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SESSION A WEDNESDAY 15 MAY 2019 12:00 -1:30 PMDynamics of Submission in PolygamousInstitutions in Lola Shoneyin's The SecretLives of Baba Segi's Wives4: Tereza Kidane, Ohio University, The NewWoman: The Notion of Modernity DuringThe Eritrean Nationalist MovementA1: WRITING RIGHTS/ RIGHTING WRONGSVenue: Room 20Chair: Chielozona Eze, Northeastern IllinoisUniversity1: Carol Njoku & Loretta Okpara, Universityof Nigeria & Alvan Ikoku College ofEducation, Nigeria, Migration, CulturalIdentity and Human Rights Issues inChimamanda Adichie’s Americanah2: Chielozona Eze, Northeastern IllinoisUniversity, Albinism, Disability, and theFuture of Human Rights in Africa3: Ernest Cole, Hope College, Mapping theOther: The Colonial Mindset and RePresentation of Minority IdentitiesA4: RELIGIOUS/THEOLOGICAL SITES OFPRODUCTION & PRODUCTIVITYVenue: Room 30Chair: Temitope Abisoye Noah, New YorkUniversity1: Ellison Domkap, Gordon-ConwellTheological Seminary, Ministry or Industry:Between Faith, Entertainment, and Theology2: Temitope Abisoye Noah, New YorkUniversity, What Is a Yoruba ChristianMovie?3: Ama Boatemaa & Appiah-Kubi, Universityof Education, Winneba, GenderPerformativities and Identity Construction:Quest for Healing, Salvation and Prosperityin an African Pentecostal ChurchA2: READING NIGERIA: NATIONAL, REGIONAL,FEMINIST, STUDIESVenue: Room 21Chair: Ngozi O. Iloh, University of Benin, Nigeria1: Ngozi O. Iloh, University of Benin, Nigeria.Nigerian Literature in French: Past, Present,& Future2: Loretta Chikaodi Opara, Alvan IkokuFederal College of Education, Nigeria,Reviewing the African Woman's Identity inContemporary African Culture: A Study ofZaynab Alkali's Stillborn and ChimamandaAdichie's Americanah3: Joseph Abel, Federal University Lokoja,Nigeria, Provinciality and NationalDiscourse in the Postcolonial Novel inEnglish in Northern NigeriaA5: ETHICS AND FEMINISMVenue: Room 31Chair: Ijeoma Ann Ngwaba, Federal UniversityOye-Ekiti, Nigeria.1: Nonyelum Mba, University of Abuja,African Feminist Theories’ Motif andEmerging Perspectives in AfricanLiterature2: Ijeoma Ann Ngwaba, Federal UniversityOye-Ekiti, Nigeria, InterrogatingObjectivity in Amma Darko's Beyond theHorizon and Chika Unigwe's On BlackSisters StreetA3: FEMINISM & WOMANISMVenue: Room 22Chair: Tereza Kidane, Ohio University1: Maureen Amaka Azuike, University of Jos,Nigeria, Cultural Patriarchy and MythicalStereotypes About Women in AfricanLiterature2: Ojel Anidi, Institute of Management andTechnology (IMT), Enugu, Nigeria, RoleRedefinition in Flora Nwapa's Efuru andImplications for Gender Balance in ModernAfrican Society3: Ethel N. Okeke & Abigail O. Eruaga, EnuguState University of Science and Technology,Nigeria & University of Benin, Nigeria,3: Chukwu Romanus Nwoma & OnyekachiEni, Alex Ekwueme Federal University,Nigeria, Hegemonic Masculinity:Sexploitation in Amma Darko’s Beyond theHorizon4: Abha Sood, Monmouth University, QueenMothers of Ghana in the New Media11

A6: GROUNDS OF LITERARY AND CULTURALHISTORYA7: TOPICALITY, COMMUNICATION, & ALLIEDSITUATIONSVenue: Room 32Chair: Aisha Umar, Federal University, BirninKebbi, Nigeria,1: Ojo Olorunleke, Lagos State University, TheMaterialist Template and NigerianLiterature of the 1970s to the 1990s2: Aisha Umar, Federal University, BirninKebbi, Nigeria, Women in the NorthernNigerian Novel in English: Trends andDevelopment3: Ijeoma C. Nwajiaku, Federal Polytechnic,Oko, Nigeria, Reflections and Retrospectivesof the Female Impulse in African Women’sWriting: The Nigerian Example4: Abiodun Adeniji, University of Lagos,Medium, Theme and Technique: Transitionsin African LiteratureVenue: Room 33Chair: Akosua Asantewaa, University of Education,Winneba1: Akosua Asantewaa, University ofEducation, Winneba, Doctor-PatientCommunication Culture in the ConsultingRoom: A Study of Two University HealthFacilities in Ghana2: Delight Agboada, Ohio University,Exploration of Ohio University’s Initiativesin Integrating Domestic and InternationalStudents Towards a Healthy InterculturalExperience3: Brayonie Sagoe, University of Education,Winneba, Gender Mainstreaming: Equalityand Equity in Professional Progression inHigher Educational Institutions in Ghana12

SESSION B WEDNESDAY 15 MAY 2019 1:45-3:15 PMB1: TRANSFORMATIONS IN PERFORMANCE &THEATERTeaching African Literature in the AmericanSouth2: Afam Ebeogu, Abia State University,Nigeria, Teaching Folklore in a NigerianUniversity: A Tentative Mode3: Marzia, Milazzo, Vanderbilt University,Mark Mathabane’s Kaffir Boy, Steve Biko,and the Politics of White Liberal Tutelage4: Chiji Akoma, Villanova University, EnterStage Left: Video and Igbo Literary DramaSurvivalVenue: Room 20Chair: Adwoa Opoku-Agyemang, University ofToronto1: Faith Ben-Daniels, University of Education,Winneba, The Akan Art of TraditionalStorytelling and Its Role in ModernGhanaian Theatre2: Rasheed Ismaila, University of Lagos /University of Louisville, Dramaturgy ofViolence and Generations of Playwrights inNigeria: A Critical and Historical Appraisal3: Paul Kennedy Enesha, Imo StateUniversity, Owerri, Nigeria, Navigating theContours and the Niceties of theContemporary African Satirical Drama: AStudy of Jerry Alagbaoso’s Collected Plays Iand II.4: Adwoa Opoku-Agyemang, University ofToronto, "Tradition" and Humour in Sekyi'sThe BlinkardsB4: WRITING NATION: COTE D’IVOIREVenue: Room 21Chair: Adam Schoene, Cornell University1: Stella Omonigho, University of Benin,Nigeria, New Structures in FrancophoneAfrican Drama: A Critique of Koffi Kwahuléand Moussa Kounaté's Plays2: Viviane Uetto, Morehouse College, Jeunesseet violence dans le théâtre africain ensituation d’interterritorialité: Le cas deBintou de Koffi Kwahule3: Adam Schoene, Cornell University, Legendand Sacrifice in TadjoB2: FESTIVAL & PERFORMANCEVenue: Room 30Chair: Tom Olali, University of Nairobi1: Adewale Ajayi, Federal Polytechnic, Ilaro,Nigeria, Beyond Spectacle in the Colours andPageantry of Yoruba Town Festivals2: Tom Olali, University of Nairobi, Ritualand Spectacle: The Grandiloquent Display ofParadoxical Metamessage during the LamuMaulidi Festival3: Anya Egwu, University of Nigeria, Drama,Performance, Performativity, and theConversation on Igbo (South-EasternNigeria) Festival Drama4: Thaddeus Uzoma Nwannaju, Ambrose AlliUniversity, Nigeria, Interrogating the Futureof Festivals in AfricaB5: PUBLISHING & OTHER SITES OFPRODUCTION IN AFRICAN LITERATURE:Venue: Room 22Chair: Ketu Katrak, University of California, Irvine1: Mũkoma wa Ngũgĩ, Cornell University, TheMakerere Generation and Heinemann: AReassessment?2: Akachi, Ezeigbo, Alex Ekwueme FederalUniversity, Nigeria, Who Wields the Knifeand Who Owns the Yam: Publishers andAuthors in Nigeria.3: Unionmwan Edebiri, University of Benin,Nigeria, Drama in Festivals: Some Examplesfrom Francophone West and Central Africa4: Morufu B. Omigbule, Obafemi AwolowoUniversity, Nigeria, Whither IsYoruba Ritual Studies?B3: LITERATURE, DRAMA, & PEDAGOGY INCONTEXTSVenue: Room 35Chair: Chiji Akoma, Villanova University1: Kolawole Olaiya, Anderson University,“The World Is Like a Mask Dancing”:“Writing Back” as a Pedagogical Tool for13

B6: HUMAN RIGHTS AND CHILDREN INAFRICAN LITERATUREB7: ILLUSTRIOUS INSTITUTIONS WITH WOMENAT THE HELMVenue: Room 32Chair: Joya Uraizee, Saint Louis University1: Funmi Aluko, University of Ibadan,Nigeria, Live Performance as Intervention inCorrectional Homes for Minors2: Joya Uraizee, Saint Louis University, After theWar: Beatrice Lamwaka’s "ButterflyDreams" and Children in Post-ConflictSocieties3: Perpetua Woda, University of Calabar,Nigeria, Assets Or Liabilities? Configuringthe Family and the School in Tackling SocioEconomic Securities: An IntegrativeHumanistic Study of Selected NigerianChildren’s Literature4: Obala Fanuel Musumba, HumboldtUniversity, Re-Situating the Child Figure inZones of Violence in the Eastern AfricanNovelVenue: Room 33Chair: Marie Umeh, CUNY1: Carole Gregory, CUNY2: Oty Agbajoh Laoye, Monmouth University3: Sidney Davis, Jr, Independent Scholar4: Marie Umeh, CUNY5: Sylvester, Onwordi, Buchi EmechetaFoundationB8: DIANA ADESOLA MAFE'S Where No BlackWoman Has Gone BeforeVenue: Room 34Chair: Lily Saint, Wesleyan University1: Mahriana Rofheart, Georgia GwinnettCollege2: Lily Saint, Wesleyan University3: Louisa Egbunike, City University, LondonUKB9: CONTEMPORARY LESSONS FROM OFFICIALFESTIVALSVenue: Room 31Chair: Adeola Adijat Faleye, Obafemi AwolowoUniversity, Nigeria1: Adeola Adijat Faleye, Obafemi AwolowoUniversity, Nigeria2: Donatus Fai Tangem, University ofYaounde, Cameroon3: Anthony Chiedozie, University of Nigeria4: Lami Adama, Claflin University5: Denja Abdullahi, National Council forArts & Culture, Nigeria4:00-6:30PM: Keynote LectureChimamanda Ngozi AdichieOhio Union, 1739 N. High St, OSU Campus7:30-9:00PM: Opening ReceptionRenaissance Hotel, Hayes CDE14

7:00AM-9:00AM: ALA Exec Council Meeting--Renaissance Conference RoomSESSION D THURSDAY 16 MAY 2019 9:00-10:10:30AMD1: NO PAST, NO PRESENT, NO FUTURE?SIERRA LEONE LITERATURE, VISIONS, ANDREVISIONS OF NATIONAL INSTITUTIONS ID3: MARRIAGE INSTITUTIONS: PAST, PRESENTAND FUTUREVenue: Room 21Chair: Blessing Diala-Ogamba, Coppin StateUniversity1: Blessing Diala-Ogamba, Coppin StateUniversity, Marriage Relationship: AnExpression of Choice in Mariama Ba's SoLong a Letter2: Juliana Daniels, University of Education,Winneba, Ghana, "No Pain No Gain":African Women's Pragmatic Consent toHyper-Masculinities in Pede Hollist's So thePath Does Not Die3: Irene Agunloye, Georgia State University,Marriage Institution: Past, Present, andFuture4: Chioma Opara, Rivers State University,Port-Harcourt, Nigeria, In Defiance of HolyMatrimony: Subversion of Tradition andPropriety in Adichie's FictionVenue: Room 34Chair: Ernest Cole, Hope College1: Ernest Cole, Hope College, MappingInstitutional Dichotomies in Sierra LeoneLiterature: The Memory of Love and TheDevil that Danced on the Water2: Arthur Onipede Hollist, University ofTampa, An Analysis of InstitutionalizedTropes in Selected Sierra Leonean ShortStories3: Elizabeth Kamara, Fourah Bay College,University of Sierra Leone, Eldred DurosimiJones: A Humanist and Critic4: Eustace Palmer, Georgia College & StateUniversity, Syl Cheney-Coker: Writer andActivist Wrestling with His Country’sAgonyD2: MÉMOIRE ET TEMPORALITÉ: APPROCHESPLURIDISCIPLINAIRES DANS LA LITTÉRATUREET CINÉMA ALGÉRIENS (NACALA)D4: LA LITTÉRATURE ORALE ET ÉCRITEAFRICAINE: L’ECRIVAIN ET LES DROITSD’AUTEURVenue: Room 30Chair: Karen Bouwer, University of San Francisco1: Karen Bouwer, University of San Francisco,Le temps de l'enfance coloniale: l'impossibleinnocence2: Priscilla Charrat Nelson, BradleyUniversity, La Responsabilité éthique aucoeur de la postmémoire: “Sommes-nousresponsables des crimes de nos pères, descrimes de nos frères et de nos enfants?”3: Amel Derragui, Université d’Oran 2: Tempshistorique, Temps mythique dans L’étoiled’Alger d’Aziz Chouaki4: Anne Donadey, San Diego State University,Le retour du cinéma moudjahid en Algériecinquante ans après la guerred’indépendance algérienne: Mostefa BenBoulaïd de Ahmed Rachedi (2008) etZabana! de Saïd Ould Khelifa (2012)Venue: Room 32Chair & Discussant: Clokou Anoha, École NormaleSupérieur d’Abidjan (ENS)1: Sagnan Nina Appia, Université FélixHouphouet Boigny, L’image de la femmedans les traditions orales et dans lalittérature africaine des origines à nos jours.2: Tedje Dieudonne Dogo, École NormaleSupérieure d’Abidjan, La littératureanglophone dans l’univers francophone enCôte d’Ivoire: Les enjeux et les pratiques etles limites3: Utsilamy Bouz Anoha, Université FélixHouphouet Boigny, La femme dans lachanson populaire africaine en tant quechanteuse et objet de représentation sociale15

D5: QUEER AFRICAN SCREEN MEDIA3: Stephanie Selvick, University of WisconsinWhitewater, Tsitsi Dangarembga’s FeministBildungsroman TrilogyVenue: Room 31Chair: Z'étoile Imma, Tulane UniversityDiscussant: Lindsey Green-Simms, AmericanUniversity1: Ivy Mills, UC Berkeley, The Queer Thingabout Djibril Diop Mambety Revisited:Hyena Iconographies in Senegalese Cinema2: Gibson Ncube, Stellenbosch Institute ofAdvanced Study, Queer(ing) Silence inFrancophone North African Cinema3: Lyn Johnstone, Royal Holloway Universityof London, Praised Abroad but Banned atHome: Rafiki and the Politics of "PromotingHomosexuality" in Kenya4: Thato Magano, Rutgers University, Fuckingwith [the] Family: The Queer Promise inTsitsi Dangarembga’s Nervous ConditionsD8: DE DEPORTATION DE GBAGBO LAURENTPAR LA FRANCE: RETOUR SUR LA PSEUDOCRISE POSTELECTORALE IVOIRIENNE HUITANS APREVenue: Executive Meeting RoomChair: Marc Adoux Papé, St. John Fisher College1: Viviane Uetto, Morehouse College2: Marc Adoux Papé, St. John Fisher College3: Eyiwumi Bolutito Olayinka, University ofIbadanD6: INSTITUTIONS & SITES: PRIVATION ANDPRECARITYVenue: Room 20Chair: Gĩchingiri Ndĩgĩrĩgĩ, University ofTennessse, Knoxville1: Emilie Diouf, Brandeis University, At theTime of the Border: African Literature andthe Refugee Regime2: Hillary Kowino, University of Minnesota,Duluth, Prisoner Number 1323/69, WinnieMadikizela Mandela: A Legacy of FightingBack and Overcoming Apartheid3: Gĩchingiri Ndĩgĩrĩgĩ, University ofTennessse, Knoxville, Wrestling with theDevil: Redefining Performance Space inNgũgĩ’s Recontructed Prison Memoir4: Chioma Toni-Duruaku & Anthony B. C.Duruaku, Alvan Ikoku Federal College ofEducation, Nigeria & Federal Polytechnic,Nekede, Nigeria, Cartoon NetworksEnhancing Literary ApathyD9: LANGUAGE, RACE, COLORVenue: Room 35Chair: Carolyn Hamilton, University of Cape Town1: Ndirangu Wachanga, University ofWisconsin, Politics of Language in Ngũgĩ waThiong’o’s Biography2: Chinaka Mgbojirikwe, University ofCalabar, Nigeria, The Dialogics ofGlobalism: African Socio-PoliticalInstitutions and the West3: Mandisa Haarhorff, University of CapeTown, "White Indegeneity" and BlackAbsenting in the Farm Novel/PlaasromanGenre4: Carolyn Hamilton, University of CapeTown, Exiled Writings, Consecrated Sources,and the Institutional Displacement ofPolitically Potent Historical DiscourseD7: CONFRONTING OPPRESSIVE INSTITUTIONS:ON TSITSI DANGAREMBGAD10: INSTITUTIONAL INSTABILITY: TEACHINGAFRICAN TEXTS OFF THE TENURE TRACKVenue: Room 33Chair: Stephanie Selvick, University of WisconsinWhitewater1: Carolyn Martin Shaw, University ofCalifornia, Santa Cruz, A Thousand Deaths:The Space of Terror in Dangarembga’sZimbabwean Trilogy2: Pauline Ada Uwakweh, North Carolina A &T State University, From NervousConditions to Mournable Body: Tambu’sQuest for Voice and Place in the(Post)ColonyVenue: Room 22Chair: Uchechi Okereke-Beshel, University ofMaryland1: Uchechi Okereke-Beshel, University ofMaryland2: Bernard Oniwe, University of SouthCarolina3: Megan-Cole Paustian, North CentralCollege4: Nicole Cesare, Rowan University16

SESSION E THURSDAY 16 May 2019 10:45-12:15PME1: INSTITUTIONAL HISTORIES OF AFRICANLITERATURE PRE-1990de l’Atlantique de Fatou Diome: Uneécriture entre deux continents.3: Pius Ngandu Nkashama, Louisiana StateUniversity, Préalables méthodologiques pourdes littératures en “situation”4: Aliko Songolo, University of WisconsinMadison, La Revue du Monde Noir entreNégrophilie et NégritudeVenue: Room 35Chair: Julie Cyzewski, Murray State University1: Tobias Warner, University of California,Davis, Rethinking the 1962 MakerereWriters Conference: A ComparativeApproach to the Rise of the LanguageQuestion in African Literatures2: Madeline Bedecarré, Bowdoin College, OnProducing the African Canon: The UnitedStates Research Library as Collector of, andGatekeeper to, Francophone AfricanLiterature3: Julie Cyzewski, Murray State University,Mediascapes of Twentieth-Century AfricanLiterature: The London-Based TranscriptionCentre’s Anglophone Radio Program AfricaAbroad4: Olabode Ibironke, Rutgers University, NewBrunswick, On the Contribution to EarlyAfrican Literary Studies of the University ofIfe’s Odu: Journal of West African StudiesE4: NO, AFRICAN THEATRE IS NOT DEAD(PATCALA)Venue: Room 20Chair: Judith Miller, NYUDiscussant: Christian Flaugh, SUNY, Buffalo1: Thom Murphy, New York University,Prophetic Voice in Francophone AfricanTheatre2: Tony Haouam, New York University,Humor as Revolt in Sénouvo AgbotaZinsou's On joue la comédie3: Alicen Weida, CUNY Graduate Center,Racing and Un-racing Papa doit manger byMarie NDiaye4: Rachel Watson, New York University, KoffiKwahulé's Intermedial "African" TheatreE2: NEW BOOK FORUM: ON CARLI COETZEE'SWritten Under the Skin: Blood andIntergenerational Memory in South AfricaE5: AFROPOLITANISM REBOOTVenue: Room 22Chair: Amatoritsero Ede, University of theBahamas1: Amatoritsero Ede, University of theBahamas, Transcontinental Drift:Afropolitanisms2: Kayode Odumboni, Ohio State University,“The ‘High Anxiety’ of Belonging”: ReadingAfropolitanism in Adichie’s Americanahand Bulawayo’s We Need New Names3: Kwabena Opoku-Agyemang, University ofGhana, “Localized” Afropolitanism andViews from Flash Fiction Ghana4: Mosunmola Adeojo, University of Florida,“Peasant Fingers Masked with a Patina ofGentility”: Masculinity in Afropolitan LagosVenue: Room 34Chair: Grace Musila, University of theWitwatersrand1: Susan Andrade, University of Pittsburgh2: Anne Gulick, University of South Carolina3: Bhakti Shringarpure, University ofConnecticut4: Gabeba Baderoon, Penn State University5: Bwesigye Bwa Mwesigire, Centre forAfrican Cultural ExcellenceE3: DU CONTEXTE À L’HISTOIRE : A LA (RE)DÉCOUVERTE DES TEXTES FONDATEURS.(FRACALA)Venue: Executive Meeting RoomChair: Aliko Songolo University of WisconsinMadison1: Patoimbasba Nikiema, University ofPittsburgh, Poétique des Identités et desFrontières dans Traversée de la Mangrove.2: Aimé Angui, Université Félix HouphouëtBoigny, La Préférence nationale et Le ventre12:15-1:15PM: FRACALALuncheon, Hayes CDE17

E8: THE MEANING OF PETER ABRAHAMS, NONIJABAVU AND ES'KIA MPHAHLELE ACROSS ACENTURY (1)12:15-1:15PM: Editorial BoardVenue: Room 33Chair: Bhekizizwe Peterson, University of theWitswatersrand1: Makhosazana Xaba, University of theWitwatersrand, Self and Identity: NoniJabavu, the Nomadic Columnist of the DailyDispatch, 19772: Khwezi Mkhize, University of theWitwatersrand, Es'kia Mphahlele, SouthAfrica and the Question of the Aesthetic3: Stéphane Robolin, Rutgers University,Es'kia Mphahlele's Writing in the Whirlwind4: Christopher Ouma, University of CapeTown, Es’kia Mphahlele, Chemchemi, andPan-African Literary PublicsAfrican Literature Today (ALT),Renaissance Conference RoomE6: THEORIES: COLONIAL ENCOUNTERS,COLONIAL DISCOURSEVenue: Room 31Chair: Mohamed Kamara, Washington and LeeUniversity1: Mohamed Kamara, Washington and LeeUniversity, Two White Men in the Heart ofDarkness: William McCutchan Morrisonand Albert Schweitzer2: Kunle Olalere, The Polytechnic, Ibadan,Nigeria, Cultural Imperialism and AfricanLiterature: Rethinking Edward Said'sOrientalism Within a Cultural Milieu3: Marina Vlahaki, University of CaliforniaSan Diego, Women, Nation, and Empire in“A Black and White Encounter” by AdelaideCasely Hayford4: Antoinette Hayden, Mississippi StateUniversity, Who Speaks for the Enslaved?:Reclaiming Voice in Octavia Butler’sKindredE9: FRANCOPHONIEVenue: Room 30Chair: Etienne-Marie Lassi, University of Manitoba1: Josiane Banini, Florida State University,Ton pied, mon pied Asso ! : L’esthétiquede l’hybridité linguistique dans l’écritureromanesque de Léonora Miano2: Clokou Anoha, École Normale Supérieured’Abidjan, Musique, poésie et signification:Les instruments de musique occidentauxdans la poésie negroafricaine3: Etienne-Marie Lassi, University ofManitoba, Mémoires de porc-épic d’AlainMabanckou : Réécriture romanesque delégendes africaines?E7: TOPICS IN AFRIPHONE LITERATURE: ÒKÉDJ̀Í,YORÙBÁ FICTION, MAASAI ORALITYVenue: Room 32Chair: Akínyẹmí Akíntúndé, University of Florida1: Olúṣẹgun Ṣóẹ̀tán, University of WisconsinMadison, The Last Centurion: Òkédìjí andthe Nigerian Literary Culture2: Àrìnpé Adéjùmọ̀, University of Ibadan,Framing Violence: Crime and Security inỌládẹ̀jọ Òkédìjí’s Novels3: Abídèmí Bọ́lárìnwá, University of Ibadan,Realism in Ọládẹ̀jọ Òkédìj

7:00AM-9:00AM Executive Committee Meeting, Renaissance Conference Room 9:00AM-4:00PM Registration, 2nd Floor Foyer 9:00AM-5:00PM Book Exhibits, 2nd Floor Foyer 9:00AM-10:30AM Session I Panels 10:45-12:15PM Session J Panels 12:15PM-1:15PM Lunch Break 12:15PM-1:15PM WOCALA Luncheon, Hayes CDE 1:30PM-3:00PM Session K Panels 3:15PM-4:45PM Session L .