The HunGer Games' Jennifer Lawrence - Cineplex

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march 2012 VOLUME 13 NUMBER hEmilyBluntTheHungerGames’JenniferLawrencerises to thechallengePUBLICATIONS MAIL AGREEMENT NO. 41619533Our EIGHT favourite looks from spring’s runways, Page 42!

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Contentsmarch 2012 VOL 13 Nº3COVERSTORY38 Game ChangerShe may only be 21, butJennifer Lawrence knows allabout pressure. Nominatedfor an Oscar before shewas old enough to drink,she’s now the face of thebestselling book-turned-filmThe Hunger Games. Here shetalks about the pressure ofplaying rebel Katniss EverdeenBy Ingrid Randoja6 Editor’s Note8 Snaps10 In Brief14 Spotlight16 All Dressed Up18 In Theatres46 Casting Call48 Return Engagement49 At Home50 Finally.SpringFasfeatures22 Trip To Mars26 Snow Job30 Helms DeepTaylor Kitsch can’t waitfor his big-budget Martianadventure pic John Carter tocome out; the movie couldland him on Hollywood’s A-listBy Marni WeiszWe visit the Montreal setof Mirror Mirror to talkto Lily Collins aboutstepping into Snow White’spretty shoesBy Ingrid RandojaEd Helms doesn’t think he’s astar, but roles in Dr. Seuss’The Lorax and the comedyJeff Who Lives at Home mayprove him wrongBy Bob StrausshionPreview!Page 4234 Butter NutJennifer Garner tells us aboutlearning to carve butter (andit ain’t easy) for the upcomingIowa-set comedy ButterBy Ingrid Randoja37 Gone Fishin’Salmon Fishing in the Yemenstar Emily Blunt on workingwith Ewan McGregor, drinkingin Morocco and believing inthe impossibleBy Mathieu Chantelois4 Cineplex Magazine march 2012cover photo by tim palenREGULARS

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EDITOR’S NOTEPUBLISHER SALAH BACHIREDITOR MARNI WEISZDEPUTY EDITOR INGRID RANDOJAART DIRECTOR TREVOR STEWARTASSISTANT ART DIRECTORSTEVIE SHIPMANDIRECTOR, PRODUCTIONSHEILA GREGORYCONTRIBUTORS MATHIEU CHANTELOIS,BOB STRAUSSGladiator.for Kids!magine this movie pitch: “We want to make a politically charged gladiator movie — fight tothe death, innocents killing innocents in order to save their own lives, a real bloodbath. And,get this, all of the participants are children! And it’s aimed at an audience of children!”Alas, there was no such pitch meeting for The Hunger Games, the first film of a trilogy poisedto fill the hole left by the end of the Harry Potter and Twilight franchises. That’s because thegrim, but moving, thriller is based on a hugely popular book written for tweens and teens bychildren’s author Suzanne Collins.When The New York Times put The Hunger Games on its list of Notable Children’s Books of 2008 thepaper told us it was a “brilliantly plotted tale” in which “children fight to the death in ritual games” and itwas “aimed at ages 12 and up.”It makes me think of another book that’s creating a stir, Lenore Skenazy’s Free-Range Kids: Giving OurChildren the Freedom We Had Without Going Nuts with Worry, which was inspired by the outrage hurledat Skenazy after she allowed her nine-year-old son to take the New York City subway alone. Skenazyhypothesizes that today’s kids are being raised on such short leashes they grow up scared of everything andunable to fend for themselves.What an interesting contrast. The book that’s popular with parents is about how kids are so overprotectedthey can’t take the subway on their own, and the book that’s popular with kids has a plot about childrenkilling children that’s so dark many adults would find it difficult to read.So is The Hunger Games’ popularity a case of kids craving the sense of danger that’s absent from most oftheir lives? Or does Collins’ brutal tale support the idea that there are dreadfully scary things out there andchildren should be very, very afraid? Perhaps both.Now imagine casting such a movie. A litany of young women who’ve already proven they can takecare of themselves (on screen, anyway) were up for the central role of reluctant fighter Katniss Everdeen,including Hailee Steinfeld, who bested murderous cowboys in 2010’s True Grit, Saoirse Ronan, the titularassassin in last year’s Hanna, and Chloë Moretz, who shocked filmgoers with her crude, violent heroinein 2010’s Kick-Ass.Instead, the role went to 21-year-old Jennifer Lawrence, who has some kick-ass cred of her own, havingearned an Oscar nomination for her portrayal of an Ozark Mountains girl traversing dangerous terrain totrack down her drug-dealing father in 2010’s Winter’s Bone.In “Let the Games Begin,” page 38, Lawrence tells us why she thinks The Hunger Games — a movie shesays reminds us “of the worst part of humanity” — has struck a nerve with so many people.Elsewhere in this issue we talk to Jennifer Garner about transforming dairy products into art for Butter(page 34), we’re on the Montreal set of Mirror Mirror with Lily Collins (page 26), Canadian Taylor Kitschgives us a preview of his Mars movie John Carter (page 22), Ed Helms talks about his two new films,Jeff Who Lives at Home and Dr. Seuss’ The Lorax (page 30), and Emily Blunt discusses the impossible andSalmon Fishing in the Yemen (page 37).Plus, on page 42, we choose our Eight Favourite Looks from this year’s spring runways.n MARNI WEISZ, EDITOR6 Cineplex Magazine march 2012ADVERTISING SALES FORCINEPLEX MAGAZINE ANDLE MAGAZINE CINEPLEX ISHANDLED BY CINEPLEX MEDIA.HEAD OFFICE 416.539.8800VICE PRESIDENTROBERT BROWN (EXT. 232)VICE PRESIDENT, SALESJOHN TSIRLIS (EXT. 237)NATIONAL SALES MANAGERGIULIO FAZZOLARI (EXT. 254)ACCOUNT MANAGERSCORY ATKINS (EXT. 257)CHRIS CORVETTI (EXT. 233)HANNE FLAKE (EXT. 243)ZANDRA MACINNIS (EXT. 281)SHEREE MCKAVANAGH (EXT. 245)ED VILLA (EXT. 239)LORELEI VON HEYMANN (EXT. 249)STEVE YOUNG (EXT. 265)DIRECTOR, MEDIA OPERATIONSCATHY PROWSE (EXT. 223)DIRECTOR, CREATIVE MEDIA SOLUTIONSSEAN O’DONOGHUE (EXT. 250)QUEBEC 514.868.0005ACCOUNT MANAGERmartin dÉziel (ext. 224)ACCOUNT MANAGERGENEVIÈVE ROSSIGNOL-CHAPUT(EXT. 225)ALBERTA 403.264.4420ACCOUNT MANAGERKEVIN LEAHYBRITISH COLUMBIA 604.689.3068ACCOUNT MANAGERMATT WATSONSPECIAL THANKSMATHIEU CHANTELOIS, JOAN GRANT,ELLIS JACOB, PAT MARSHALL,DAN MCGRATH, SUSAN REGINELLI,MATHILDE ROYCineplex Magazine is published 12 times a yearby Cineplex Entertainment. Subscriptions are 34.50 ( 30 HST) a year in Canada, 45 a year inthe U.S. and 55 a year overseas. Single copies are 3.Back issues are 6. All subscription inquiries,back issue requests and letters to the editor shouldbe directed to Cineplex Magazine at 102 Atlantic Ave.,Suite 100, Toronto, ON, M6K 1X9; or 416.539.8800;or cineplexmagazine@cineplex.comPublications Mail Agreement No. 41619533.Return undeliverable Canadian addresses to:Cineplex Magazine, 102 Atlantic Ave.,Toronto, ON., M6K 1X9700,000 copies of Cineplex Magazine are distributedthrough Cineplex Entertainment, The Globe and Mail,Vancouver Sun and Montreal Gazette newspapers, and otheroutlets. Cineplex Magazine is not responsible for the return ofunsolicited manuscripts, artwork or other materials. No materialin this magazine may be reprinted without the express writtenconsent of the publisher. Cineplex Entertainment 2012.

SNAPSArnieSneersArnold Schwarzeneggershows displeasure whilewatching the FIS Men’sDownhill Skiing World Cupin Kitzbuehel, Austria.Photo by Martin Schalk/GettyKutcherStreetSurfsCaught in a torrential downpourNixon’sCloseShaveCynthia Nixon takes aduring a trip to São Paulo, Brazil,Ashton Kutcher makes the best of it.curtain call after theopening performance ofWit in New York City. Sheplays a cancer patient.Photo by Splash NewsPhoto by Michael Stewart/Getty8 Cineplex Magazine march 2012

Hugh’sSnowDayHugh Jackman feedsdaughter Ava fresh snowin New York City.Photo by Splash NewsCotillardWrapsUpIn Brooklyn’s Prospect Park,Marion Cotillard (centre)shoots an as-yet untitled movieabout an immigrant womanforced to work in burlesque.Photo by Keystone Pressmarch 2012 Cineplex Magazine 9

IN BRIEFAdam Scott andJennifer WestfeldtTheSeventhSonKristen Wiigand Jon HammThis is Not aBridesmaidsSequelall it Bridesmaids’ little sister.Four of the stars of last year’sbig-buzz comedy Bridesmaidsreturn in this month’s limited-releaseindie Friends With Kids, though in completelydifferent roles. Jon Hamm and Kristen Wiig,who played friends with benefits inBridesmaids are now a warring marriedcouple, while Maya Rudolph, who played thebride, and Chris O’Dowd, the Irish cop whostole Wiig’s heart, are now a weary husbandand wife raising two children.None, however, are the stars of this newfilm about best friends who decide tohave a baby together. Those roles go toAdam Scott (TV’s Parks and Recreation)and Jennifer Westfeldt, who also wrote,directed and co-produced the film.The ArtOf FilmBruce White is a North Carolina-basedtattoo artist who, in his spare time, likes topaint movie icons on black velvet, like theseones (clockwise from left) of Javier Bardem,Bill Murray and Carrie Fisher in iconic roles.But when asked why he’s attracted to themedium White doesn’t use words like kitschor camp. Just the opposite. “Some of theearliest velvet paintings were actuallycreated centuries ago depicting Christianreligious icons,” he says. “I’m a huge sci-fifan and these subjects have become soembedded in pop culture they have becomemodern icons.” Each piece is one of a kind;see more at www.velvetgeek.com. —MW10 Cineplex Magazine march 2012OnHomeTurf:Julianne MooreMaya Rudolph andChris O’DowdJennifer who?There are two ways to answer that question.Professionally, Westfeldt is best-known as thewriter and star of the 2001 indie hit KissingJessica Stein, about a straight woman who hasa gay relationship. But, personally, she’s bestknown for kissing Jon Hamm; they’ve been in along-term relationship for about 15 years.Regarding the Bridesmaids connection,after a screening of the movie at the TorontoInternational Film Festival, Westfeldt told theaudience that it was an accident. “We had noidea Bridesmaids would be the gajillion-dollarsuccess that it is, we knew it would be great,and now we’re just riding their coattails.” —MWJulianne Moore andJeff Bridges will hauntVancouver’s streets frommid-March to mid-May.They’re in town to shootThe Seventh Son, a spooky18th-century story abouta young wannabe exorcist(Ben Barnes) who is trickedinto unleashing an evilwitch (Moore). Bridgesplays the young man’steacher, Master Gregory.Expect the movie to hittheatres in February 2013.—MW

BabyBaneNot so scary now,are you Bane? Themumbling villainfrom this summer’sblockbusterThe Dark Knight Risesgets the Pop! Heroesbobble-head treatment.PregnantMom Trend!Pregnant actors Alyson Hannigan (left)and Jennifer Garner both utilize theiryoung daughters, Satyana and Seraphinarespectively, to plug parking meters inLos Angeles. Garner is due this month, whileHannigan’s baby should arrive in May.Photos by Splash NewsQuote UnquoteShe’s completely insane,and that’s always fun. She’sunpredictable, and when Iread the script I said, ‘Thatis the role I’ve been waitingto play for a long time.’—Olivia Wilde on playinga stripper-turned-buttercarver in Butter12 Cineplex Magazine march 2012

Would YouRecognizeDe Niro?Who’sdanny devito photo by frazer harrison/gettyBro?Any idea whose brotherthis is?Meet Dave Franco,younger sibling ofthe equally adorableJames Franco.Twenty-six-year-oldDave plays high schooldrug dealer Eric in thismonth’s 21 Jump Street.It’s not his first movierole, he played “Greg theSoccer Player” in 2007’sSuperbad and Mark,a bully, in last year’sFright Night, but it maybe his biggest.If you really want a tasteof Franco Junior, though,check out his short films onFunnyordie.com, includingthe hilarious “Acting WithJames Franco” series, inwhich Dave gets actingtips from his satiricallyover-confident big bro.—MWRobert De Niro’s ability to transform is no secret, but this story from the setof Being Flynn, in which De Niro plays real-life homeless man Jonathan Flynn,still amazes. After a day of shooting pickup shots around New York City,De Niro ducked into the swanky Greenwich Hotel, which he co-owns andwhere he spends much of his time, to clean up. Hotel security was promptlycalled to attend to the homeless man who had entered the building. —MWVivael Lorax!When an animated Hollywoodmovie is dubbed for a foreigncountry, talent native tothat country usually dothe voice work. Not sofor Danny DeVito, whoplays the title role inDr. Seuss’ The Lorax.DeVito also voicesthe Lorax in the film’sSpanish, Italian, Russianand German versions. It’snot that he’s fluent in thoselanguages; having a film’s stardub in foreign languages is justbecoming more common. First,a guide track is recorded by anactor who speaks the language,then the Hollywood star doestheir best to copy it with the helpof a dialect coach. —MWmarch 2012 Cineplex Magazine 13

SPOTLIGHTfrom ahe thing with making a movie aboutwaiters is, you’re bound to have a lot ofchefs in the kitchen.Joe Dinicol, star of the Canadiancomedy Servitude — about one waiter’scrazy last night on the job — confirmsthat “a good 90 to 95 percent” ofthe film’s cast had waiting experience, as did writerMike Sparaga and director Warren P. Sonoda.“It’s really the only thing we’re qualified to do other thanacting, if we’re at all qualified to do that in the first place,”says the 28-year-old Stratford, Ontario, native. He’s beenacting since he played Antony and Cleopatra’s son at theStratford Shakespeare Festival in 1993; he’s also waited orbussed tables at many restaurants in that time, includingToronto’s Gladstone Hotel and Mildred’s Temple Kitchen.But, says Dinicol, the cast’s waiting experience only madeServitude a better film. “It brought up a lot of stories andmemories and creativity because we all had ideas aboutwhat to put in,” he says. “If someone had an idea, we tried it.If it worked, great. If not, no one was too precious about it.”Dinicol’s big contribution was the snap. “I was shooting ascene with Aaron Ashmore [who plays a customer] and he’sgiving me a hard time, and he sort of snapped his fingers.And I was like, ‘Okay, we have to stop. We haven’t done thesnapping fingers thing.’ I mean, I’ve been snapped at somany times in a restaurant I can’t even count. And I lookedat Mike Sparaga and I was like, ‘Dude, we almost didn’t putin someone snapping their fingers at you.’”Dinicol is in the midst of his longest stretch withoutwaiting tables. “Almost two years, knock on wood,” he says.“I always assume I’ll be back there.”And that wouldn’t be such a bad thing.“I actually quite liked it,” he says. “On a good day youget to talk to people and charm them and entertain them,satiate them and bring them food. On a good day it can bea very, very good job . Unfortunately, some people go to arestaurant and they aren’t really there to enjoy themselves.They’re there because they think they deserve to be thereor because they can just afford it.” —Marni Weisz14 Cineplex Magazine march 2012Servitudehits theatresmarch 30thPHOTO BY JOHN BREGARWaiter

Love FREEMovies?We’re thebank for you.BONUS!2 FREE*MOVIESGetup toA SCENE ScotiaCard debit card rewards youwith FREE Movies and more. More often. * Earn SCENE points on all your everyday purchases - points that can be redeemedfor FREE movies and more.**Visit a Scotiabank branch or scotiabank.com/scene for FREE movie details.Registered trademark of SCENE IP LP, used under license.Registered trademark of The Bank of Nova Scotia.Cineplex is a registered trademark and Escape with Us is a trademark of Cineplex Entertainment LP, used under license.*When you obtain a SCENE ScotiaCard on a new SCENE-eligible bank account attached to your SCENE membership, 1000 SCENE points will be added to your SCENE membership account after you make your firstdebit purchase, which must be made within 60 days of opening your account. 1,000 additional SCENE points will be added to your SCENE account for having your payroll deposited to your new SCENE eligibleScotiabank account or a total of 2 pre-authorized debits (PADs) and/or pre-authorized credits (PACs) provided your automatic payroll or PAD/PAC is set up within 60 days of opening your account. All pre-authorizedtransactions must occur within the same month. These offers do not apply to existing SCENE-eligible Scotiabank account holders. Pre-authorized payroll or 1 of the following combinations of PADs and PACs mustbe transacted in one account (the same): a) 2 PADs; b) 2 PACs or c) 1 PAD and 1 PAC. The 1,000 bonus points will be credited to your account within 2 statement cycles of setting up the pre-authorized payroll, PADsand/or PACs.**SCENE points are awarded for debit purchases and Interac Flash transactions from a SCENE eligible account using your SCENE ScotiaCard. Normal Interac Flash transaction limits apply. Points accumulated usingthe SCENE ScotiaCard will be updated within 2-3 business days. SCENE points can only be redeemed at participating Cineplex Entertainment theatres or online at cineplex.com or scene.ca for other rewards offers. *

ALLDRESSEDUPRachelMcAdamsPaulaPattonViolaDavisIn L.A. for the premiere ofJourney 2: The Mysterious Island.At Warner Brothers’ postGolden Globes party in L.A.Glowing at the ScreenActors Guild Awards in L.A.Photo by Keystone PressPhoto by Keystone PressPhoto by Keystone Press16 Cineplex Magazine March 2012

JeanDujardinTinaFeyDanielRadcliffeIn Los Angeles for theScreen Actors Guild Awards.At the Golden Globesin Beverly Hills.At London’s Royal Festival Hallfor Woman in Black’s premiere.Photo by Splash NewsPhoto by Keystone PressPhoto by Splash Newsmarch 2012 Cineplex Magazine 17

IN THEATRESDr. Seuss’The LoraxMARCH 2The producers of 2010’sDespicable Me bringDr. Seuss’s beloved eco-taleto the big screen. A boy(Zac Efron) living in a worldwithout nature sets out toimpress a girl (Taylor Swift)by finding a tree. His searchleads him to the bitterOnce-ler (Ed Helms), whotells him of The Lorax (DannyDeVito), a small creature whodid his best to guard naturefrom man’s destruction. SeeEd Helms interview, page 30.Project XDr. Seuss’ The LoraxMARCH 9John CarterDirector Andrew Stanton(WALL E) says he’s beenobsessed with Edgar RiceBurroughs’ John Carter bookseries since he was a teenager.Stanton’s special-effectsextravaganza starsTaylor Kitsch as John Carter,a Civil War vet transportedto Mars who finds himselfcaught between two warringraces. See Taylor Kitschinterview, page 22.Being FlynnPaul Dano stars as a wannabewriter who takes a job in ahomeless shelter where hemeets his estranged father(Robert De Niro), a mandealing with demons anddelusions of grandeur.18 Cineplex Magazine march 2012This raucous comedy is beingdubbed “The Hangover forteens” with good reason. Threehigh school seniors — ThomasMann, Jonathan Daniel Brownand Oliver Cooper — strivingfor popularity host a partythat gets utterly out of control.Who invited the guy with theflamethrower?FriendsWith KidsBest friends Jason(Adam Scott) and Julie(Jennifer Westfeldt) watch asall their married friends havekids, only to have the addedburden ruin their relationships.Still, they know they wantchildren. So they decide toteam up and have a babywhile remaining “just friends.”Salmon Fishingin the YemenIn this lighthearted, politicallyinspired comedy, a Britishfisheries scientist (EwanMcGregor) is given theseemingly impossible taskof fulfilling a Yemeni sheik’s(Amr Waked) dream ofbuilding a fishing industryin his dusty Middle Easternhomeland. Emily Blunt stepsin as the sheik’s assistant.See Emily Blunt interview,page 37.Salmon Fishing in the Yemen’sEwan McGregor

march 1621 Jump StreetThe 1980s TV series that launched Johnny Depp’s career —he makes a cameo in the film — becomes a big-screen comedystarring Jonah Hill and Channing Tatum as incompetent copswhose youthful looks make them the perfect choice to goundercover at a high school and infiltrate a dangerous drug ring.Jeff WhoLives at HomeWriters/directors Mark andJay Duplass (Cyrus) love toexplore the psyches of quirky,emotionally lost men. Theycontinue the trend here withthis comedy about slackerJeff (Jason Segel), who joinshis brother Pat (Ed Helms)on a quest to catch Pat’s wife(Judy Greer) cheating. SeeEd Helms interview, page 30.BullyIn this award-winningdocumentary we see what lifeis like for five American teenstroubled by constant bullying.We move from high schoolhallways to the kids’ homes,where they and their familiestalk about the emotionaland physical distress causedby bullying.CONTINUEDMargaret Atwoodin PaybackPaybackCanadian documentarianJennifer Baichwal(Manufactured Landscapes)adapts Margaret Atwood’sbook Payback: Debt andthe Shadow Side of Wealth,which examines the origins ofall sorts of debt — financial,societal and environmental— and what debt means todifferent societies aroundthe world.Casa demi PadreThe fact that Will Ferrelldoesn’t speak Spanish didn’tstop him from making thisspoof of Spanish-languageTV soap operas. He workedwith a translator for a monthto perfect his delivery playingan upright rancher whosebrother (Diego Luna) involvesthe family in a war with a druglord (Gael García Bernal).Jason Segel (left)and Ed Helms inJeff Who LivesAt Homemarch 2012 Cineplex Magazine 19

march 23The HungerGamesThe first novel in SuzanneCollins’ best-selling trilogycomes to the big screen withJennifer Lawrence as teenagerebel Katniss Everdeen. Setin the future, the formerUnited States is now ruledby a pitiless government thatdemands teens from variousdistricts battle each other intelevised fights to the deathcalled “The Hunger Games.”Can Katniss and her partnerPeeta (Josh Hutcherson)survive and hold onto theirhumanity? See JenniferLawrence interview, page 38.FootnoteNominated for Best ForeignLanguage Film at this year’sOscars, this Israeli dramedyfocuses on the theologicaland personal conflictsbetween a father and sonwho both teach in the Talmuddepartment at the HebrewUniversity of Jerusalem.Stanley Tucci andJennifer Lawrence inThe Hunger Gamesmarch 30Mirror MirrorDirector Tarsem Singh’s (Immortals) colourful, family-friendlyfilm is the first of the year’s two Snow White pics to hittheatres. Lily Collins plays the naive Snow White, who’s sentpacking by the Evil Queen (Julia Roberts) and finds herselfmaking friends with a bunch of dwarfs and a handsome prince(Armie Hammer). See Lily Collins interview, page 26.20 Cineplex Magazine march 2012

National TheatreThe Comedy of ErrorsThurs., March 1She Stoops to ConquerThurs., March 29The Metropolitan OperaThe Enchanted Island(Handel, Vivaldi,Rameau)Encores: Sat., March 3& Mon., March 26Ernani (Verdi)Encore: Sat., March 31Family FavouritesJumanjiSat., March 3ShrekSat., March 10Wrath of the TitansIn this sequel to Clash of the Titans, demigod Perseus(Sam Worthington), Queen Andromeda (Rosamund Pike)and Poseidon’s son, Agenor (Toby Kebbell), come to the aidof Zeus (Liam Neeson), whose weakened control of Olympusleads to the release of the deadly Titans.E.T.: The ExtraTerrestrialSat., March 17Stuart LittleSat., March 24ServitudeWorking in a kitschysteakhouse is bad enough,but when the servers, led bywaiter Josh (Joe Dinicol), findout they’re all going to be firedthey take out their frustrationson the diners who tormentthem. See Joe Dinicolinterview, page 14.TheForgivenessof BloodJoe Dinicol (left) leads aservers’ revolt in ServitudeIt’s the clash of old ways vs.modernism, young people vs.their elders, in this Albanianfilm (directed by AmericanJoshua Marston) about ateenage boy who’s keptprisoner in his home to settlea feud between two families.The Neverending StorySat., March 31Stratford FestivalTwelfth Nightthurs., March 8& Sat., March 17i am bruce leesat. march 10& wed., march 21Bolshoi BalletLe CorsaireLive: Sun., March 11Classic Film SeriesWilly Wonka & theChocolate FactoryWed., March 14 &Sun., March 25Most Wanted MondaysLabyrinthMon., March 19Go toCineplex.com/eventsfor participatingtheatres, times and tobuy ticketsshowtimes online at cineplex.comall release dates are subject to changemarch 2012 Cineplex Magazine 21

Out ofThisWorld22 Cineplex Magazine MARch 2012

John CarterHits Theatres march 9thCanadian actor Taylor Kitschgets his big break starring inthe solar system-spanningperiod piece John Cartern By Marni Weiszaylor Kitsch is sitting at thekitchen table of a two-bedroomsuite at London’s Soho Hotel.The B.C. native — he was bornin Kelowna, raised just outsideVancouver, but now calls Austin,Texas, home — is in England tospread the word about what isundoubtedly the biggest movieof his career, John Carter. He’salready been to Paris and Munichto schmooze with the media and show clips from the film.“It’s coming out in a couple of months and we’re raring to go,” saysKitsch over the phone. “It’s been so long since we started working onit . We did some pickup shots six or seven months ago, but we startedshooting on January 17th, 2010.”That’s a long time in the career of an anxious young actor. To date,Kitsch is best known for playing an alcoholic high school footballplayer on TV’s Friday Night Lights and the mutant Gambit inX-Men Origins: Wolverine. But two years is not an unusually long timewhen you’re making such an epic, special-effects laden film.And this one is epic. It starts as a Civil War-era Western and endson Mars.Kitsch plays the titular John Carter, a veteran of the AmericanCivil War who joins up with a nomadic tribe of very tall, green-skinnedMartians called Tharks after he’s somehow transported to the farawayplanet. How does he get there? “I can’t give too much away,” saysKitsch, “but he’s being chased by Apaches and runs into this cave, andsomething mysterious happens.”There’s also a humanoid species on Mars, and when the Tharks taketheir princess (Lynn Collins) captive Carter has to play peacemakerand get her released.If the idea of combining the 1800s with extra-terrestrials seemsderivative of last year’s Cowboys & Aliens, or an Earthling fightingon behalf of another planet’s inhabitants reminds you of Avatar, youshould know this movie is based on the century-old Barsoom seriesby novelist Edgar Rice Burroughs — Barsoom being the name theplanet’s natives use for their home world.Best known as Tarzan’s creator, Burroughs actually wrote aboutJohn Carter first, and the series kicked off with A Princess of Mars inFebruary 1912.When asked whether it’s frustrating to see his film compared toCowboys & Aliens or Avatar, since John Carter’s been around so muchlonger, Kitsch sighs. “I think that no matter what movie you make,there are always going to be other movies that you can compare it to.And I think that in five years people are going to be comparing othermovies to John Carter.”CONTINUEDmarch 2012 Cineplex Magazine 23

“In the trailer you see a lot ofthe physical stuff but there’salso lots of internal stuff,a lot of twists and turns inthe plot,” says KitschTaylor Kitsch as John CarterRight: Kitsch with Lynn CollinsThat would be the hope. After all, landing thetitle role in a movie rumoured to have cost about 200-million was quite a coup for Kitsch, who turns31 next month. Reports are, both Jon Hamm andJosh Duhamel met with Disney to discuss the role. Sowhy did the studio settle on the lesser-known Kitsch?“I don’t know, that’s a good question for Stanton,”Kitsch says of the film’s director, Andrew Stanton,who makes his live-action debut with this film afterhelming the animated Pixar films Finding Nemoand WALL E. “I was on my boat in Austin, on thelake, and he called me — it’s always a good signwhen the director makes the call himself — and hesaid, ‘I just wanted to say great reading, and greatscreen test, and prepare yourself because you’reabout to have a lot of fun.’”Could it have been Kitsch’s physique that earnedhim the role? The actor had to be strung up on wires150 feet in the air for some scenes that take advantage of Mars’ lighter gravity. And before he becamean actor, Kitsch made a living as a physical trainerand played Junior A hockey for the Langley Hornets.But Kitsch doesn’t think his muscles earned himthe part. “I mean, if Jon Hamm had gotten the roleI’m sure he would have prepared himself. I’d liketo think it had more to do with my actin

grim, but moving, thriller is based on a hugely popular book written for tweens and teens by children's author Suzanne Collins. When TheNew York Times put The Hunger Games on its list of Notable Children's Books of 2008 the paper told us it was a "brilliantly plotted tale" in which "children fight to the death in ritual games" and it