fJTJii« " JTnTrfnffB4Po-*-PhS4* *f WIrryMi#s# # — C 1*- ipij[Cdmi'UflIJ -IN? 27. Allegro. W rn nSfifrSfe trw'fjfyniujbft0-jt*-fr rr3*&WJ.i*— az:*17549it:JLr: J.**#1— :r11l1r r. m —U*Lj4 . SWT[yn"rj 2 :;'2LrU p
21# - -mhJ hf .E.mu-'i U'Lr'U' Lrlj aakTLTLT «l*& v4 d',r7 &JtJ Jg /rrfrfv v4'gf'jia" »tL rp-ra*iisSi#rrr r1/I -n -nr11iE ir-n -niiiifrr i t-iCj"aJ31ISISHE njl hff n jinTvr LJ IsUp-nr»?1J1i«Hf1in tf11f, f J*1IJ-inj-,E?E N? 28. Allegretto.*&: **« m«- i7549m-d-m.Ji ii Juitfl?* v P IJUJJUPfil rm;tSfl?SIrjrJJ jjj]iqtir*1pa
22N? 29. Moderate17549
N? 30. Allegro.xz17549m*to*#'4 N:ii
PREFACE Thestudyoftheviolinpresentscertain difficultiesforbeginners whicharefrequentlyt
